Actress Nichelle Nichols, ‘Star Trek’s’ Trail-Blazing Uhura, Dies at 89

In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)
In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)
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Actress Nichelle Nichols, ‘Star Trek’s’ Trail-Blazing Uhura, Dies at 89

In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)
In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)

Nichelle Nichols, whose portrayal of starship communications officer Lieutenant Uhura in the 1960s sci-fi TV series "Star Trek" and subsequent movies broke color barriers and helped redefine roles for Black actors, has died at age 89, her family said.

Nichols, whose fans included Martin Luther King Jr. and a young Barack Obama, "succumbed to natural causes and passed away" on Saturday night, her son, Kyle Johnson, wrote on Facebook.

"Her light however, like the ancient galaxies now being seen for the first time, will remain for us and future generations to enjoy, learn from and draw inspiration," Johnson wrote.

The series, which became a pop culture phenomenon, shattered stereotypes common on US television at the time by casting Black and minority actors in high-profile roles on the show.

In 1968 she and "Star Trek" star William Shatner broke a cultural barrier when they engaged in US television's first interracial kiss.

She had planned to quit "Star Trek" after one season, but King, the 1960s civil rights leader, convinced her to stay because it was so revolutionary to have a Black woman playing an important senior crew member at a time when Black people were fighting for equality in American society.

Nichols also helped break color barriers at NASA, whose leaders were "Star Trek" fans. After she criticized the space agency for failing to pick qualified women and minorities as astronauts, it hired Nichols in the 1970s to help in recruiting.

Her efforts helped attract, among others, the first woman US astronaut, Sally Ride; the first Black woman astronaut, Mae Jemison; and the first Black NASA chief, Charlie Bolden.

Nichols "symbolized to so many what was possible" and "inspired generations to reach for the stars," NASA said on Twitter.

Nichols' portrayal of the competent, level-headed Uhura also helped inspire future Black actors, including Oscar winner Whoopi Goldberg. Nichols recalled Goldberg telling her of watching "Star Trek" as a 9-year-old, seeing her playing Uhura, and yelling out to her mother: "Come quick! There's a Black lady on television and she ain't no maid!'"

The original "Star Trek" series, tracking the adventures of the crew of the starship USS Enterprise in the 23rd century, ran for only three seasons on the NBC network from 1966 to 1969. But it became hugely popular in syndication in the 1970s, inspiring first an animated series that reunited the cast from 1973 to 1975 and then a succession of feature films and shows.

Nichols appeared in six "Star Trek" films ending with "Star Trek VI: The Undiscovered Country" in 1991.

Uhura deftly handled the starship Enterprise's communications with allied spaceships and alien races while interacting with Captain James T. Kirk (Shatner), Vulcan first officer Mr. Spock (Leonard Nimoy) and the starship's helmsman, Sulu (George Takei).

Takei wrote on Twitter that he and Nichols "lived long and prospered together," describing her as trailblazing and incomparable. "(My) heart is heavy, my eyes shining like the stars you now rest among."

Nichols' best-known scene featured the first scripted interracial kiss on US television, although it was not a romantic one. In an episode called "Plato's Stepchildren," Uhura and Kirk were compelled telekinetically to smooch by aliens toying with the feeble humans. In real life, Nichols disliked Shatner, who she considered arrogant.

"She was a beautiful woman & played an admirable character that did so much for redefining social issues both here in the US & throughout the world," Shatner said on Twitter.

She felt differently about "Star Trek" creator Gene Roddenberry, who cast her after she had acted in a previous show he produced. Nichols had a romance with him in the 1960s and sang a song called "Gene" at his 1991 funeral.

Visit to the White House

Obama, the first Black US president, who was 5 years old when the "Star Trek" series made its debut, also was a fan. Nichols visited him at the White House in 2012 and posed for a photo in the Oval Office, with the president smiling and putting his hand on her shoulder while both made a "Star Trek" Vulcan hand gesture meaning "live long and prosper."

In a 2011 interview with Smithsonian magazine, Nichols recalled meeting King at a civil rights group's fundraiser.

Nichols said she was approached by one of the event's promoters, who told her, "There's someone who wants to meet you and he says he's your biggest fan, so I'm thinking of a young kid. I turn around and standing across the room, walking towards me, was Dr. Martin Luther King with this big smile on his face."

After Nichols told King she planned to quit "Star Trek," she said he implored her to stay.

She said King told her: "This is a God-given opportunity to change the face of television, change the way we think. We are no longer second-class, third-class citizens. He (Roddenberry) had to do it in the 23rd century but it's the 20th century that's watching.'" She rescinded her resignation.

Like other "Star Trek" cast members, she had a hard time finding work due to typecasting after the original series ended. It was during this time when she played a foul-mouthed madam in the film "Truck Turner" (1974) starring Isaac Hayes. She was a recurring character on the television show "Heroes" in 2007.

She was born on Dec. 28, 1932 in Robbins, Illinois, trained as a singer and dancer and toured with jazz greats Duke Ellington and Lionel Hampton before her acting career took off.

Nichols, who was married twice and had one child, suffered a mild stroke in June 2015.



‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles

‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles
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‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles

‘Venom 3’ Tops Box Office Again, While Tom Hanks Film Struggles

“Venom: The Last Dance” enjoyed another weekend at the top of the box office. The Sony release starring Tom Hardy added $26.1 million in ticket sales, according to studio estimates Sunday.
It was a relatively quiet weekend for North American movie theaters leading up to the presidential election. Charts were dominated by big studio holdovers, like “Venom 3,” “The Wild Robot” and “Smile 2,” while audiences roundly rejected the Tom Hanks, Robin Wright and Robert Zemeckis reunion “Here.” Thirty years after “Forrest Gump,” “Here” opened to only $5 million from 2,647 locations.
“Venom 3” only fell 49% in its second weekend, which is a notably small drop for a superhero film, though it didn’t exactly open like one either. In two weeks, the movie has made over $90 million domestically; The first two opened to over $80 million. Globally, the picture is brighter given that it has already crossed the $300 million threshold.
Meanwhile, Universal and Illumination’s “The Wild Robot” continues to attract moviegoers even six weeks in (and when it’s available by video on demand), placing second with $7.6 million. That's up 11% from last weekend. The animated charmer has made over $121 million in North America and $269 million worldwide, The Associated Press reported.
"'The Wild Robot' has quietly been this absolute juggernaut for the fall season," said Paul Dergarabedian, the senior media analyst for Comscore. “For that film to see an increase after six weeks is astounding.”
“Smile 2” landed in third place with $6.8 million, helping to push its worldwide total to $109.7 million.
The time-hopping “Here,” a graphic novel that was adapted by “Forrest Gump” screenwriter Eric Roth, was financed by Miramax and distributed by Sony’s TriStar. With a fixed position camera, it takes audiences through the years in one living room. Critics were not on board: In aggregate it has a lousy 36% on Rotten Tomatoes.
“It was a slow weekend anyway, but it didn’t resonate in a way that many thought it might," Dergarabedian said. "There are a lot of films out there for the audience that ‘Here’ was chasing."
Despite playing in almost 1,000 more locations, “Here” came in behind Focus Features' papal thriller “Conclave,” which earned $5.3 million. Playing in 1,796 theaters, “Conclave” dropped only 20% from its debut last weekend and has made $15.2 million so far. Two Indian films also cracked the top 10 in their debuts, “Bhool Bhulaiyaa 3” and “Singham Again.”
Overall box office continues to lag behind 2023 by almost 12%. But holiday moviegoing will likely give the industry an end-of-year boost with titles like “Gladiator II” and “Wicked” on the way.
“In a couple of weeks, it’ll get a lot more competitive,” Dergarabedian said.
Jesse Eisenberg’s film “A Real Pain,” a comedic drama about cousins on a Holocaust tour in Poland, launched in four theaters this weekend in New York and Los Angeles. It made an estimated $240,000, or $60,000 per screen, which is among the top three highest per theater averages of the year. Searchlight Pictures will be expanding the well-reviewed film nationwide in the coming weeks, going wide on Nov. 15 to over 800 theaters.
Box office charts don’t always paint a full picture of the moviegoing landscape, however. This weekend several relatively high-profile films playing in theaters did not report full grosses for various reasons, including the Clint Eastwood film “Juror #2,” Steve McQueen’s WWII film “Blitz” and the Cannes darling “Emilia Pérez.” Netflix, which is handling “Emilia Pérez,” never reports box office. Apple Original Films is following suit with “Blitz,” a likely awards contender, which is in theaters before hitting Apple TV+ on Nov. 22.
“Juror No. 2” is a Warner Bros. release, and a well-reviewed one at that. The film directed by Eastwood stars Nicholas Hoult as a juror on a murder case who faces a big moral dilemma. Domestic ticket sales were withheld. The studio did say that it earned $5 million from international showings, where it played on 1,348 screens.
Even major studios withhold box office numbers occasionally. Earlier this year, Disney did not report on the Daisy Ridley movie “Young Woman and the Sea.” Results were most notably withheld during the COVID-19 pandemic.
"It’s really up to the distributors," Dergarabedian said. “Often times the reason that certain movies may not be reported is that there’s a chance that the quality of the movie will be conflated with the box office number.”