‘Meeting Audience for First Time Is Best Feeling Ever,’ Guy Manoukian Tells Asharq Al-Awsat

Guy Manoukian performs on stage. (Getty Images file)
Guy Manoukian performs on stage. (Getty Images file)
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‘Meeting Audience for First Time Is Best Feeling Ever,’ Guy Manoukian Tells Asharq Al-Awsat

Guy Manoukian performs on stage. (Getty Images file)
Guy Manoukian performs on stage. (Getty Images file)

If you haven’t attended a Guy Manoukian concert yet, then you definitely lost the chance of having an artistic dose of happiness and enthusiasm.

On stage, Manoukian turns into a mass of musical notes as he plays the piano. His presence doesn’t resemble that of other musicians, and his concerts are not just about entertainment. He sings and triggers excitement and energy in his audience through a three-dimensional artistic language that few can master.

Manoukian recently performed at the French Olympia Theater, and he's set to play a concert at Lebanon’s Beiteddine Festival on July 16. His fans in Detroit, Montreal, Houston, London, and many other places, are also waiting his concerts.

His Beiteddine concert, whose tickets sold out a few days after the official announcement, brings Manoukian back to his artistic origins. He has already performed twice on that stage to great acclaim.

Today, the festivals are returning with the Lebanese-Armenian musician, to reclaim their charm and significant position on the map of Lebanese festivals.

“It’s my third concert in Beiteddine. This stage is like a home that I miss and want to visit every now and then. When I perform in Lebanon close to my people and my audience, it feels different, especially after a long time away,” he told Asharq Al-Awsat.

Manoukian has prepared a diverse musical program that features both Lebanese and Arabic music. “The concerts will include a blend of the music and a lot of positive energy. Those who have already attended my concerts know what I am talking about.”

“I love to give my audience some hope and optimism inspired by the Lebanon of tomorrow we dream of, and the Beiteddine festivals are the best place to deliver this message.”

He recently performed an unforgettable concert at France’s Olympia. “Every artist dreams of standing on this international stage, especially Lebanese artists, as we have a special bond with France.”

“I must say that I felt a little nervous at first because of the significance of the place, but it was the best concert I performed, and it turned into a celebration. The interaction of the audience was remarkable, and I will never forget it because it has given me much strength,” he recalled.

How does the musician cope with a new audience every time?

“Meeting an audience for the first time is the best feeling ever. When I visit a new city and meet a new audience, I feel so excited. That’s what I remember from concerts I performed in Sydney, Montreal, Los Angeles, and many more,” said Manoukian.

“Usually, the audience includes Lebanese, Arabic, and Armenian fans, so I feel like they are welcoming me on their own way. These ‘first times’ give me an amazing energy that I translate in my performance,” he explained.

Manoukian owes a lot to his father, who played a major role in encouraging him to build a career in music and fulfil his dream. But is he still pursuing his dreams?

“Despite all my achievements and awards, yes, I’m still pursuing my dream, which for me, is enjoying an artistic journey, not a goal or a position.”

“Therefore, I urge all young men and women not to give up on their dreams. They should keep trying despite hardships. Life is short and worth trying,” he remarked.

Manoukian has gained international fame, and many prizes, but the most valuable for him is the Best Armenian Dance Album Award that he won in Los Angeles.

The musician had to take a forced break from music because of the coronavirus pandemic. Did it affect his work?

“It helped me fix the rhythm of my life. Before, I was living a loud and hectic and I felt my children were growing up away from me. During the pandemic, I seized the opportunity to enjoy a warm family life,” said Manoukian.

“I also managed to finish music pieces that I couldn’t complete because of my busy schedule”, he explained.

“In my opinion, it was a positive break that allowed me to see things differently. It helped me focus on my priorities, mostly my family,” he added.

Manoukian has stood on many Arabic and global stages, but what about Saudi Arabia? Is he planning a concert there? “Saudi Arabia is always on my mind and in my future plans,” he revealed.

“I believe it’s the future of the Middle East, and the prospering tomorrow of art and openness we are all aspiring to. I am really excited to meet the Saudi people on the right occasion,” he added.



Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
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Movie Review: ‘How to Train Your Dragon’ Might Have Just Redeemed the Live-Action Adaptation

 Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)
Mason Thames arrives at the premiere of "How to Train Your Dragon" on Saturday, June 7, 2025, at the Academy Museum of Motion Pictures in Los Angeles. (Andrew Park/Invision/AP)

Ever wanted to soar through the skies on the back of a friendly dragon? The new “How to Train Your Dragon” may be the ticket, from a decidedly safer, though possibly still vertigo-inducing, distance.

This live-action adaption of the underdog adventure story sends the audience cascading through the clouds with the teenage Viking boy Hiccup and his dragon friend Toothless. It’s the kind of immersive sensation and giddy wish fulfillment that might just have you forgetting momentarily to breathe and, maybe more importantly, that you’re still in a movie theater. Credit to veteran cinematographer Bill Pope, no stranger to fantasy worlds, whether it’s “The Matrix” or “Scott Pilgrim vs. The World.”

“How to Train Your Dragon” doesn’t stray far from the original, from shots to story beats. Gerard Butler once again plays Berk’s Chief Stoick the Vast. The new Hiccup, actor Mason Thames, even sounds a bit like Jay Baruchel. But unlike so many live-action remakes of animated films, it also doesn’t feel superfluous, or, worse, like a poor imitation of its predecessor that trades the magic of animation for photorealism.

Perhaps that’s because filmmaker Dean DeBlois, who made the three animated films, stayed in the director’s chair. Who better to kill their darlings than the one who brought them to the screen in the first place? And, crucially, to know where live-action might actually enhance the fabric of the world created by author Cressida Cowell.

It helps that dragon technology has come a long way since, say, “DragonHeart.” These fire-breathing CG creatures feel disarmingly real. And though it might look like “Lord of the Rings” or “Game of Thrones,” the tone stays light enough for younger filmgoers. There are a few intense sequences, but none that takes it any further than the animated film did 15 years ago.

“How to Train Your Dragon” does start a little slow, however, which is odd because it also begins with a fiery battle between the Vikings and the dragons on the Isle of Berk. There’s a lot of exposition and introduction that needs to happen before you can just give yourself over to the story. In this more multicultural version, the warriors on Berk have been recruited from tribes around the globe to try to defeat the dragons.

Hiccup is a Viking nepo baby. As the chief's son, he sits in a place of privilege, but he’s also a general outcast in this world of ruthless warriors — skinny and weak, he just longs to be part of the action, not sharpening the weapons. Killing dragons is currency in this society, and his crush Astrid (Nico Parker) happens to be one of the most promising up-and-comers. His sole champion is Gobber (a delightful Nick Frost), the blacksmith and dragon slayer teacher, who convinces the chief to give the clever Hiccup a shot.

The film finds its internal engine when Hiccup finds Toothless, the wide-eyed “Night Fury” dragon whom he can’t bring himself to kill. Instead, he decides to study this discovery, who he finds is not nearly as fearsome as everyone assumes. “How to Train Your Dragon” teaches empathy and ingenuity without a sermon.

Thames, a teenager himself, is the perfect embodiment of adolescent awkwardness and boldness. You can have all the cute dragons you want, but the audience would be lost if the human conduit to the relationship isn’t up to the task. Butler seems to be having a good time, resplendent in fur and chest-thumping ideas about ancient duties. And Parker gives Astrid a relatable depth — the best in the bunch who is outshone in an unequal fight.

Kids deserve movies that are made on the biggest possible canvas. “How to Train Your Dragon” is one that's worth the trip to the theater. It might just spark some young imaginations, whether it’s to go back and read the books or dream up their own worlds. And, chances are, no one is going to be yelling “chicken jockey.”