‘Meeting Audience for First Time Is Best Feeling Ever,’ Guy Manoukian Tells Asharq Al-Awsat

Guy Manoukian performs on stage. (Getty Images file)
Guy Manoukian performs on stage. (Getty Images file)
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‘Meeting Audience for First Time Is Best Feeling Ever,’ Guy Manoukian Tells Asharq Al-Awsat

Guy Manoukian performs on stage. (Getty Images file)
Guy Manoukian performs on stage. (Getty Images file)

If you haven’t attended a Guy Manoukian concert yet, then you definitely lost the chance of having an artistic dose of happiness and enthusiasm.

On stage, Manoukian turns into a mass of musical notes as he plays the piano. His presence doesn’t resemble that of other musicians, and his concerts are not just about entertainment. He sings and triggers excitement and energy in his audience through a three-dimensional artistic language that few can master.

Manoukian recently performed at the French Olympia Theater, and he's set to play a concert at Lebanon’s Beiteddine Festival on July 16. His fans in Detroit, Montreal, Houston, London, and many other places, are also waiting his concerts.

His Beiteddine concert, whose tickets sold out a few days after the official announcement, brings Manoukian back to his artistic origins. He has already performed twice on that stage to great acclaim.

Today, the festivals are returning with the Lebanese-Armenian musician, to reclaim their charm and significant position on the map of Lebanese festivals.

“It’s my third concert in Beiteddine. This stage is like a home that I miss and want to visit every now and then. When I perform in Lebanon close to my people and my audience, it feels different, especially after a long time away,” he told Asharq Al-Awsat.

Manoukian has prepared a diverse musical program that features both Lebanese and Arabic music. “The concerts will include a blend of the music and a lot of positive energy. Those who have already attended my concerts know what I am talking about.”

“I love to give my audience some hope and optimism inspired by the Lebanon of tomorrow we dream of, and the Beiteddine festivals are the best place to deliver this message.”

He recently performed an unforgettable concert at France’s Olympia. “Every artist dreams of standing on this international stage, especially Lebanese artists, as we have a special bond with France.”

“I must say that I felt a little nervous at first because of the significance of the place, but it was the best concert I performed, and it turned into a celebration. The interaction of the audience was remarkable, and I will never forget it because it has given me much strength,” he recalled.

How does the musician cope with a new audience every time?

“Meeting an audience for the first time is the best feeling ever. When I visit a new city and meet a new audience, I feel so excited. That’s what I remember from concerts I performed in Sydney, Montreal, Los Angeles, and many more,” said Manoukian.

“Usually, the audience includes Lebanese, Arabic, and Armenian fans, so I feel like they are welcoming me on their own way. These ‘first times’ give me an amazing energy that I translate in my performance,” he explained.

Manoukian owes a lot to his father, who played a major role in encouraging him to build a career in music and fulfil his dream. But is he still pursuing his dreams?

“Despite all my achievements and awards, yes, I’m still pursuing my dream, which for me, is enjoying an artistic journey, not a goal or a position.”

“Therefore, I urge all young men and women not to give up on their dreams. They should keep trying despite hardships. Life is short and worth trying,” he remarked.

Manoukian has gained international fame, and many prizes, but the most valuable for him is the Best Armenian Dance Album Award that he won in Los Angeles.

The musician had to take a forced break from music because of the coronavirus pandemic. Did it affect his work?

“It helped me fix the rhythm of my life. Before, I was living a loud and hectic and I felt my children were growing up away from me. During the pandemic, I seized the opportunity to enjoy a warm family life,” said Manoukian.

“I also managed to finish music pieces that I couldn’t complete because of my busy schedule”, he explained.

“In my opinion, it was a positive break that allowed me to see things differently. It helped me focus on my priorities, mostly my family,” he added.

Manoukian has stood on many Arabic and global stages, but what about Saudi Arabia? Is he planning a concert there? “Saudi Arabia is always on my mind and in my future plans,” he revealed.

“I believe it’s the future of the Middle East, and the prospering tomorrow of art and openness we are all aspiring to. I am really excited to meet the Saudi people on the right occasion,” he added.



Mother of Cinematographer Killed on Set of Alec Baldwin Film ‘Rust’ Boycotts Its World Premiere

 US actor Alec Baldwin arrives for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (AFP)
US actor Alec Baldwin arrives for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (AFP)
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Mother of Cinematographer Killed on Set of Alec Baldwin Film ‘Rust’ Boycotts Its World Premiere

 US actor Alec Baldwin arrives for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (AFP)
US actor Alec Baldwin arrives for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (AFP)

The mother of late cinematographer Halyna Hutchins is boycotting the world premiere of “Rust” at a film festival in Poland on Wednesday, saying she views it as an attempt by Alec Baldwin to “unjustly profit” from her daughter’s death.

The Western is premiering at the International Film Festival of the Art of Cinematography Camerimage in the city of Torun three years after Hutchins was shot accidentally on set.

Baldwin, the lead actor and co-producer for “Rust,” was pointing a gun at Hutchins during a rehearsal on the set outside Santa Fe, New Mexico, in October 2021 when the revolver went off, killing Hutchins and wounding director Joel Souza. Baldwin has said he pulled back the hammer — but not the trigger — and the revolver fired.

Souza was expected to introduce the film at the festival, a popular industry event dedicated to the art of cinematography, and the premiere was being dedicated to Hutchins.

“It was always my hope to meet my daughter in Poland to watch her work come alive on screen," said Hutchins’ mother Olga Solovey in a statement issued by her lawyer and carried by Britain’s national news agency, PA.

“Unfortunately, that was ripped away from me when Alec Baldwin discharged his gun and killed my daughter," she said. “Alec Baldwin continues to increase my pain with his refusal to apologize to me and his refusal to take responsibility for her death. Instead, he seeks to unjustly profit from his killing of my daughter.”

“That is the reason why I refuse to attend the festival for the promotion of Rust, especially now when there is still no justice for my daughter," she added.

Hutchins, 42, was a Ukrainian cinematographer on the rise and a mother of a young son when she was killed. She grew up on a remote Soviet military base and worked on documentary films in Eastern Europe before studying film in Los Angeles and embarking on a promising movie-making career.

A New Mexico judge dismissed an involuntary manslaughter charge against Baldwin in the fatal shooting. But while the threat of criminal liability was lifted, he is facing other civil lawsuits, including one by Solovey.

The film armorer, Hannah Gutierrez-Reed, received the maximum sentence of 18 months in jail for involuntary manslaughter. A New Mexico judge found earlier this year that her recklessness amounted to a serious violent offense. Prosecutors blamed Gutierrez-Reed for unwittingly bringing live ammunition onto the set of “Rust,” where it was expressly prohibited, and for failing to follow basic gun-safety protocols.

This year's CameraImage festival has already been beset by controversy.

“Blitz” director Steve McQueen dropped out of the festival to protest an editorial about female cinematographers written by festival founder Marek Żydowicz which McQueen viewed as sexist. Żydowicz has since apologized.