Civil Jury Finds Bill Cosby Sexually Abused Teenager in 1975

Attorneys John West, from left, Gloria Allred, plaintiff Judy Huth and attorney Nathan Goldberg join arms following a verdict in Huth's favor in a civil trial involving actor Bill Cosby outside the Santa Monica Courthouse on Tuesday, March 21, 2022. (AP)
Attorneys John West, from left, Gloria Allred, plaintiff Judy Huth and attorney Nathan Goldberg join arms following a verdict in Huth's favor in a civil trial involving actor Bill Cosby outside the Santa Monica Courthouse on Tuesday, March 21, 2022. (AP)
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Civil Jury Finds Bill Cosby Sexually Abused Teenager in 1975

Attorneys John West, from left, Gloria Allred, plaintiff Judy Huth and attorney Nathan Goldberg join arms following a verdict in Huth's favor in a civil trial involving actor Bill Cosby outside the Santa Monica Courthouse on Tuesday, March 21, 2022. (AP)
Attorneys John West, from left, Gloria Allred, plaintiff Judy Huth and attorney Nathan Goldberg join arms following a verdict in Huth's favor in a civil trial involving actor Bill Cosby outside the Santa Monica Courthouse on Tuesday, March 21, 2022. (AP)

Jurors at a civil trial found Tuesday that Bill Cosby sexually abused a 16-year-old girl at the Playboy Mansion in 1975.

The Los Angeles County jury delivered the verdict in favor of Judy Huth, who is now 64, and awarded her $500,000. She said the fact that jurors believed her story meant more than the sum of money or the fact that she didn't win punitive damages.

"It’s been torture," Huth said of the seven-year legal fight. "To be ripped apart, you know, thrown under the bus and backed over. This, to me, is such a big victory."

Jurors found that Cosby intentionally caused harmful sexual contact with Huth, that he reasonably believed she was under 18, and that his conduct was driven by unnatural or abnormal sexual interest in a minor.

The jurors’ decision is a major legal defeat for the 84-year-old entertainer once hailed as America’s dad. It comes nearly a year after his Pennsylvania criminal conviction for sexual assault was thrown out and he was freed from prison. Huth’s lawsuit was one of the last remaining legal claims against him after his insurer settled many others against his will.

Cosby did not attend the trial or testify in person, but short clips from 2015 video deposition were played for jurors, in which he denied any sexual contact with Huth. He continues to deny the allegation through his attorney and publicist.

Cosby spokesman Andrew Wyatt said they would appeal the verdict and he claimed the defense won because Huth didn’t win punitive damages.

Jurors had already reached conclusions on nearly every question on their verdict form, including whether Cosby abused Huth and whether she deserved damages, after two days of deliberations on Friday. But the jury foreperson could not serve further because of a personal commitment, and the panel had to start deliberating from scratch with an alternate juror on Monday.

Cosby’s attorneys agreed that Cosby met Huth and her high school friend on a Southern California film set in April of 1975, then took them to the Playboy Mansion a few days later.

Huth’s friend Donna Samuelson, a key witness, took photos at the mansion of Huth and Cosby, which loomed large at the trial.

Huth testified that in a bedroom adjacent to a game room where the three had been hanging out, Cosby attempted to put his hand down her pants, then exposed himself and forced her to perform a sex act.

Huth filed her lawsuit in 2014, saying that her son turning 15 - the age she initially remembered being when she went to the mansion - and a wave of other women accusing Cosby of similar acts brought fresh trauma over what she had been through as a teenager.

Huth’s attorney Nathan Goldberg told the jury of nine women and three men during closing arguments Wednesday that "my client deserves to have Mr. Cosby held accountable for what he did."

"Each of you knows in your heart that Mr. Cosby sexually assaulted Miss Huth," Goldberg said.

At least nine of the 12 jurors agreed, giving Huth a victory in a suit that took nearly eight years and overcame many hurdles just to get to trial.

During their testimony, Cosby attorney Jennifer Bonjean consistently challenged Huth and Samuelson over errors in detail in their stories, and a similarity in the accounts that the lawyer said represented coordination between the two women.

This included the women saying in pre-trial depositions and police interviews that Samuelson had played Donkey Kong that day, a game not released until six years later.

Bonjean made much of this, in what both sides came to call the "Donkey Kong defense."

Goldberg asked jurors to look past the small errors in detail that he said were inevitable in stories that were 45 years old, and focus on the major issues behind the allegations. He pointed out to jurors that Samuelson said "games like Donkey Kong" when she first mentioned it in her deposition.

The Cosby lawyer began her closing arguments by saying, "It’s on like Donkey Kong," and finished by declaring, "game over."

Huth’s attorney reacted with outrage during his rebuttal.

"This is about justice!" he shouted, pounding on the podium. "We don’t need game over! We need justice!"

The Associated Press does not normally name people who say they have been sexually abused, unless they come forward publicly, as Huth has.

Outside court, a group of four women who said they represented dozens of Cosby's sexual abuse victims celebrated the verdict.

Chelan Lasha, who testified against Cosby in the Pennsylvania case, was in tears. She said he had drugged and assaulted her in the Elvis Presley suite of the Las Vegas Hilton when she was 17 years old.

"He's a boogey man, he's a sexual predator, he's a deviant," Lasha said. "He's horrible. It's one more victory. I came here to stand with Judy. I'm proud of Judy. I'm glad for the outcome."



UK to Regulate Netflix and Other Streamers in Line with Broadcasters 

The Netflix logo is displayed during an event in Mumbai, India, February 3, 2026. (Reuters)
The Netflix logo is displayed during an event in Mumbai, India, February 3, 2026. (Reuters)
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UK to Regulate Netflix and Other Streamers in Line with Broadcasters 

The Netflix logo is displayed during an event in Mumbai, India, February 3, 2026. (Reuters)
The Netflix logo is displayed during an event in Mumbai, India, February 3, 2026. (Reuters)

‌Britain said on Tuesday Netflix, Amazon Prime Video, Disney+ and other streamers would be required to follow the same rules on content and accessibility as traditional broadcasters like the BBC.

Two-thirds of households subscribe to at ‌least one ‌major streamer, with 85% ‌of ⁠people using an ⁠on-demand service each month, compared to 67% who watch live TV, the government said.

Bringing the services into the scope ⁠of regulator Ofcom's broadcasting ‌code would ‌protect audiences from harmful content, and ‌ensure the provision ‌of accessibility services like subtitles, it said.

Streaming services with more than 500,000 UK users will ‌have to adhere to the new standards, which ⁠include ⁠ensuring news is reported accurately and impartially and audiences are protected against harmful or offensive material.

Ofcom will have powers to investigate and take action where they consider there has been a breach of the code, it said.


‘One Battle’ Triumphs at BAFTAs That Honor British Talent 

Director Paul Thomas Anderson poses in the press room after winning the awards for Best Film, Best Adapted Screenplay, and Best Director for "One Battle After Another" during the EE BAFTA Film Awards 2026 at the Royal Festival Hall in London, Britain, 22 February 2026. (EPA)
Director Paul Thomas Anderson poses in the press room after winning the awards for Best Film, Best Adapted Screenplay, and Best Director for "One Battle After Another" during the EE BAFTA Film Awards 2026 at the Royal Festival Hall in London, Britain, 22 February 2026. (EPA)
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‘One Battle’ Triumphs at BAFTAs That Honor British Talent 

Director Paul Thomas Anderson poses in the press room after winning the awards for Best Film, Best Adapted Screenplay, and Best Director for "One Battle After Another" during the EE BAFTA Film Awards 2026 at the Royal Festival Hall in London, Britain, 22 February 2026. (EPA)
Director Paul Thomas Anderson poses in the press room after winning the awards for Best Film, Best Adapted Screenplay, and Best Director for "One Battle After Another" during the EE BAFTA Film Awards 2026 at the Royal Festival Hall in London, Britain, 22 February 2026. (EPA)

Paul Thomas Anderson's "One Battle After Another" continued its awards season streak by winning the top prize at the BAFTAs on Sunday, with the British awards also recognizing homegrown talent across categories.

Following in the footsteps of Hollywood ceremonies last month, the BAFTAs gave the best film award to the offbeat thriller "One Battle After Another".

Paul Thomas Anderson won the best director award for the political thriller, which has struck a chord with its portrayal of a deeply polarized United States -- and also won the most prizes of the night with a tally of six.

"Unfortunately, the title makes sense," Anderson told reporters after the ceremony. "It just does start to seem like one battle after another these days. But stay hopeful."

Chalamet's ping-pong drama "Marty Supreme" left the night with no awards -- having been nominated in 11 categories -- but Guillermo del Toro's "Frankenstein" walked off with three wins in the technical categories.

Vampire period film "Sinners" left the night with three awards, including for best score and best original screenplay.

The BAFTA ceremony, often seen as a weather vane for the Oscars in three weeks time, recognized British and Irish talent in some of the top categories.

- Aramayo, local hero -

Loud cheers erupted in London's Southbank Centre when British actor Robert Aramayo triumphed over established stars Timothee Chalamet and Leonardo DiCaprio to snag the best actor honor.

Aramayo, the underdog in the category, won for his portrayal of a man with Tourette syndrome in "I Swear", inspired by the real life story of Scot John Davidson whose life was irrevocably changed by the condition.

"I honestly cannot believe I won this award. I really, really cannot," said a tearful Aramayo, who had already won in the rising star category.

"I'm just really happy that 'I Swear' has shown a spotlight on something that is really, really misunderstood," he added.

Ireland's Jessie Buckley continued her winning streak for her heart-wrenching portrayal of Shakespeare's wife Agnes in "Hamnet", scooping the best actress award, beating off strong competition from stars including Kate Hudson and Emma Stone

"This really does belong to the women past, present and future that have taught me and continue to teach me how to do it differently," said Buckley, who made history as the first Irish actress to win a BAFTA in the category.

- Royals in attendance -

Unlike France's Cesar Awards or Spain's Goya Awards, which champion national cinema, the BAFTAs are open to all nationalities. As a consequence, the awards have previously faced some criticism for the American-dominated roster.

This year, however, local talent got wide recognition.

"Hamnet" won outstanding British film, and Nigerian-British actress Wunmi Mosaku won best supporting actress for her role in "Sinners".

Adapted from a novel by Maggie O'Farrell, "Hamnet" follows William Shakespeare and his wife Agnes as they navigate the loss of their son in plague-ravaged Elizabethan England.

"Sentimental Value" won in the foreign language film category, becoming the first Norwegian film to win at the BAFTAs, according to director Joachim Trier.

The intimate drama follows the relationship between two daughters and their estranged father, as he struggles to reconnect with them while making a film in their now hollowed-out family home.

"We felt ready to try to talk about family life, intergenerational trauma and all those things we don't know how to talk about," Danish-Norwegian filmmaker Trier told reporters.

Hollywood and British royalty were in attendance, including BAFTA president Prince William, his wife Princess Catherine, and A-listers DiCaprio, Chalamet and Cillian Murphy.

William, the eldest son of King Charles III, was the latest royal to go about business-as-usual at the end of a dramatic week that saw his uncle and ex-prince Andrew arrested.

The Prince of Wales said he was not calm "at the moment" when asked about whether he had watched "Hamnet", according to the PA news agency.

"I need to be in quite a calm state and I'm not at the moment," William told Elaine Bedell, chief executive of the Southbank Centre.

But even the heir-to-the-throne smiled wide as Paddington Bear came onto the stage to present the award for best children and family film.


'GOAT' Battles to Top of N. America Box Office

'GOAT' Battles to Top of N. America Box Office
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'GOAT' Battles to Top of N. America Box Office

'GOAT' Battles to Top of N. America Box Office

Sony animated film "GOAT," produced by NBA superstar Stephen Curry, glided into the number one spot at the North American box office, taking in $17 million, industry estimates showed Sunday.

The film, the story of an undersized goat who wants to join a basketball-like "roarball" team, features Curry in a voice role.

Caleb McLaughlin and David Harbour ("Stranger Things"), Gabrielle Union and country star Jelly Roll also star in the family-friendly movie.

"GOAT" moved ahead of steamy literary adaptation "Wuthering Heights," which earned $14.2 million in its second week of release, according to Exhibitor Relations.

The Warner Bros film, starring Margot Robbie and Jacob Elordi as the doomed lovers Cathy and Heathcliff from Emily Bronte's classic novel, features original songs from Charli XCX.

Debuting in third place with $8 million was Lionsgate's "I Can Only Imagine 2," a sequel about the singer who wrote and performed the number one Christian single of all time, AFP reported.

In fourth place was Amazon MGM's heist thriller "Crime 101," starring Chris Hemsworth, Halle Berry and Mark Ruffalo, with $5.8 million.

And in fifth place was horror flick "Send Help" from 20th Century, starring Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after a plane crash.

It earned $4.5 million.

"It's a quiet weekend for new releases. The market is full right now, and a number of pictures are having good runs," said analyst David A. Gross of Franchise Entertainment Research.