Gucci Unveils ‘HaHaHa’ Collaboration with Harry Styles

A model presents a creation for Giorgio Armani's Men's Spring-Summer 2023 fashion collection on June 20, 2022 in Milan. (AFP)
A model presents a creation for Giorgio Armani's Men's Spring-Summer 2023 fashion collection on June 20, 2022 in Milan. (AFP)
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Gucci Unveils ‘HaHaHa’ Collaboration with Harry Styles

A model presents a creation for Giorgio Armani's Men's Spring-Summer 2023 fashion collection on June 20, 2022 in Milan. (AFP)
A model presents a creation for Giorgio Armani's Men's Spring-Summer 2023 fashion collection on June 20, 2022 in Milan. (AFP)

By Monday's fourth and final day of Milan Fashion Week menswear previews for next spring and summer, designers seemed to have understood the assignment.

Looks appeared more weather appropriate than on the weekend, as soaring temperatures provided a reminder that warm-weather dressing can mean covered, but in a relaxed way that accommodates elegance and playfulness.

Highlights from Monday’s shows:

Giorgio Armani defends elegance

Against the onslaught of streetwear and dressing down, Giorgio Armani is defending elegance in all seasons.

The 87-year-old designer’s Spring-Summer 2023 collection mixes classics with more unusual iterations, as the fashion world demands. Proffering elegance is increasingly a lonely job.

"I don’t know when we will feel the loss of the man who moves through life with this refinement," the designer said after the show.

For his main line, Armani focused on casual, relaxed suits, for day or evening. There was movement in the loose trousers and jackets, but also in the graphic repeating prints that create the effect of waves. Print on print looks are insistently modern.

"It is true that it is nice to see a man dressed well in a suit. But it is also nice to see evolution of fashion. Bring on the basics, I have always done them in my life. It is also true that (the market) demands novelty," Armani said.

On that front, Armani created tunic-length tops. Jackets and shirts have a sheen rarely seen in menswear. A well-tied foulard substitutes a shirt under an open jacket. A scarf creates a sweeping effect on top of a white suit.

The color palate was rooted in the seaside white and navy combo, melting into shimmering shades of blue and gray before exploding into combinations of purple, pink and seafoam green.

The shoe of the season is an unfussy espadrille, substituting the sneaker of recent seasons, and which Armani himself wore, showing them off with an ironic laugh. Caps had no brim, all the better to show off the face.

"Acceptable. Credible. More assured," Armani said summing up the collection.

Gucci unveils HaHaHa collection

Alessandro Michele teamed up with Harry Styles for a between-season collection that infuses tailoring with adolescent joy. The collection is titled "HaHaHa,” tapping a sense of joy, and also the expression of their initials: Harry and Alessandro.

"In truth it was easier for him to play with me to create clothes, than for me to sing with him," Michele joked with reporters at a preview for the collection inside a Milan vintage store.

Harry Styles was just embarking on his solo career when Michele exploded into the fashion world proposing what was a new era of gender-fluid dressing, looks that immediately appealed to Styles. Michele said the singer incorporated one of his debut pieces as Gucci creative director into his wardrobe as he was breaking out from "One Direction."

The relationship has grown over the years and takes flight in frequent exchanges of fashion inspiration over WhatsApp.

"At times, WhatsApp becomes a mood board," Michele said. Though two decades apart in age, the two have found common ground in fashion: Michele says Styles restored a sort of adolescent glee, while Styles has matured into more tailored looks. The dual influences are present in the new collection.

The pair created a series of endearing block prints against gingham, featuring the collection’s mascot, a grumpy teddy bear, as well as a munching squirrel, and a sheep and cherry combination. Gucci styles tailored suit jackets from the prints, and paired them with colorful, wide-legged trousers or distressed jeans. The prints are repeated on pajamas, while patches inject whimsy onto knitwear or a ribbed white tank. Accessories include an updated Jackie Bag covered with grommets.

Mixed on the racks of the vintage store, the Gucci HaHaHa collection was often hard to distinguish from the stock.

"It is a great compliment to me that it is confused with vintage," Michele said. "Vintage means well-made."

Joeone perfects the summer trousers

French designer Louis-Gabriele Nouchi understood the assignment, creating easy to wear yet distinctive summer looks for Chinese brand Joeone built around trousers.

Nouchi’s designs combined Chinese draping with athletic hiking pants, including piping and secret utility pockets.

A print of the Chinese landscape "A Thousand Miles of Rivers and Mountains" by Wang Ximeng, featuring bold brush strokes of blue, green and ochre, created the season’s motif. Details from the painting appeared as a graphic print on a pair of wide-legged trousers, but also in patterns more subtly printed on jeans.

Shirtless models strode around the sunny courtyard of Milan’s Sforzesco castle, the bare torso displaying how the trousers rested perfectly on the waist.

"You have to wear the clothes to see the comfort. Pants are the most difficult piece to do in the men's wardrobe to be honest," Nouchi said. "They have to be functional, they have to be comfortable. They really give you the tone of the silhouette, I feel, more than the jacket."



London Fashion Week Opens with Tribute to One of Its Greats

London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File
London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File
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London Fashion Week Opens with Tribute to One of Its Greats

London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File
London Fashion Week will pay tribute to iconic designer Paul Costelloe who died in November, and had been a stalwart of the British captial's catwalks since the show was launched in 1984. Niklas HALLE'N / AFP/File

London Fashion Week, better known for nurturing new talent than for its big-name shows, kicks off on Thursday with a tribute to one of its stalwarts Paul Costelloe.

The Irish-American designer, who died aged 80 last November, was a regular fixture on the opening day of the British capital's fashion week since the inception of the show in 1984, AFP said.

Over four decades, his romantic, sartorial catwalks remained a constant: witness to the rise and fall of London Fashion Week (LFW) which has seen the departure of big fashion names to its counterparts in Milan, Paris and New York in recent years.

His son William Costelloe is now the creative director of the brand, which wrote on social media ahead of its LFW Autumn/Winter 2026 opening show: "A new season. A powerful moment. A legacy moving forward."

Tolu Coker, a British-Nigerian designer who launched her brand in 2018, will also show on Thursday her elegant, mainly-unisex designs inspired by diverse identities.

Notable names including Harris Reed and Richard Quinn will return to the catwalk in London, with Burberry closing the week in its usual fashion on Monday evening.

Other labels will bring a royal flavor to the runway, with brands worn by Princess Catherine including Emilia Wickstead, Edeline Lee and Erdem putting on shows.

However, there will be no show from the breakout Northern Irish designer Jonathan Anderson, who was one of the most eagerly awaited at London Fashion Week in recent seasons.

The 41-year-old took over at Dior last June, leaving him little time for his own brand, JW Anderson, which he founded in 2008.

For several years, London has been losing ground to its star-studded rivals in Paris and Milan, but it has clung onto its role as a breeding ground for young talent.

The British Fashion Council's NewGen initiative provides funding for emerging talent, with several up-and-coming designers finding their stride at LFW through the incubator.

'Great support'

Designers like Simone Rocha, Tolu Coker and Roksanda have become fashion week mainstays after making their debut on the NewGen catwalk.

Among the recent breakouts is Joshua Ewusie, a 27-year-old British creator born to Ghanaian parents who is due to put on his second fashion week show with his brand "E.W.Usie".

The young designer was supported by the King's Foundation, a charity founded by King Charles III, in partnership with Chanel, which gave him a studio space shortly after he graduated from the prestigious Central Saint Martins school.

His hometown London, which boasts several notable fashion schools, provides "great support for young designers," Ewusie told AFP ahead of his LFW presentation on Sunday.

"There's so many opportunities, I think, that London gives to help young brands start," he added.

His new collection is inspired by the 1980s, when his mother moved to London, says the designer. It's all about culture and identity, with leather as the star material.

French designer Pauline Dujancourt, known for her work with knitwear, also chose to stick with London Fashion Week after her studies at Paris's Ecole Duperre and Central Saint Martins in London.

"As much as Paris Fashion Week is incredible and I'm dreaming to be part of it one day, maybe there's a bit more room for younger brands in London at the start," said the 31-year-old designer, who will show her collection on Sunday.

"I think people have come to London Fashion Week expecting to see a bit of newness and younger generations as opposed to Paris and Milan, where it's more like established houses."


Online Seller eBay to Buy Secondhand Fashion Marketplace Depop from Etsy for $1.2B in Cash

FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo
FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo
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Online Seller eBay to Buy Secondhand Fashion Marketplace Depop from Etsy for $1.2B in Cash

FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo
FILE PHOTO: Ebay logo is seen in this illustration taken February 11, 2025. REUTERS/Dado Ruvic/Illustration/File Photo

Online seller eBay wants a bigger share of the Gen Z market.

The online seller has agreed to purchase secondhand fashion marketplace Depop from Etsy for about $1.2 billion in cash, the companies said Wednesday, according to The Associated Press.

The deal comes at a time when used clothing has become increasingly popular, sought out by shoppers searching for unique items that cost less than new ones and keep the old stuff from heading to the landfill.

In a statement, eBay's CEO Jamie Ianonne said that the acquisition is an opportunity to capture a younger demographic.

"We are confident that as part of eBay, Depop will be even more well-positioned for long-term growth, benefiting from our scale, complementary offerings, and operational capabilities,” Ianonne said.

As of Dec. 31, 2025, Depop's marketplace had 7 million active buyers, nearly 90% of which are under the age of 34, and more than 3 million active sellers, the joint release said.

The deal comes five years after Etsy bought Depop for $1.6 billion. The app was founded in 2011.

EBay, based in San Jose, California, said it intends to pay cash. Etsy, based in Brooklyn, New York, plans to utilize the proceeds for general corporate purposes, continued share repurchases and investment in its core marketplace, according to the release.

The transaction, which has been unanimously approved by eBay’s and Etsy’s boards, is currently expected to close in the second quarter, the companies said.

Depop is expected to retain its name, brand, platform, and its culture, the companies said.

EBay's shares rose more than 7%, while Etsy's share soared close to 15% in after-hours trading when the news was announced.


French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
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French Designer Threads a Path in London Fashion Week

This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)
This photo taken on February 6, 2026 shows French fashion designer Pauline Dujancourt posing for a photograph in her studio in south London. (Photo by Ben STANSALL / AFP)

Just days before her third runway show, French designer Pauline Dujancourt was riding a wave of excitement and nerves.

The 31-year-old admitted she had begun having strange, nightmarish dreams ahead of her big moment at London Fashion Week on Sunday.

The British capital will once again host its Autumn/Winter fashion week from Thursday to Monday, after New York's bonanza and before the catwalk carousel moves to Milan and Paris.

London, known for its raw creative energy and rising talents, is where Dujancourt launched her label in April 2022 after training at the renowned arts and design school Ecole Duperre in Paris, and fashion hub Central Saint Martins in London.

She and her team began work in November on her autumn-winter 2026/27 collection to be unveiled before some 450 guests -- journalists, buyers and VIP clients.

For designers, everything comes down to those few precious minutes on the catwalk. It's no wonder nervousness mixes with the creative buzz.

"I go through every emotion," Dujancourt told AFP with a smile. "Some days I'm super excited, full of ideas, and others I'm like: why did I pick this color, this fabric?"

The questions and worries snowball: "Will everyone be on time? Will there be last-minute hitches on the day?"

In recent weeks, she has been running her daily schedule with military precision.
Dujancourt works year-round with four assistant designers, but the team swells to around 50 people ahead of the show.

And she works with a community of knitters in Lima, Peru, with handknitting -- "something that my grandmother taught me as a child" -- being a hallmark of her garments.

"She was so skillful and so humble about it. And no one really realized how much work it takes and how much technique it takes," she said.

Known for her sensual, airy knitwear, Dujancourt was a finalist for the LVMH Prize, won Elle UK's young talent award, and is supported by the British Fashion Council.

Her clients span the globe from Japan to the United States, France and the UK, with regular requests for wedding dresses.

Her new collection pays tribute to women persecuted during historical witch hunts.

"I really want to celebrate the fact that there are so many women around the world who are working so humbly on domestic skills ... like sewing, hand knitting," she said.

Two weeks before the show, young seamstresses were crocheting floral motifs in mohair and Japanese metallic thread at a south London studio overlooking the Thames river and Big Ben.

Workers were hunched over their desks pouring over designs, with the looks still "in pieces".

Then comes the moment when everything is assembled. "It's the magical stage, when the clothes start to come alive," she said, her blue eyes lighting up her face framed by long dark hair.

Less than a week before the show, fittings begin with an in-house model, followed by the castings to find the right models.

On the eve of the show come final fittings, hair and make-up tests. And finally, on Sunday morning, the full rehearsal.

Show day always brings surprises. At Dujancourt's last catwalk in September, several models arrived extremely late, held up by another show.

"They turned up still wearing the other show's make-up. We had to dress them and redo everything ... I nearly died," she recalled.

What is her worst nightmare? A model tripping or garments ripping in front of the cameras.

"I once dreamt I'd forgotten to get dressed before coming out to greet the audience -- that would be a bit embarrassing," she joked.

Around 25 outfits will strut the catwalk on Sunday, a moment that "goes by in a flash".
Afterwards comes the crash.

"We barely see it happening ... because we are backstage in the madness and the chaos of it," she said.

But then it's finished "and there's a bit of baby blues afterwards," as she comes down off the adrenaline rush.

Dujancourt heads to Paris after London Fashion Week to meet buyers, before work begins again for her next show, in September.