10 Years after 'Gangnam Style', Psy is Happier than Ever

South Korean singer PSY poses for a photo during a press conference to unveil his ninth full-length studio album titled "PSY 9th." in Seoul, South Korea, Friday, April 29, 2022. (AP Photo/Ahn Young-joon)
South Korean singer PSY poses for a photo during a press conference to unveil his ninth full-length studio album titled "PSY 9th." in Seoul, South Korea, Friday, April 29, 2022. (AP Photo/Ahn Young-joon)
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10 Years after 'Gangnam Style', Psy is Happier than Ever

South Korean singer PSY poses for a photo during a press conference to unveil his ninth full-length studio album titled "PSY 9th." in Seoul, South Korea, Friday, April 29, 2022. (AP Photo/Ahn Young-joon)
South Korean singer PSY poses for a photo during a press conference to unveil his ninth full-length studio album titled "PSY 9th." in Seoul, South Korea, Friday, April 29, 2022. (AP Photo/Ahn Young-joon)

Ten years after "Gangnam Style" became a global phenomenon, South Korean rapper Psy is living his best life –- proud of his "greatest trophy" and free from the pressure of repeating that unprecedented success.

Uploaded to YouTube on July 15, 2012, the song's wacky music video became a runaway megahit, with its trademark horse-riding dance spawning thousands of imitations, spoofs and spinoffs.

It was the first YouTube video to reach one billion views, and with it Psy attained what K-pop acts before him could not: global recognition.

At the peak of the song's popularity, he was everywhere -- sharing the stage with Madonna, leading a flash mob in front of the Eiffel Tower, and performing before then US president Barack Obama.

But the success of "Gangnam Style" was a double-edged sword –- with fame came pressure to deliver another huge hit. Psy once described it as one of the most difficult periods of his life.

Things became "heavier and harder because... every time I (had) to have that kind of strong song", Psy told AFP in an interview last week at his company's headquarters in Gangnam –- the posh Seoul district he poked fun at in the track.

"I had a huge dependency (on) the song... But you know, it's 10 years ago, so right now I'm really free."

"Gangnam Style" transformed not only Psy's career but the music industry too, demonstrating how an artist not performing in a dominant language such as English could reach international audiences through the internet.

It also prompted a change in how music charts were compiled, making Billboard take YouTube views and streams into account.

K-pop acts "are very huge on YouTube, they are getting a lot of views", Psy said.

"If Billboard didn't change, it (wouldn't) be that easy," the 44-year-old added.

Psy's groundbreaking role has been acknowledged by some of the biggest names in K-pop.

"He's always someone I was grateful for," Suga, a member of hugely popular group BTS, said in a video last month.

"With 'Gangnam Style', he paved the way for K-pop in the United States... We were able to follow his footsteps with ease."

- A frontman like Freddie Mercury -
Psy, whose real name is Park Jae-sang, was a superstar in South Korea well before "Gangnam Style".

He cites Queen as his earliest inspiration -– while in middle school, he watched a video of the British band's famous 1986 concert at Wembley.

"I thought: I want to be a frontman like him (Freddie Mercury)," Psy told AFP.

"At that moment, I was not that good at music, not that good a singer... I was just a funny dancer."

While attending university in the United States in the late 1990s, he was exposed to what many have described as one of the golden ages of hip-hop, including the music of rappers Tupac Shakur and The Notorious B.I.G.

"I literally heard hip-hop every day on the radio," Psy said. "I thought: Oh, if I cannot sing that well, I gotta rap. Then I can be the frontman."

Debuting in 2001, he quickly made a name for himself with humorous and explosive stage performances and won multiple awards.

Unusually controversial for a Korean pop star, several of his earlier songs and music videos were given adult ratings because of what state censors deemed bad language.

- 'How lucky I am' -
Since the explosive success of "Gangnam Style", Psy has put out three albums.

The latest, "Psy 9th", was released in April by P NATION –- the record label and artist agency he founded in 2019.

Psy insists he is far from done, dividing his time between his own music and concerts and working with P NATION acts. And "Gangnam Style" remains a huge source of pride.

"It's the biggest and greatest trophy of my life," Psy told AFP. "When I do (a) show, it is my strongest weapon."

This was demonstrated at a performance at Korea University in Seoul last week, when a heaving crowd sang along to every word during a high-energy set that included songs from his first album more than two decades ago, as well as his latest one.

The fact that the young audience knows all the words to songs that were released before many of them were even born is not lost on Psy.

"These days, (I say to myself): 'Wow, dude, you are very popular. They love you!'

"How lucky I am as an artist. I'm happier than ever these days."



Keri Hilson's 'We Need to Talk' Marks Her Return to Music after a 15-Year Absence

Keri Hilson poses for a portrait on Tuesday, April 8, 2025, in New York. (AP Photo/Gary Gerard Hamilton)
Keri Hilson poses for a portrait on Tuesday, April 8, 2025, in New York. (AP Photo/Gary Gerard Hamilton)
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Keri Hilson's 'We Need to Talk' Marks Her Return to Music after a 15-Year Absence

Keri Hilson poses for a portrait on Tuesday, April 8, 2025, in New York. (AP Photo/Gary Gerard Hamilton)
Keri Hilson poses for a portrait on Tuesday, April 8, 2025, in New York. (AP Photo/Gary Gerard Hamilton)

The last time Keri Hilson put out an album, Barack Obama was in the second year of his first term as US president, the iPad was released and Instagram was brand new.
“On some days, I’m like that was just a blink away. But for the most part, yeah, it feels like a long time because I’ve been waiting. I felt stagnant, I felt stuck for a while, and conflicted,” said the two-time Grammy-nominated artist. “I’m very much approaching this like I’m starting over because that’s how it feels to me. I’ve lived nine lives since I last released ... I’m a whole different person.”
Hilson, the 42-year-old R&B star known for late 2000s hits like “Knock You Down,” featuring Kanye West and Ne-Yo. and “Pretty Girl Rock,” released “WE NEED TO TALK: LOVE” on Friday. It's her third album, following 2010’s “No Boys Allowed,” and is the first of a trilogy set for release this year. Led by the sultry single “Bae,” the nine-track album delves into romance and introspection.
“I feel resolved, both with the art and within about stepping back into the light. So, I think that resolve kind of had to be found before I felt confident enough to release the body of work and also unleash myself to the world again,” explained Hilson, who said she’s never stopped recording. “There were songs in my past that I felt were political moves, songs I didn’t really love that I had to sing ... I didn’t want to feel like that this time around.”
THE DISAPPEARANCE
One of those songs was a leaked remix to her popular 2009 single “Turnin Me On” featuring Lil Wayne, which peaked at No. 15 on the Billboard Hot 100. Lyrics included diss fans perceived to be aimed at Beyoncé.
Hilson, who had yet to drop her introductory album, “In A Perfect World,” which debuted at No. 4 on the Billboard Top 200 and No. 1 on Top R&B albums, claimed that she was forced to sing the lines, “She can sing / But she need to move it to the left, left,” assumed to reference Beyoncé’s “Irreplaceable.” She says she was threatened her album might not be released if she refused.
Last week, Hilson trended on social media following an interview with iHeartMedia’s “The Breakfast Club” after recalling the incident. While she has talked about it several times in the past, during that interview, the singer publicly named those involved, including producer Polow Da Don who she was signed to. She did not name singer-songwriter Ester Dean. However, after social media users tagged Dean in posts, she later identified herself.
The ending of a decade long relationship, a lack of control over her career and the intense, never-ending backlash from the BeyHive triggered depression and led to her retreat from music.
THE COMEBACK
During her time away, the Georgia native embarked on a journey of healing that included therapy, journaling and spiritual retreats.
“There were some perspectives that I needed to uncover ... untruths, beliefs that I kind of picked up or inherited about myself,” said Hilson, who shifted to acting.
Her comeback has included very selective press, avoiding what she describes as “new media” outlets such as social media-driven platforms, saying monetization can reward the promotion of gossip or incentivize the creation of lies. The salacious blog culture of the 2010s was a driving force in fanning the flames of her perceived beef with Beyoncé, who has never publicly commented on the situation.
Hilson “can definitely operate and navigate within the realm of R&B. She has a fan base,” said Keithan Samuels, founder of the popular website RatedRnB.com. “Her core fan base has matured ... she can navigate within this new era of R&B where there’s a lot of diversity and sound.”
THE MUSIC
Crafted with unofficial writing camps and records created throughout the years, “WE NEED TO TALK: LOVE” finds Hilson delivering vulnerable and flirty lyrics over a wide range of R&B sounds. Writing on all but one song, she avoided current R&B trends that developed during her absence, citing individuality as a key to her early success. She also believes algorithms have created a culture of musical homogeny, rather than creativity.
There are quintessential “Ms. Keri Baby” songs like the fun, Pop&B styled “Somethin (Bout U),” but there’s also the introspective “Naked (Love),” and “Say It,” in which she expresses, “I won’t say I love you / ‘til you say you love me.”
“I’m very ‘girl boss’ in my life, right? When it comes to relationships, I prefer to be a lady. I prefer to be approached. ... I prefer for the man to say ‘I love you’ first. I just prefer for a man to lead,” said Hilson. “I’m really a damsel – without the distress.”
The bedroom mood is set on the sexy slow jam “Scream,” while the bright “Whatever” floats with beautiful stacked harmonies.
“I feel like it’s something I would have written for Whitney. And I actually wrote a song for Whitney that she never was able to record,” said Hilson, who began her career as an in-demand writer whose credits include songs for Chris Brown, Mary J. Blige, Jennifer Lopez and Britney Spears. “This reminds me of a Whitney Houston record, where I think she would be now.”
Samuels of RatedRnB.com says this project is evident of the newfound control Hilson has over her career.
“It’s definitely not, to me, an attempt to have this commercial comeback ... it feels more personal,” said Samuels. “The other two albums, I feel like were more catered to what was current then.”
THE FREEDOM
Hilson says she’s still open to writing for other artists and giving away songs that may not fit her current musical era. She also has a new Lifetime movie, “Fame: A Temptations Story,” co-starring Keshia Chanté, premiering April 26 at 8 p.m. EDT. Hilson says acting is now an equal part of her career.
Though Hilson may be cautiously re-emerging musically, fans are welcoming her return. After The Breakfast Club interview, fans flooded her with sympathy and positivity, possibly due to a combination of her finally telling her side of the story in detail, as well as the passing of time. Some fans said they forgot about the incident or were too young to know about it.
“I just control what I can control ... I control what I allow to bring me up or down. These are realizations that I’ve had since I’ve been away,” said Hilson. “I feel unburdened ... I’m not projecting too much of the past onto now, and all of that is freeing.”