Civil Jury Finds Bill Cosby Sexually Abused Teenager in 1975

Attorneys John West, from left, Gloria Allred, plaintiff Judy Huth and attorney Nathan Goldberg join arms following a verdict in Huth's favor in a civil trial involving actor Bill Cosby outside the Santa Monica Courthouse on Tuesday, March 21, 2022. (AP)
Attorneys John West, from left, Gloria Allred, plaintiff Judy Huth and attorney Nathan Goldberg join arms following a verdict in Huth's favor in a civil trial involving actor Bill Cosby outside the Santa Monica Courthouse on Tuesday, March 21, 2022. (AP)
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Civil Jury Finds Bill Cosby Sexually Abused Teenager in 1975

Attorneys John West, from left, Gloria Allred, plaintiff Judy Huth and attorney Nathan Goldberg join arms following a verdict in Huth's favor in a civil trial involving actor Bill Cosby outside the Santa Monica Courthouse on Tuesday, March 21, 2022. (AP)
Attorneys John West, from left, Gloria Allred, plaintiff Judy Huth and attorney Nathan Goldberg join arms following a verdict in Huth's favor in a civil trial involving actor Bill Cosby outside the Santa Monica Courthouse on Tuesday, March 21, 2022. (AP)

Jurors at a civil trial found Tuesday that Bill Cosby sexually abused a 16-year-old girl at the Playboy Mansion in 1975.

The Los Angeles County jury delivered the verdict in favor of Judy Huth, who is now 64, and awarded her $500,000. She said the fact that jurors believed her story meant more than the sum of money or the fact that she didn't win punitive damages.

"It’s been torture," Huth said of the seven-year legal fight. "To be ripped apart, you know, thrown under the bus and backed over. This, to me, is such a big victory."

Jurors found that Cosby intentionally caused harmful sexual contact with Huth, that he reasonably believed she was under 18, and that his conduct was driven by unnatural or abnormal sexual interest in a minor.

The jurors’ decision is a major legal defeat for the 84-year-old entertainer once hailed as America’s dad. It comes nearly a year after his Pennsylvania criminal conviction for sexual assault was thrown out and he was freed from prison. Huth’s lawsuit was one of the last remaining legal claims against him after his insurer settled many others against his will.

Cosby did not attend the trial or testify in person, but short clips from 2015 video deposition were played for jurors, in which he denied any sexual contact with Huth. He continues to deny the allegation through his attorney and publicist.

Cosby spokesman Andrew Wyatt said they would appeal the verdict and he claimed the defense won because Huth didn’t win punitive damages.

Jurors had already reached conclusions on nearly every question on their verdict form, including whether Cosby abused Huth and whether she deserved damages, after two days of deliberations on Friday. But the jury foreperson could not serve further because of a personal commitment, and the panel had to start deliberating from scratch with an alternate juror on Monday.

Cosby’s attorneys agreed that Cosby met Huth and her high school friend on a Southern California film set in April of 1975, then took them to the Playboy Mansion a few days later.

Huth’s friend Donna Samuelson, a key witness, took photos at the mansion of Huth and Cosby, which loomed large at the trial.

Huth testified that in a bedroom adjacent to a game room where the three had been hanging out, Cosby attempted to put his hand down her pants, then exposed himself and forced her to perform a sex act.

Huth filed her lawsuit in 2014, saying that her son turning 15 - the age she initially remembered being when she went to the mansion - and a wave of other women accusing Cosby of similar acts brought fresh trauma over what she had been through as a teenager.

Huth’s attorney Nathan Goldberg told the jury of nine women and three men during closing arguments Wednesday that "my client deserves to have Mr. Cosby held accountable for what he did."

"Each of you knows in your heart that Mr. Cosby sexually assaulted Miss Huth," Goldberg said.

At least nine of the 12 jurors agreed, giving Huth a victory in a suit that took nearly eight years and overcame many hurdles just to get to trial.

During their testimony, Cosby attorney Jennifer Bonjean consistently challenged Huth and Samuelson over errors in detail in their stories, and a similarity in the accounts that the lawyer said represented coordination between the two women.

This included the women saying in pre-trial depositions and police interviews that Samuelson had played Donkey Kong that day, a game not released until six years later.

Bonjean made much of this, in what both sides came to call the "Donkey Kong defense."

Goldberg asked jurors to look past the small errors in detail that he said were inevitable in stories that were 45 years old, and focus on the major issues behind the allegations. He pointed out to jurors that Samuelson said "games like Donkey Kong" when she first mentioned it in her deposition.

The Cosby lawyer began her closing arguments by saying, "It’s on like Donkey Kong," and finished by declaring, "game over."

Huth’s attorney reacted with outrage during his rebuttal.

"This is about justice!" he shouted, pounding on the podium. "We don’t need game over! We need justice!"

The Associated Press does not normally name people who say they have been sexually abused, unless they come forward publicly, as Huth has.

Outside court, a group of four women who said they represented dozens of Cosby's sexual abuse victims celebrated the verdict.

Chelan Lasha, who testified against Cosby in the Pennsylvania case, was in tears. She said he had drugged and assaulted her in the Elvis Presley suite of the Las Vegas Hilton when she was 17 years old.

"He's a boogey man, he's a sexual predator, he's a deviant," Lasha said. "He's horrible. It's one more victory. I came here to stand with Judy. I'm proud of Judy. I'm glad for the outcome."



First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”


Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
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Nicki Minaj Surprises Conservatives with Praise for Trump, Vance at Arizona Event

CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)
CEO and Chair of the Board of Turning Point USA Erika Kirk (L) listens to US rapper Nicki Minaj speak during Turning Point's annual AmericaFest conference in Phoenix, Arizona on December 21, 2025. (Photo by Olivier Touron / AFP)

Rapper Nicki Minaj on Sunday made a surprise appearance at a gathering of conservatives in Arizona that was memorializing late activist Charlie Kirk, and used her time on stage to praise President Donald Trump and Vice President JD Vance, calling them “role models” for young men.

The rap star was interviewed at Turning Point USA’s AmericaFest convention by Erika Kirk, the widow of Charlie Kirk, about her newly found support for Trump — someone she had condemned in the past — and about her actions denouncing violence against Christians in Nigeria.

The Grammy-nominated rapper's recent alignment with the Make America Great Again movement has caught some interest because of her past criticism of Trump even when the artist's own political ideology had been difficult to pin down. But her appearance Sunday at the flagship event for the powerful conservative youth organization may shore up her status as a MAGA acolyte.

Minaj mocked California Gov. Gavin Newsom, referring to him as New-scum, a nickname Trump gave him. Newsom, a Democrat, has 2028 prospects. Minaj expressed admiration for the Republican president and Vance, who received an endorsement from Erika Kirk despite the fact he has not said whether he will run for president. Kirk took over as leader of Turning Point.

“This administration is full of people with heart and soul, and they make me proud of them. Our vice president, he makes me ... well, I love both of them,” The Associated Press quoted Minaj as saying. “Both of them have a very uncanny ability to be someone that you relate to.”

Minaj’s appearance included an awkward moment when, in an attempt to praise Vance’s political skills, she described him as an “assassin.”

She paused, seemingly regretting her word choice, and after Kirk appeared to wipe a tear from one of her eyes, the artist put her hand over her mouth while the crowd murmured.

“If the internet wants to clip it, who cares? I love this woman,” said Erika Kirk, who became a widow when Charlie Kirk was assassinated in September.

Last month, the rapper shared a message posted by Trump on his Truth Social network about potential actions to sanction Nigeria saying the government is failing to rein in the persecution of Christians in the West African country. Experts and residents say the violence that has long plagued Nigeria isn’t so simply explained.

“Reading this made me feel a deep sense of gratitude. We live in a country where we can freely worship God,” Minaj shared on X. She was then invited to speak at a panel at the US mission to the United Nations along with US Ambassador Mike Waltz and faith leaders.

Minaj said she was tired of being “pushed around,” and she said that speaking your mind with different ideas is controversial because “people are no longer using their minds.” Kirk thanked Minaj for being “courageous,” despite the backlash she is receiving from the entertainment industry for expressing support for Trump.

“I didn’t notice,” Minaj said. “We don’t even think about them.” Kirk then said “we don’t have time to. We’re too busy building, right?”

“We’re the cool kids,” Minaj said.

The Trinidadian-born rapper is best known for her hits “Super Freaky Girl,” “Anaconda” and “Starships.” She has been nominated for 12 Grammy Awards over the course of her career.

In 2018, Minaj was one of several celebrities condemning Trump’s zero-tolerance immigration policy that split more than 5,000 children from their families at the Mexico border. Back then, she shared her own story of arriving to the country at 5 years old, describing herself as an “illegal immigrant.”

“This is so scary to me. Please stop this. Can you try to imagine the terror & panic these kids feel right now?” she posted then on Instagram.

On Sunday on stage with Erika Kirk, Minaj said, “it’s OK to change your mind.”