New Documentary ‘The Princess’ Immerses Audiences in Diana’s Story

Director Ed Perkins attends the screening of the film "The Princess", in London, Monday, June 27, 2022. (AP)
Director Ed Perkins attends the screening of the film "The Princess", in London, Monday, June 27, 2022. (AP)
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New Documentary ‘The Princess’ Immerses Audiences in Diana’s Story

Director Ed Perkins attends the screening of the film "The Princess", in London, Monday, June 27, 2022. (AP)
Director Ed Perkins attends the screening of the film "The Princess", in London, Monday, June 27, 2022. (AP)

Oscar-nominated director Ed Perkins trawled through hundreds of hours of footage of Princess Diana in search of moments he hoped would offer new perspective on her life and public image, 25 years after her death.

His new film "The Princess" relies entirely on archive video to trace Diana’s life from a timid teen to her death on Aug. 31, 1997, aged 36, and the unprecedented scenes of mourning that ensued.

In eschewing interviews and retrospective analysis traditionally used as the narrative tool in documentaries, Perkins said he hoped to explore the complicated relationship between Diana, the media and the public and elicit an emotional response from audiences.

"Our hope was to use the archive as a kind of time machine to take audiences back into our collective pasts and allow them to relive the story," he told Reuters.

Perkins, who was 11 when Diana died and remembers the confusion he felt over the outpouring of emotion, said he hoped his style of filmmaking would encourage audiences to reanalyze their own relationship with the princess.

"The thing that's most interesting for me is what was our role in this? What was our active role in the story? What was our complicity?" said Perkins, who earned a 2019 Oscar nomination for the documentary short "Black Sheep."

"The part of the Diana story of this puzzle that I felt was less explored and more interesting for me was, what does Diana's story say about all of us? And so that's the whole approach here, to kind of immerse audiences in this present tense unfolding, to never let you escape from the archive, to take you back into these moments in all our lives."

Diana had just turned 20 when she married Charles in 1981 and became the subject of global admiration and scrutiny. The collapse of their marriage, which she blamed on Charles' lover and future wife, Camilla Parker Bowles, only fueled media and public interest in Diana, who died when a limousine in which she was riding crashed in a Parisian tunnel as she fled the paparazzi.

"The Princess" will be released in theaters in Britain on June 30.



‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
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‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

In the box office showdown between a deadly assassin and a chaotic CG alien, “Lilo & Stitch” still had the edge. The Disney juggernaut celebrated a third weekend at the top of the charts, while the John Wick spinoff “Ballerina” did not jeté as high as expected.

According to studio estimates Sunday, “From the World of John Wick: Ballerina” earned $25 million from 3,409 theaters in the US and Canada, The Associated Press reported. Several weeks ago it was tracking to open in the $35 to $40 million range, but that was adjusted down several times. Ultimately, it still came in lower than forecasts. The movie, directed by Len Wiseman, makes a sideline character out of Keanu Reeves’ John Wick and focuses on Ana de Armas. It takes place during the events of “John Wick 3.”

The box office performance is a bit perplexing result considering that “Ballerina” got good critic reviews and audience exit polls. Conventional wisdom would say that word of mouth might have given it a boost over the weekend. But, recently, opening weekend isn’t the end all that it used to be. “Ballerina” could be in the game for the long haul.

The Lionsgate release, a Thunder Road Films and 87Eleven Entertainment production, had a hefty production price tag reported to be in the $90 million range. But much of that cost has already been offset by foreign pre-sales. Internationally, it earned $26 million from 82 countries, bringing its global opening to $51 million.

As the first spinoff, it’s the second lowest opening of the five-film franchise – above only the first film which opened just over $14 million in 2014, which does not account for inflation. The franchise overall has grossed more than $1 billion worldwide.

First place once again went to “Lilo & Stitch,” which added another $32.5 million in North America, bringing its domestic total to $335.8 and global tally to $772.6 million. In just 17 days, it's already made more domestically than the live-action “The Little Mermaid” did in its entire run ($298 million).

“Mission: Impossible — The Final Reckoning” slid to third place with $15 million, bringing its worldwide total to $450.4 million. “Karate Kid: Legends” earned $8.7 million to take fourth place. And “Final Destination: Bloodlines" rounded out the top five with $6.5 million.

The new Wes Anderson movie “The Phoenician Scheme” expanded beyond New York and Los Angeles to 1,678 theaters nationwide. The Focus Features release starring Benicio del Toro made an estimated $6.3 million and landed in sixth place.