CEO of Red Sea Film Festival Foundation: Saudi Arabia Will Rise to Unique Position in World Cinema

CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.
CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.
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CEO of Red Sea Film Festival Foundation: Saudi Arabia Will Rise to Unique Position in World Cinema

CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.
CEO of the Red Sea Film Festival Foundation Mohammed Al Turki.

Mohammed Al Turki, CEO of the Red Sea Film Festival Foundation, is confident that Saudi Arabia is on its way to claiming a "unique" position on the world cinema map.

Asharq Al-Awsat sat down for an interview with Al Turki after last week's announcement of the establishment of the Red Sea Film Festival Foundation and his appointment as its CEO. The festival will hold its second edition in Jeddah from December 1-10.

"As a film producer, I look at cinema with eyes that are filled with passion and love," Al Turki told Asharq Al-Awsat. "My role as CEO lies in encouraging art and creativity and providing full support to filmmakers, both inside the Kingdom and beyond, with the hope of pushing the industry forward and ensuring that its thrives."

A thriving cinema industry reflects thriving civilization, culture and arts and it also connects different peoples with each other, he remarked.

He pledged to provide greater support to filmmakers, vowing to help remove obstacles in the industry and to provide the necessary fertile conditions to make films. He also pledged to provide programs, activities and events that encourage the industry.

"I also vow to build on the success of the first edition of the festival that will be the top and constant platform for their ambitions, innovations and cinematic projects," added Al Turki.

Future surprises
Many have wondered how the second edition of the Red Sea Film Festival will set itself apart from the first. Al Turki said the second edition will bring many surprises that will be announced at the appropriate time.

"As for now, we are working tirelessly in planning and preparing for the event," he continued. "We promise that these surprises will meet the hopes and expectations."

He acknowledged some challenges that were encountered during the inaugural edition. "We can confidently say that we have overcome them, exceeding all expectations. This motivates us to build on the success we have achieved."

"Based on this, the new edition will have many surprises, activities and programs. It will feature more guests and stars on our red carpet. More local, regional and international films will be screened and more talents will share the spotlight," he pledged.

Global map
Asked whether Saudi films are ready to compete for festival awards, Al Turki adamantly replied: "Absolutely. Saudi cinema has made admirable strides."

This culminated when "Scales" (Sayidat Al Bahr), by Saudi director Shahad Ameen, won the Verona Film Club Award at the 2019 76th Venice Film Festival. Seven years earlier, at the 69th edition of the festival, Haifaa Al Mansour's film, "Wadjda", won three awards at the event.

"We are aware that the path for Saudi cinema to prosper is still long, but it is still ongoing," Al Turki said, while acknowledging that the industry in the Kingdom was still "relatively new compared to some countries in the region or the world."

"Nevertheless, it is on its way to claiming a special position on the world cinema map given its unique language and cultural and social context," he added. "We can now see that it is glowing under the light of Saudi Crown Prince Mohammed bin Salman's Vision 2030."

Early passion
Al Turki recalled to Asharq Al-Awsat how he first entered the world of cinema.

"I have been passionate about movies from a very young age. I have always loved classical films, Disney movies, westerns, the James Bond franchise and others," he said.

"I admired these movies and they piqued my extreme interest, from the days of videotapes to DVDs," he added. "My father also played a role in feeding this passion as he was an avid moviegoer."

Al Turki said he went on to develop his passion by taking photography and filmmaking classes during high school.

During his university years, he blended business management with the film industry by pursuing a double major. After graduating, he landed a job outside the industry but kept his eye out for the right opportunity that would fulfill his passion and it was a film by director Zeina Durra, called "The Imperialists Are Still Alive" (2010).

"This was my ticket into entering the film industry and I soon forged my way forward as a producer," said Al Turki.

He would eventually make his way to Hollywood and international fame. He joined a major production company and among his first and most successful projects was director Nicholas Jarecki's "Arbitrage", starring Richard Gere, who earned a Golden Globe nomination for his role.

Al Turki joined the Red Sea Film Festival Foundation in 2020 with the purpose of supporting the growth of the cinema industry in Saudi Arabia. He focused on initiatives and activities that were aimed at supporting a new generation of Saudi and Arab talents and innovators.

As CEO, he is determined to develop the festival even further in wake of the success of the inaugural edition in December 2021 that attracted over 30,000 people and 3,155 professionals from the industry from around the world.



‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
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‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)

With a combined $270 million in worldwide ticket sales, “Wicked” and “Gladiator II” breathed fresh life into a box office that has struggled lately, leading to one of the busiest moviegoing weekends of the year.

Jon M. Chu’s lavish big-budget musical “Wicked,” starring Ariana Grande and Cynthia Erivo, debuted with $114 million domestically and $164.2 million globally for Universal Pictures, according to studio estimates Sunday. That made it the third-biggest opening weekend of the year, behind only “Deadpool & Wolverine” and “Inside Out 2.” It’s also a record for a Broadway musical adaptation.

Ridley Scott’s “Gladiator II,” a sequel to his 2000 best picture-winning original, launched with $55.5 million in ticket sales. With a price tag of around $250 million to produce it, “Gladiator II” was a big bet by Paramount Pictures to return to the Coliseum with a largely new cast, led by Denzel Washington and Paul Mescal. While it opened with a touch less than the $60 million predicted in domestic ticket sales, “Gladiator II” has performed well overseas. It added $50.5 million internationally.

Going into the weekend, box office was down about 11% from last year and some 25% from pre-pandemic times. That meant this week's two headline films led a much-needed resurgence for theaters. With “Moana 2” releasing Wednesday, Hollywood might be looking at historic sales over the Thanksgiving holiday.

“This weekend’s two strong openers are invigorating a box office that fell apart after a good summer,” said David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

The collision of the two movies led to some echoes of the “Barbenheimer” effect of last year, when “Barbie" and “Oppenheimer” launched simultaneously. The nickname this time, “Glicked,” wasn’t quite as catchy and the cultural imprint was also notably less. Few people sought out a double feature this time. The domestic grosses in 2023 – $162 million for “Barbie” and $82 million for “Oppenheimer” – were also higher.

But the counter-programming effect was still potent for “Wicked” and “Gladiator II,” which likewise split broadly along gender lines. And it was again the female-leaning release – “Wicked,” like “Barbie” before it – that easily won the weekend. About 72% of ticket buyers for “Wicked” were female, while 61% of those seeing “Gladiator II” were male.

And while “Barbenheimer” benefitted enormously from meme-spread word-of-mouth, both “Wicked” and “Gladiator II” leaned on all-out marketing blitzes.

Both movies pulled out all the stops in global advertising campaigns that spanned everything from “Wicked” Mattel dolls (some of which led to an awkward recall) to an Airbnb cross-promotion with the actual Colosseum in Rome. For “Gladiator II,” Paramount even took the unusual step of simultaneously running a one-minute trailer on more than 4,000 TV networks, radio station and digital platforms.

Though “Wicked” will face some direct competition from “Moana 2,” it would seem to be better set up for a long and lucrative run in theaters. Even at 2 hours and 40 minutes, the film has had mostly stellar reviews. Audiences gave it an “A” on CinemaScore. The reception for “Wicked” has been strong enough that Oscar prognosticators expect it to be a contender for best picture at the Academy Awards, among other categories.

Producers, perhaps sensing a hit, also took the step of splitting “Wicked” in two. Part two, already filmed, is due out next November. Each “Wicked” installation cost around $150 million to make.

“Gladiator II” has also enjoyed good reviews, particularly for Washington's charismatic performance. Audience scores, though, were weaker, with ticket buyers giving it a “B” on CinemaScore. “Gladiator II” will make up for some of that, however, with robust international sales. It launched in many overseas markets a week ago, earning $87 million before landing in North America.