Luxottica Eyewear Empire Founder Leonardo Del Vecchio Dies

This file photo taken and handout by Essilor on January 16, 2017 shows founder and chairperson of Italian eyewear manufacturer Luxottica, Leonardo Del Vecchio in Paris. (AFP/Essilor handout)
This file photo taken and handout by Essilor on January 16, 2017 shows founder and chairperson of Italian eyewear manufacturer Luxottica, Leonardo Del Vecchio in Paris. (AFP/Essilor handout)
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Luxottica Eyewear Empire Founder Leonardo Del Vecchio Dies

This file photo taken and handout by Essilor on January 16, 2017 shows founder and chairperson of Italian eyewear manufacturer Luxottica, Leonardo Del Vecchio in Paris. (AFP/Essilor handout)
This file photo taken and handout by Essilor on January 16, 2017 shows founder and chairperson of Italian eyewear manufacturer Luxottica, Leonardo Del Vecchio in Paris. (AFP/Essilor handout)

Leonardo Del Vecchio, who founded eyewear empire Luxottica in a trailer and turned an everyday object into a global fashion item, becoming one of Italy's richest men in the process, died on Monday, the eyeglass company said. He was 87.

"EssilorLuxottica announces with deep sorrow the passing of Chairman Leonardo Del Vecchio," said a statement from the company, its name reflecting a deal forged several years ago between Luxottica and French-based lensmaker Essilor.

The statement said EssilorLuxottica’s board would meet to "determine the next steps."

Luca Zaia, the governor of Veneto, the northeast region where Del Vecchio started his business in 1961 in an Alpine valley town, hailed Del Vecchio as one of the "entrepreneurs of greatest success in all the world."

Italian media said Del Vecchio died in a Milan hospital, where he was admitted several weeks ago. No cause of death was cited.

From a start in a Milan orphanage, Del Vecchio went on to become one of Italy’s richest industrialists. Globalizing fashion eyeglasses, Luxottica now makes frames for dozens of stellar fashion names, including Armani, Burberry and Chanel.

On Forbes' list of richest persons, Del Vecchio and his family was ranked last year at No. 60, with assets of $24.5 billion.

Del Vecchio's father sold vegetables on the streets of Milan but died before he was born. The youngest of four children, when he was in his 20s, he worked as an apprentice making parts for eyeglass frames, then went into business for himself. He moved from Milan to the Dolomite Mountains village of Agordo in 1961, taking advantage of an offer of free land to provide jobs and discourage young people from flocking to cities for work.

What started as a company housed in a trailer steadily grew into a sprawling complex, a 90-minute drive from Venice, employing thousands of people and producing tens of thousands of frames every day.

Del Vecchio found gold by turning the rather mundane necessity of life into "designer frames" for prescription glasses and sunglasses. The Luxottica's corporate website lists 33 top brands, including Valentino, Prada, Michael Kors, Coach and Brooks Brothers.

Two moves as he expanded his business were widely considered key. One strategy saw him invest in the retail sector, opening Luxottica stores. The other strategy led him to acquisitions, notably that of the US company Ray-Ban, in 1999, a brand which under the company’s marketing approach gained cachet.

Del Vecchio’s empire expanded with a deal, announced in 2018, with France’s Essilor. That accord created a massive entity with more than 140,000 employees in 150 countries.

But Del Vecchio took care to keep his family financial vehicle, the holding company Delfin. In its latest configuration, Del Vecchio held 25% of its capital. Under Delfin’s umbrella are considerable stakes in banking and insurance companies as well.

Unlike some of Italy's flashier industrialists, like TV magnate Silvio Berlusconi and Fiat's Gianni Agnelli, Del Vecchio kept a low-profile, to the point that Italian media dubbed him "Mr. Nobody."

Corriere della Sera daily quoted him as saying of his early mentors in the trade: "They left me with several important lessons - discipline, method and competence."

Del Vecchio preached simplicity. "For years my lunch was based on boiled cabbage. Its smell reminds me of the great effort, the dream that I had to do something that was mine, even if small, but where I could put to use my ideas and my abilities," the Milan daily quoted him as saying.

He remained untouched by the corruption scandals that rocked Italian business and political power spheres in the early 1990s.

"I don't like paying taxes, but I like sleeping at night," Del Vecchio told The Associated Press in an interview at company headquarters in 1995.

Premier Mario Draghi, an economist who had headed the European Central Bank, issued a tribute from Germany, where he was participating in the G7 summit.

"For more than 60 years a protagonist of Italian entrepreneurship, Del Vecchio created one of the biggest companies of the country, starting out from humble origins," Draghi said in a written statement. The industrialist "brought the community of Agordo and the entire country to the center of the world of innovation," the Italian premier said.

Del Vecchio married three times, including two times with his second wife, Nicoletta Zampillo. He had six children: son Claudio and two daughters from his first marriage to Luciana Nervo; a son, Leonardo Maria from his marriage to Zampillo; and two sons, Luca and Clemente, with Sabina Grossi, a former investor in the group, La Repubblica newspaper said.



Indigenous Fashion Week in Santa Fe, New Mexico, Explores Heritage in Silk and Hides

A model wears a design by Lauren Good Day on the runway at the 2025 Native Fashion Show, Friday, May 9, 2025, in Santa Fe, N.M. (AP Photo/Roberto E. Rosales)
A model wears a design by Lauren Good Day on the runway at the 2025 Native Fashion Show, Friday, May 9, 2025, in Santa Fe, N.M. (AP Photo/Roberto E. Rosales)
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Indigenous Fashion Week in Santa Fe, New Mexico, Explores Heritage in Silk and Hides

A model wears a design by Lauren Good Day on the runway at the 2025 Native Fashion Show, Friday, May 9, 2025, in Santa Fe, N.M. (AP Photo/Roberto E. Rosales)
A model wears a design by Lauren Good Day on the runway at the 2025 Native Fashion Show, Friday, May 9, 2025, in Santa Fe, N.M. (AP Photo/Roberto E. Rosales)

Fashion designers from across North America are bringing together inspiration from their Indigenous heritage, culture and everyday lives to three days of runway modeling that started Friday in a leading creative hub and marketplace for Indigenous art.
A fashion show affiliated with the century-old Santa Fe Indian Market is collaborating this year with a counterpart from Vancouver, Canada, in a spirit of Indigenous solidarity and artistic freedom. A second, independent runway show at a rail yard district in the city has nearly doubled the bustle of models, makeup and final fittings.
Elements of Friday's collections from six Native designers ran the gamut from silk parasols to a quilted hoodie, knee-high fur boots and suede leather earrings that dangled to the waste. Models on the Santa Fe catwalks include professionals, dancers and Indigenous celebrities from TV and the political sphere, The Associated Press said.
Clothing and accessories rely on materials ranging from of wool trade cloth to animal hides, featuring traditional beadwork, ribbons and jewelry with some contemporary twists that include digitally rendered designs and urban Native American streetwear from Phoenix.
“Native fashion, it’s telling a story about our understanding of who we are individually and then within our communities,” said Taos Pueblo fashion designer Patricia Michaels, of “Project Runway” reality TV fame. “You’re getting designers from North America that are here to express a lot of what inspires them from their own heritage and culture.”
Santa Fe style
The stand-alone spring fashion week for Indigenous design is a recent outgrowth of haute couture at the summer Santa Fe Indian Market, where teeming crowds flock to outdoor displays by individual sculptors, potters, jewelers and painters.
Designer Sage Mountainflower remembers playing in the streets at Indian Market as a child in the 1980s while her artist parents sold paintings and beadwork. She forged a different career in environmental administration, but the world of high fashion called to her as she sewed tribal regalia for her children at home and, eventually, brought international recognition.
At age 50, Mountainflower on Friday presented her “Taandi” collection — the Tewa word for “Spring” — grounded in satin and chiffon fabric that includes embroidery patterns that invoke her personal and family heritage at the Ohkay Owingeh Pueblo in the Upper Rio Grande Valley.
“I pay attention to trends, but a lot of it’s just what I like,” said Mountainflower, who also traces her heritage to Taos Pueblo and the Navajo Nation. “This year it’s actually just looking at springtime and how it’s evolving. ... It’s going to be a colorful collection."
More than 20 designers are presenting at the invitation of the Southwestern Association for Indian Arts.
Fashion plays a prominent part in Santa Fe's renowned arts ecosystem, with Native American vendors each day selling jewelry in the central plaza, while the Institute for American Indian Arts delivers fashion-related college degrees in May.
This week, a gala at the New Mexico governor’s mansion welcomed fashion designers to town, along with social mixers at local galleries and bookstores and plans for pop-up fashion stores to sell clothes fresh off the fashion runway.
International vision
A full-scale collaboration with Vancouver Indigenous Fashion Week is bringing a northern, First Nations flair to the gathering this year with many designers crossing into the US from Canada.
Secwépemc artist and fashion designer Randi Nelson traveled to Santa Fe from the city of Whitehorse in the Canadian Yukon to present collections forged from fur and traditionally cured hides — she uses primarily elk and caribou. The leather is tanned by hand without chemicals using inherited techniques and tools.
“We’re all so different,” said Nelson, a member of the Bonaparte/St’uxwtéws First Nation who started her career in jewelry assembled from quills, shells and beads. “There’s not one pan-Indigenous theme or pan-Indigenous look. We’re all taking from our individual nations, our individual teachings, the things from our family, but then also recreating them in a new and modern way.”
April Allen, an Inuk designer from the Nunatsiavut community on the Labrador coast of Canada, presented a mesh dress of blue water droplets. Her work delves into themes of nature and social advocacy for access to clean drinking water.
Vocal music accompanied the collection — layers of wordless, primal sound from musician and runway model Beatrice Deer, who is Inuit and Mohawk.
Urban Indian couture Phoenix-based jeweler and designer Jeremy Donavan Arviso said the runway shows in Santa Fe are attempting to break out of the strictly Southwest fashion mold and become a global venue for Native design and collaboration. A panel discussion Thursday dwelled on the threat of new tariffs and prices for fashion supplies — and tensions between disposable fast fashion and Indigenous ideals.
Arviso is bringing a street-smart aesthetic to two shows at the Southwestern Association for Indian Arts runway and a warehouse venue organized by Amber-Dawn Bear Robe, from the Siksika Nation.
“My work is definitely contemporary, I don’t choose a whole lot of ceremonial or ancestral practices in my work,” said Arviso, who is Diné, Hopi, Akimel O’odham and Tohono O’odham, and grew up in Phoenix. “I didn’t grow up like that. ... I grew up on the streets.”
Arviso said his approach to fashion resembles music sampling by early rap musicians as he draws on themes from major fashion brands and elements of his own tribal cultures. He invited Toronto-based ballet dancer Madison Noon for a “beautiful and biting” performance to introduce his collection titled Vision Quest.
Santa Fe runway models will include former US Interior Secretary Deb Haaland of Laguna Pueblo, adorned with clothing from Michaels and jewelry by Zuni Pueblo silversmith Veronica Poblano.