Milan Fashion Week: Fendi, Armani, Dolce&Gabbana Invoke Joy

A model wears a creation as part of the Emporio Armani men's Spring Summer 2023 collection presented in Milan, Italy, Saturday, June 18, 2022. (AP)
A model wears a creation as part of the Emporio Armani men's Spring Summer 2023 collection presented in Milan, Italy, Saturday, June 18, 2022. (AP)
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Milan Fashion Week: Fendi, Armani, Dolce&Gabbana Invoke Joy

A model wears a creation as part of the Emporio Armani men's Spring Summer 2023 collection presented in Milan, Italy, Saturday, June 18, 2022. (AP)
A model wears a creation as part of the Emporio Armani men's Spring Summer 2023 collection presented in Milan, Italy, Saturday, June 18, 2022. (AP)

Denim, fringe and chunky rubber sliders. These are the elements of next year’s summer wardrobe emerging from the second day Saturday of Milan Fashion Week menswear previews.

Temperatures in Milan were unusually high and the fashion crowd scooted from show to show with the thermometer topping 34 C (93 F) and forecast to keep getting hotter in the coming days. That makes linen an easy sell, but less so for the leather and even fur making appearances on Milan's Spring-Summer 2023 runways.

Milan designers Fendi, Armani and Dolce&Gabbana sought to invoke joy with collections that beckoned a return to leisure and some notes of nostalgia. Highlights from Saturday’s shows:

Fringe at Fendi

Silvia Venturini Fendi created earthy, grounded looks for a planet-conscious generation in shades that ranged from soothing chambray to hearty ochres, merging into a new motif created from images of swirling weather patterns of planet Earth.

The collection carried some nostalgia for more innocent times, from fraying hems on jeans to soft seams on denim bags, embroidery accents that recall beaded daisy chains and long, lush tassels on moccasins. Bucket hats are cut out for a visor feel, while knit cloches sport brims. Chunky rubber slip-ons were emblazoned with the inverted double-F logo.

For an easy day look, denim trousers were worn with knitwear in matching tones, accompanied by faded denim Fendi shoppers with a long, fringe crossbody strap. For the beach, there were short shorts in linen with soft zipped jackets and sturdy-soled slip-on loafers. On the more dressy end, roomy Bermuda’s shorts in cream paired with a camel jacket and ochre zipper back, with the cutout bucket hat.

The swirling patterns of Earth showed up on jacquard coats and intarsia knitwear and fur, and on a pair of ample coveralls. Bags included duffel-bucket combo shaped by the word FENDI cut out in leather; a denim Peekaboo incorporated as an external water bottle holder and bright shoppers were made out of recycled plastic.

"It’s about a balance of decoration and simplicity,” Venturini Fendi said in show notes. "An ageless sense of freedom to play, as we rediscover the luxury of free time.”

Dolce&Gabbana revisit seasons past

Domenico Dolce and Stefano Gabbana reached back into their archives for a new collection dubbed "Re-edition” that takes inspiration from the past, but is updated for the moment.

As if cleaning the slate, designers opened the show with a barefoot model in a white tank and briefs.

Dolce&Gabbana mixed distressed elements with tailored pieces for a high-low fashion appeal. The fashion house’s traditional lace tops were updated with a grungily distressed back, giving the otherwise dressier piece some streetwear credibility. Fraying jeans were worn with a black jacket and white shirt unbuttoned to the waist - as with the entire Re-edition collection, each piece carried a label establishing the original year of issue and the 2023 season update, for a dose of now and then.

Patchwork denim became statement pieces, with knee-high boots that appeared fashioned from jean jackets paired with patchwork shorts, leaving just a peek of leg in between. A soft white terry track suit gave way to Dolce&Gabbana’s familiar bling: a crystal covered rose-pattern jacket, worn with torn white jeans and velvet rhinestone covered slippers. Footwear included furry slippers, canvas or macrame sneakers with rope laces.

"I love the freedom of expression that they have,” said stylist Apuje Kalu, who took in the show from the front row alongside NFL quarterback Tyrod Taylor and NBA players Rudy Gay, Jaren Jackson Jr. and Corey Kispert. "That use of color, texture and print, they are not afraid of doing that for men. You don’t always see that.”

Emporio Armani’s seascapes

The Emporio Armani collection carried the carefree waft of summer, from light chambray tones to faded coral prints. The sense of the looks was that it's time to return to the simple pleasures.

Soft shirts, gilets and jackets, with dramatic flaps, high necks or zipper accents, were paired with streamlined cargo shorts or pleated trousers, often with informal slits up the leg.

Beachier looks, including drawstring pants and sheer knitwear, were finished with chunky rubber slip-ons, while more urban sophisticated tailored looks - including a series of black-and-white combo suits - were grounded with thick-soled black shoes.

As if to underline the need for joy, a reggae dancer jaunted down center stage to close the show.



French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
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French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)

Just days before her third runway show, French designer Pauline Dujancourt was riding a wave of excitement and nerves.

The 31-year-old admitted she had begun having strange, nightmarish dreams ahead of her big moment at London Fashion Week on Sunday.

The British capital will once again host its Autumn/Winter fashion week from Thursday to Monday, after New York's bonanza and before the catwalk carousel moves to Milan and Paris.

London, known for its raw creative energy and rising talents, is where Dujancourt launched her label in April 2022 after training at the renowned arts and design school Ecole Duperre in Paris, and fashion hub Central Saint Martins in London.

She and her team began work in November on her autumn-winter 2026/27 collection to be unveiled before some 450 guests -- journalists, buyers and VIP clients.

For designers, everything comes down to those few precious minutes on the catwalk. It's no wonder nervousness mixes with the creative buzz.

"I go through every emotion," Dujancourt told AFP with a smile. "Some days I'm super excited, full of ideas, and others I'm like: why did I pick this color, this fabric?"

The questions and worries snowball: "Will everyone be on time? Will there be last-minute hitches on the day?"

In recent weeks, she has been running her daily schedule with military precision.
Dujancourt works year-round with four assistant designers, but the team swells to around 50 people ahead of the show.

And she works with a community of knitters in Lima, Peru, with handknitting -- "something that my grandmother taught me as a child" -- being a hallmark of her garments.

"She was so skillful and so humble about it. And no one really realized how much work it takes and how much technique it takes," she said.

Known for her sensual, airy knitwear, Dujancourt was a finalist for the LVMH Prize, won Elle UK's young talent award, and is supported by the British Fashion Council.

Her clients span the globe from Japan to the United States, France and the UK, with regular requests for wedding dresses.

Her new collection pays tribute to women persecuted during historical witch hunts.

"I really want to celebrate the fact that there are so many women around the world who are working so humbly on domestic skills ... like sewing, hand knitting," she said.

Two weeks before the show, young seamstresses were crocheting floral motifs in mohair and Japanese metallic thread at a south London studio overlooking the Thames river and Big Ben.

Workers were hunched over their desks pouring over designs, with the looks still "in pieces".

Then comes the moment when everything is assembled. "It's the magical stage, when the clothes start to come alive," she said, her blue eyes lighting up her face framed by long dark hair.

Less than a week before the show, fittings begin with an in-house model, followed by the castings to find the right models.

On the eve of the show come final fittings, hair and make-up tests. And finally, on Sunday morning, the full rehearsal.

Show day always brings surprises. At Dujancourt's last catwalk in September, several models arrived extremely late, held up by another show.

"They turned up still wearing the other show's make-up. We had to dress them and redo everything ... I nearly died," she recalled.

What is her worst nightmare? A model tripping or garments ripping in front of the cameras.

"I once dreamt I'd forgotten to get dressed before coming out to greet the audience -- that would be a bit embarrassing," she joked.

Around 25 outfits will strut the catwalk on Sunday, a moment that "goes by in a flash".
Afterwards comes the crash.

"We barely see it happening ... because we are backstage in the madness and the chaos of it," she said.

But then it's finished "and there's a bit of baby blues afterwards," as she comes down off the adrenaline rush.

Dujancourt heads to Paris after London Fashion Week to meet buyers, before work begins again for her next show, in September.


Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 
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Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 

The Saudi Fashion Commission signed a memorandum of understanding (MoU) with the Saudi Retail Academy to develop national capabilities and boosting specialized skills in the fashion and retail sectors, reported the Saudi Press Agency on Monday.

The MoU aims to support local talent and the creation of sustainable employment opportunities in this vital industry. It stems from the two sides’ keenness to cooperate in the fields of training and professional development.

The agreement was signed on the sidelines of the graduation ceremony of the academy’s first cohort.

The Fashion Commission focuses on developing local talent, transferring global expertise, and advancing the fashion sector in the Kingdom, while the Saudi Retail Academy is a non-profit institute and a specialized entity in training and development in the retail field and in building professional competencies and skills related to retail and sales.

The MoU aims to establish a framework for cooperation to design and implement specialized training programs that boost the readiness of national cadres and qualify them according to the highest professional standards, with a focus on developing skills in sales, customer experience, and store management to meet labor market requirement and the needs of the growing fashion sector.

Fashion Commission chief executive Burak Cakmak said that developing human capital is a fundamental pillar for the long-term growth of the Kingdom’s fashion sector.

The partnership reflects the commitment to strengthening the capabilities that form the foundation of a competitive and sustainable industry through investment in specialized skills within retail and customer experience, enabling brands to grow and supporting the sector’s confident evolution, he added.

Saudi Retail Academy chief executive Hend Al-Dhaban stressed that the partnership embodies a shared vision to empower national talent and elevate professionalism in the retail sector.

The agreement will help channel training expertise to meet the specialized needs of the fashion sector and equip young men and women with the practical skills required to succeed in the labor market, thereby boosting service quality and supporting localization targets and economic growth, she explained.

This cooperation is part of the Fashion Commission’s ongoing efforts to develop the fashion value chain through building strategic partnerships with specialized training and education entities, expanding professional opportunities for national talent, and linking education and training outputs with labor-market needs.

Through their partnership, the commission and the academy will help in building an integrated ecosystem that connects education, vocational qualification, and employment, bolstering the competitiveness of the fashion and retail sectors and supporting the objectives of Saudi Vision 2030 in empowering national cadres, localizing jobs, and improving quality of life.


Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
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Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA

The Fashion Commission launched its Saudi 100 Brands showcase at the Saudi Cup 2026, marking a historic milestone for the world-renowned equestrian event at King Abdulaziz Racecourse in Riyadh.
The collections celebrate Saudi heritage by blending traditional and contemporary design. Jewelry and accessory brands also exhibited throughout, providing Saudi designers with a platform to reach a broader global audience. These showcases emphasize the fusion of heritage and modern design, offering a new perspective on the Kingdom's creative identity.
The Saudi 100 Brands program, a flagship initiative of the Fashion Commission, supports emerging designers by providing tools, expertise, and platforms to grow their global presence. This collaboration with the Saudi Cup underscores the importance of celebrating cultural heritage while advancing design innovation.

Each piece in the exhibition incorporates heritage motifs, textiles, and storytelling, reimagined through innovative design to appeal to modern and international audiences.

The exhibition aims to celebrate national identity, highlight local creative talent, and present the evolving direction of Saudi fashion, SPA reported.

Visitors explored the intersection of craftsmanship and cultural expression, discovering how designers honor tradition while advancing fashion design.

The experience also introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem.

This participation reflects the Fashion Commission’s vision to develop a thriving fashion sector rooted in cultural heritage and global ambition. By combining cultural narratives with innovative design, the commission enables Saudi fashion to contribute to global creative industries, nurture talent, and position Saudi brands for sustained success.