Gucci Unveils ‘HaHaHa’ Collaboration with Harry Styles

A model presents a creation for Giorgio Armani's Men's Spring-Summer 2023 fashion collection on June 20, 2022 in Milan. (AFP)
A model presents a creation for Giorgio Armani's Men's Spring-Summer 2023 fashion collection on June 20, 2022 in Milan. (AFP)
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Gucci Unveils ‘HaHaHa’ Collaboration with Harry Styles

A model presents a creation for Giorgio Armani's Men's Spring-Summer 2023 fashion collection on June 20, 2022 in Milan. (AFP)
A model presents a creation for Giorgio Armani's Men's Spring-Summer 2023 fashion collection on June 20, 2022 in Milan. (AFP)

By Monday's fourth and final day of Milan Fashion Week menswear previews for next spring and summer, designers seemed to have understood the assignment.

Looks appeared more weather appropriate than on the weekend, as soaring temperatures provided a reminder that warm-weather dressing can mean covered, but in a relaxed way that accommodates elegance and playfulness.

Highlights from Monday’s shows:

Giorgio Armani defends elegance

Against the onslaught of streetwear and dressing down, Giorgio Armani is defending elegance in all seasons.

The 87-year-old designer’s Spring-Summer 2023 collection mixes classics with more unusual iterations, as the fashion world demands. Proffering elegance is increasingly a lonely job.

"I don’t know when we will feel the loss of the man who moves through life with this refinement," the designer said after the show.

For his main line, Armani focused on casual, relaxed suits, for day or evening. There was movement in the loose trousers and jackets, but also in the graphic repeating prints that create the effect of waves. Print on print looks are insistently modern.

"It is true that it is nice to see a man dressed well in a suit. But it is also nice to see evolution of fashion. Bring on the basics, I have always done them in my life. It is also true that (the market) demands novelty," Armani said.

On that front, Armani created tunic-length tops. Jackets and shirts have a sheen rarely seen in menswear. A well-tied foulard substitutes a shirt under an open jacket. A scarf creates a sweeping effect on top of a white suit.

The color palate was rooted in the seaside white and navy combo, melting into shimmering shades of blue and gray before exploding into combinations of purple, pink and seafoam green.

The shoe of the season is an unfussy espadrille, substituting the sneaker of recent seasons, and which Armani himself wore, showing them off with an ironic laugh. Caps had no brim, all the better to show off the face.

"Acceptable. Credible. More assured," Armani said summing up the collection.

Gucci unveils HaHaHa collection

Alessandro Michele teamed up with Harry Styles for a between-season collection that infuses tailoring with adolescent joy. The collection is titled "HaHaHa,” tapping a sense of joy, and also the expression of their initials: Harry and Alessandro.

"In truth it was easier for him to play with me to create clothes, than for me to sing with him," Michele joked with reporters at a preview for the collection inside a Milan vintage store.

Harry Styles was just embarking on his solo career when Michele exploded into the fashion world proposing what was a new era of gender-fluid dressing, looks that immediately appealed to Styles. Michele said the singer incorporated one of his debut pieces as Gucci creative director into his wardrobe as he was breaking out from "One Direction."

The relationship has grown over the years and takes flight in frequent exchanges of fashion inspiration over WhatsApp.

"At times, WhatsApp becomes a mood board," Michele said. Though two decades apart in age, the two have found common ground in fashion: Michele says Styles restored a sort of adolescent glee, while Styles has matured into more tailored looks. The dual influences are present in the new collection.

The pair created a series of endearing block prints against gingham, featuring the collection’s mascot, a grumpy teddy bear, as well as a munching squirrel, and a sheep and cherry combination. Gucci styles tailored suit jackets from the prints, and paired them with colorful, wide-legged trousers or distressed jeans. The prints are repeated on pajamas, while patches inject whimsy onto knitwear or a ribbed white tank. Accessories include an updated Jackie Bag covered with grommets.

Mixed on the racks of the vintage store, the Gucci HaHaHa collection was often hard to distinguish from the stock.

"It is a great compliment to me that it is confused with vintage," Michele said. "Vintage means well-made."

Joeone perfects the summer trousers

French designer Louis-Gabriele Nouchi understood the assignment, creating easy to wear yet distinctive summer looks for Chinese brand Joeone built around trousers.

Nouchi’s designs combined Chinese draping with athletic hiking pants, including piping and secret utility pockets.

A print of the Chinese landscape "A Thousand Miles of Rivers and Mountains" by Wang Ximeng, featuring bold brush strokes of blue, green and ochre, created the season’s motif. Details from the painting appeared as a graphic print on a pair of wide-legged trousers, but also in patterns more subtly printed on jeans.

Shirtless models strode around the sunny courtyard of Milan’s Sforzesco castle, the bare torso displaying how the trousers rested perfectly on the waist.

"You have to wear the clothes to see the comfort. Pants are the most difficult piece to do in the men's wardrobe to be honest," Nouchi said. "They have to be functional, they have to be comfortable. They really give you the tone of the silhouette, I feel, more than the jacket."



French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
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French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)

Just days before her third runway show, French designer Pauline Dujancourt was riding a wave of excitement and nerves.

The 31-year-old admitted she had begun having strange, nightmarish dreams ahead of her big moment at London Fashion Week on Sunday.

The British capital will once again host its Autumn/Winter fashion week from Thursday to Monday, after New York's bonanza and before the catwalk carousel moves to Milan and Paris.

London, known for its raw creative energy and rising talents, is where Dujancourt launched her label in April 2022 after training at the renowned arts and design school Ecole Duperre in Paris, and fashion hub Central Saint Martins in London.

She and her team began work in November on her autumn-winter 2026/27 collection to be unveiled before some 450 guests -- journalists, buyers and VIP clients.

For designers, everything comes down to those few precious minutes on the catwalk. It's no wonder nervousness mixes with the creative buzz.

"I go through every emotion," Dujancourt told AFP with a smile. "Some days I'm super excited, full of ideas, and others I'm like: why did I pick this color, this fabric?"

The questions and worries snowball: "Will everyone be on time? Will there be last-minute hitches on the day?"

In recent weeks, she has been running her daily schedule with military precision.
Dujancourt works year-round with four assistant designers, but the team swells to around 50 people ahead of the show.

And she works with a community of knitters in Lima, Peru, with handknitting -- "something that my grandmother taught me as a child" -- being a hallmark of her garments.

"She was so skillful and so humble about it. And no one really realized how much work it takes and how much technique it takes," she said.

Known for her sensual, airy knitwear, Dujancourt was a finalist for the LVMH Prize, won Elle UK's young talent award, and is supported by the British Fashion Council.

Her clients span the globe from Japan to the United States, France and the UK, with regular requests for wedding dresses.

Her new collection pays tribute to women persecuted during historical witch hunts.

"I really want to celebrate the fact that there are so many women around the world who are working so humbly on domestic skills ... like sewing, hand knitting," she said.

Two weeks before the show, young seamstresses were crocheting floral motifs in mohair and Japanese metallic thread at a south London studio overlooking the Thames river and Big Ben.

Workers were hunched over their desks pouring over designs, with the looks still "in pieces".

Then comes the moment when everything is assembled. "It's the magical stage, when the clothes start to come alive," she said, her blue eyes lighting up her face framed by long dark hair.

Less than a week before the show, fittings begin with an in-house model, followed by the castings to find the right models.

On the eve of the show come final fittings, hair and make-up tests. And finally, on Sunday morning, the full rehearsal.

Show day always brings surprises. At Dujancourt's last catwalk in September, several models arrived extremely late, held up by another show.

"They turned up still wearing the other show's make-up. We had to dress them and redo everything ... I nearly died," she recalled.

What is her worst nightmare? A model tripping or garments ripping in front of the cameras.

"I once dreamt I'd forgotten to get dressed before coming out to greet the audience -- that would be a bit embarrassing," she joked.

Around 25 outfits will strut the catwalk on Sunday, a moment that "goes by in a flash".
Afterwards comes the crash.

"We barely see it happening ... because we are backstage in the madness and the chaos of it," she said.

But then it's finished "and there's a bit of baby blues afterwards," as she comes down off the adrenaline rush.

Dujancourt heads to Paris after London Fashion Week to meet buyers, before work begins again for her next show, in September.


Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 
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Fashion Commission, Saudi Retail Academy to Develop National Talent 

Fashion Commission, Saudi Retail Academy to Develop National Talent 

The Saudi Fashion Commission signed a memorandum of understanding (MoU) with the Saudi Retail Academy to develop national capabilities and boosting specialized skills in the fashion and retail sectors, reported the Saudi Press Agency on Monday.

The MoU aims to support local talent and the creation of sustainable employment opportunities in this vital industry. It stems from the two sides’ keenness to cooperate in the fields of training and professional development.

The agreement was signed on the sidelines of the graduation ceremony of the academy’s first cohort.

The Fashion Commission focuses on developing local talent, transferring global expertise, and advancing the fashion sector in the Kingdom, while the Saudi Retail Academy is a non-profit institute and a specialized entity in training and development in the retail field and in building professional competencies and skills related to retail and sales.

The MoU aims to establish a framework for cooperation to design and implement specialized training programs that boost the readiness of national cadres and qualify them according to the highest professional standards, with a focus on developing skills in sales, customer experience, and store management to meet labor market requirement and the needs of the growing fashion sector.

Fashion Commission chief executive Burak Cakmak said that developing human capital is a fundamental pillar for the long-term growth of the Kingdom’s fashion sector.

The partnership reflects the commitment to strengthening the capabilities that form the foundation of a competitive and sustainable industry through investment in specialized skills within retail and customer experience, enabling brands to grow and supporting the sector’s confident evolution, he added.

Saudi Retail Academy chief executive Hend Al-Dhaban stressed that the partnership embodies a shared vision to empower national talent and elevate professionalism in the retail sector.

The agreement will help channel training expertise to meet the specialized needs of the fashion sector and equip young men and women with the practical skills required to succeed in the labor market, thereby boosting service quality and supporting localization targets and economic growth, she explained.

This cooperation is part of the Fashion Commission’s ongoing efforts to develop the fashion value chain through building strategic partnerships with specialized training and education entities, expanding professional opportunities for national talent, and linking education and training outputs with labor-market needs.

Through their partnership, the commission and the academy will help in building an integrated ecosystem that connects education, vocational qualification, and employment, bolstering the competitiveness of the fashion and retail sectors and supporting the objectives of Saudi Vision 2030 in empowering national cadres, localizing jobs, and improving quality of life.


Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
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Saudi 100 Brands Debuts Landmark Fashion Presentation at Saudi Cup 2026

The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA
The experience introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem - SPA

The Fashion Commission launched its Saudi 100 Brands showcase at the Saudi Cup 2026, marking a historic milestone for the world-renowned equestrian event at King Abdulaziz Racecourse in Riyadh.
The collections celebrate Saudi heritage by blending traditional and contemporary design. Jewelry and accessory brands also exhibited throughout, providing Saudi designers with a platform to reach a broader global audience. These showcases emphasize the fusion of heritage and modern design, offering a new perspective on the Kingdom's creative identity.
The Saudi 100 Brands program, a flagship initiative of the Fashion Commission, supports emerging designers by providing tools, expertise, and platforms to grow their global presence. This collaboration with the Saudi Cup underscores the importance of celebrating cultural heritage while advancing design innovation.

Each piece in the exhibition incorporates heritage motifs, textiles, and storytelling, reimagined through innovative design to appeal to modern and international audiences.

The exhibition aims to celebrate national identity, highlight local creative talent, and present the evolving direction of Saudi fashion, SPA reported.

Visitors explored the intersection of craftsmanship and cultural expression, discovering how designers honor tradition while advancing fashion design.

The experience also introduced global audiences to Saudi Arabia’s dynamic and growing fashion ecosystem.

This participation reflects the Fashion Commission’s vision to develop a thriving fashion sector rooted in cultural heritage and global ambition. By combining cultural narratives with innovative design, the commission enables Saudi fashion to contribute to global creative industries, nurture talent, and position Saudi brands for sustained success.