Greece’s Fur Industry on the Brink as EU Sanctions on Russia Bite

Antonis Disios holds a fur coat inside his shop, in Kastoria, Greece, July 6, 2022. (Reuters)
Antonis Disios holds a fur coat inside his shop, in Kastoria, Greece, July 6, 2022. (Reuters)
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Greece’s Fur Industry on the Brink as EU Sanctions on Russia Bite

Antonis Disios holds a fur coat inside his shop, in Kastoria, Greece, July 6, 2022. (Reuters)
Antonis Disios holds a fur coat inside his shop, in Kastoria, Greece, July 6, 2022. (Reuters)

For decades, Antonis Disios' workshop was abuzz with the sound of sewing machines stitching fur coats for his wealthy Russian buyers. In March, European Union sanctions against Russia over the Ukraine war shut the business overnight.

Disios, like hundreds of other fur businesses in the lakeside city of Kastoria, was banned from exporting to Russia, the main market for Greece's fur industry. With no domestic market, he sent his 23 workers home and his stockrooms filled up with hundreds of unsold garments.

"This city is going through its worst," Disios said, standing in his silent showroom. "We're in despair."

Holding up a coat he said cost 30,000 euros ($30,183) to make using one of the most expensive furs in the world, Russian sable, he urged the EU to exempt the industry from sanctions.

"They must set us free. Or they can come take them and sell them themselves," Disios said.

Kastoria is the heartland of a centuries-old fur industry in Greece, Europe's last remaining fur manufacturing center and one of the few EU countries still allowing fur farming despite pressure from animal rights groups at home and abroad.

With the demise of Denmark's huge fur industry during a coronavirus-driven mink cull, animal rights groups hope the cut-off from the Russian market could spell the end of the European fur market, which has already shrunk drastically in response to animal welfare campaigns.

And with a growing number of big fashion houses such as Gucci and Prada committing to not using real fur in the future, activists say the sanctions against Russia could help speed up the decline of an industry they call "morally bankrupt".

"Russians have traditionally been big buyers. The war has obviously stopped that, which is extremely good news," said Mark Glover, a spokesperson for Fur Free Alliance, a coalition of more than 50 animal protection groups around the world.

'A dying sector'

The hit to Greece's fur trade echoes losses in other sectors, such as agriculture, since the war began. But nowhere is it as stark as in Kastoria, which survived the country's devastating, decade-long economic crisis thanks to its fur exports.

A busy road cutting through the city is named Furriers' Avenue, and the streets are lined with now-shuttered fur boutiques with signs in Russian as well as Greek.

Since the mid-1990s, their business model had been focused on wealthy Russian buyers and tourists in the region, and the Hellenic Fur Federation says efforts to penetrate new markets - like South Korea - are an uphill battle.

The sanctions also ban shops from selling to Russian tourists in Greece, because fur is considered a luxury good.

"We go where we're wanted. We're not like apples. We can't just find a new market, there need to be certain conditions," said Apostolos Tsoukas, the federation's president.

"It's a matter of time before businesses close, no matter how much help they get from the state."

So far, the country's roughly 2,000, mostly family-run businesses, which employ about 4,000 people according to the federation, have been supported by state aid allowing them to avoid firings. The measure, in place for three months until September, allows businesses to suspend contracts of 80% of their workers, who will receive state benefits.

Fur garments are among Greece's top 10 exports, but they have been declining over the years. Exports to Russia amounted to 14 million euros last year, down from 55 million euros in 2017, according to Greek statistics data. The number of mink farms fell to 92 in 2020 from 131 in 2018, according to animal rights group VeGaia.

During a visit to Kastoria in June, Akis Skertsos, a senior government minister, said the industry "will be supported - and we will do whatever we can for it to remain viable", but acknowledged the need for a shift to other activities as well.

"The Greek government has made a serious miscalculation in continuing to prop up this industry," said Jo Swabe, EU public affairs director at animal protection charity Humane Society International.

"It's a dying sector anyway," she said.

For the country's long-standing furriers, letting go of their trade is a hard pill to swallow.

"You would come in here and there was so much noise from all the (sewing) machines working away, and all the people working in here," said 84-year-old Christos Papadopoulos, struggling to recall a deeper crisis in his 67 years in the business.

"We're finished," he said, standing in his empty workshop. "I avoid coming down here. I'll have a heart attack."



Snoopy the Fashion Icon Celebrated in Paris Exhibition

 A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
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Snoopy the Fashion Icon Celebrated in Paris Exhibition

 A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)
A Snoopy figurine is displayed as part of the "Snoopy In Style" exhibition to mark the Peanuts comic strip's 75th anniversary in Paris, France, March 20, 2025. (Reuters)

A new exhibition opened Saturday in Paris charting the emergence of Snoopy as a fashion icon, with the famed black-and-white beagle embraced by designers from streetwear brands to couture houses.

The show at the Hotel du Grand Veneur in the Marais neighborhood is part of the celebrations for the 75th anniversary of Snoopy, Charlie Brown and the Peanuts comic strip crew which were created by late American illustrator Charles Schulz.

It is the latest entry in a competitive but extremely well-attended field of fashion showcases in the French capital, with the Louvre ("Louvre Couture") and the Grand Palais ("Dolce & Gabbana") currently hosting packed-out exhibitions.

"Since we're celebrating our 75th anniversary this year, we thought it would be fun to celebrate the history that the brand has with fashion. And where else would you do that but in Paris?" said Melissa Menta from the Peanuts Worldwide company.

Entitled "Snoopy in Style" and running from March 22–April 5, the free show explains the intense care taken by Schulz to create simple, visually recognizable characters that would "bounce off the page".

Charlie Brown was initially drawn with just a plain white t-shirt before Schulz -- whose snappy dress sense is also celebrated in the show -- gave him his trademark sweater with a jagged stripe.

But the exhibition is at its most interesting in explaining how designer collaborations and merchandising -- long before they were fashionable -- helped turn a 1950s comic strip scribble into a global cultural phenomenon.

Nowadays, Snoopy is recognized by between 80-90 percent of people in the United States, Europe, Japan and even China, according to research by the Deloitte consultancy for the Peanuts company.

Much of the credit for Snoopy's journey from newspaper pages to mass-market clothing stores and fashion catwalks is given to Schulz's long-time merchandising collaborator Connie Boucher.

She came up with the idea of producing dolls of Snoopy and his sister Belle in the early 1980s which she then sent to fashion houses around the world, asking their designers to dress them.

"Isn't it amazing how the busy fashion celebrities wanted to take on the challenge of designing outfits for fuzzy characters with large ears and tails?" she is quoted as saying afterwards.

By 1982, there were enough dolls -- from Karl Lagerfeld, Fendi or long-time fan Jean-Charles de Castelbajac -- to put on a first travelling exhibition in US cities, London and Paris.

Many of them are on display in the most striking room of the Paris show that features dozens of dolls from this period and others from the present day.

Italian fashion house Valentino sent a contribution that sees Belle in a replica of a couture outfit that was showcased in Paris in January this year that includes 15 different fabrics.

"Designers wanted to include Snoopy because they realize the universal message that he carries," curator Sarah Andelman, founder of former Paris boutique Colette, told AFP.

Elsewhere, visitors get a sense of the global marketing and commercial power of the Snoopy figure which appears on Marc Jacobs trainers, Uniqlo t-shirts, Lacoste padded jackets, Gucci jeans, Vans shoes and more.

Licensing agreements come with strict conditions.

Keeping Charlie Brown's pet sidekick relevant to new generations so long after his first appearance on October 4, 1950, is a challenge for the Peanuts company.

The fashion collaborations achieve this, but help has also come from the internet where Schulz's 18,000 Peanuts strips are endlessly recycled.

Charles Schulz, who passed away in 2000, "would be amazed at how it has taken off on social media," his widow Jeannie Schulz told AFP.