Yemen’s Ancient Honey Production a Victim of War, Climate Change

Experts consider Yemeni honey one of the best in the world but "enormous losses" have been inflicted on production since war broke out in 2014, the International Committee of the Red Cross says AHMAD AL-BASHA AFP
Experts consider Yemeni honey one of the best in the world but "enormous losses" have been inflicted on production since war broke out in 2014, the International Committee of the Red Cross says AHMAD AL-BASHA AFP
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Yemen’s Ancient Honey Production a Victim of War, Climate Change

Experts consider Yemeni honey one of the best in the world but "enormous losses" have been inflicted on production since war broke out in 2014, the International Committee of the Red Cross says AHMAD AL-BASHA AFP
Experts consider Yemeni honey one of the best in the world but "enormous losses" have been inflicted on production since war broke out in 2014, the International Committee of the Red Cross says AHMAD AL-BASHA AFP

For Yemeni beekeeper Mohammed Saif, honey production used to be a lucrative business but years of war and climate change have taken the buzz out of the family hives.

The business, handed down from father to son, "is slowly disappearing", Saif told AFP. "The bees are being hit by strange phenomenons. Is it due to climate change or the effects of war? We really don't know."

Yemen, one of the world's most impoverished countries, has been gripped by a deadly conflict since 2014.

In the southwestern region of Taiz, Saif recently took stock of his hives in a rugged valley surrounded by mountains.

Before the war, Saif said, the family managed 300 hives, now only 80 are left.

Experts consider Yemeni honey some of the best in the world, including the prized Royal Sidr known for its therapeutic properties.

The United Nations says honey plays a "vital role" in Yemen's economy, with 100,000 households dependent on it for their livelihoods.

- Bee ecosystems battered -

But "enormous losses have been inflicted on the industry since the outbreak of the conflict", the International Committee of the Red Cross said in a report in June.

"Armed conflict and climate change are threatening the continuity of a 3,000-year-old practice," the ICRC said.

"Successive waves of displacement to flee violence, the impact of weapon contamination on production areas, and the growing impact of climate change are pushing thousands of beekeepers into precarity, significantly reducing production."

Saif knows it all too well.

"Last year in our village a missile struck a beekeeper's hives. He lost everything," he said.

"The war has had a very bad impact on us. The fighters have targeted many zones where bees are found," he added.

The ICRC's Bashir Omar said the conflict had limited the ability of beekeepers to freely roam the land whenever flowers were in bloom to collect the honey.

Landmines and active front lines are among the challenges they face.

"To make matters worse, Yemen, like many conflict-affected countries, is disproportionately affected by climate change," the ICRC report noted.

"Temperature rises in recent years, combined with severe alterations caused to the environment, are disturbing the bees' ecosystem which is impacting the pollination process," it said.

"With water tables falling and increased desertification, areas previously engaged in agricultural activities and beekeeping no longer sustain these livelihoods."

The ICRC is providing financial support and training this year to beekeepers, after a similar initiative in 2021 that helped nearly 4,000 of them.

Nabil al-Hakim, who sells Yemen's celebrated yellow nectar in Taiz shops, also recalled the golden days before the conflict ravaged his country.

"Before the war we could make a good living by selling honey... but honey has become rare and customers can no longer afford it," he said.

"Before, I used to sell up to 25 five-liter jars a month. Now I can't even sell one."



Vatican Unveils Restored 'Apollo Belvedere', Roman Marble Masterpiece

A view of the 'Apollo Belvedere' statue after it was unveiled after restoration at the Vatican Museums at the Vatican, October 15, 2024. REUTERS/Guglielmo Mangiapane
A view of the 'Apollo Belvedere' statue after it was unveiled after restoration at the Vatican Museums at the Vatican, October 15, 2024. REUTERS/Guglielmo Mangiapane
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Vatican Unveils Restored 'Apollo Belvedere', Roman Marble Masterpiece

A view of the 'Apollo Belvedere' statue after it was unveiled after restoration at the Vatican Museums at the Vatican, October 15, 2024. REUTERS/Guglielmo Mangiapane
A view of the 'Apollo Belvedere' statue after it was unveiled after restoration at the Vatican Museums at the Vatican, October 15, 2024. REUTERS/Guglielmo Mangiapane

The Vatican Museums unveiled on Tuesday a restoration of one of the crown jewels of their collection, a 2nd century marble sculpture of the Greek god Apollo that has inspired generations of artists and poets.

Restoration experts spent years working on the "Apollo Belvedere", repairing fractures in its knees and legs, cleaning the entire cream-colored statue with lasers, and installing a carbon fibre pole anchored to its base to increase stability.

"This type of restoration... is the expression of what we want the Vatican Museums to be," said Barbara Jatta, the Museums' director. "A balance of tradition, linguistics and study, with a gaze that looks to the future."

The Vatican Museums, which house some of the world's greatest Renaissance masterpieces as well as ancient Roman and Egyptian artefacts, are the Holy See's most reliable source of income. They receive some seven million visitors a year, generating income of around $100 million, according to Reuters.

The "Apollo Belvedere" was one of the first works featured in the Museums. It shows the god having just shot an arrow and is famed for its delicate musculature and lightly curled hair.

The sculpture is believed to be a Roman copy of an original Greek bronze statue. It was brought to the Vatican by Pope Julius II in the early 16th century.

The statue was removed from public exhibition in 2019, when museum staff noticed small fissures in its legs.

The structure was in an "incredibly dramatic" condition, said Guy Devreux, a curator in the Museums' stone and marble restoration workshop.

The restoration project was paused for about two years during the pandemic, when the Museums underwent several long closures due to Italy's lockdowns.