Actress Nichelle Nichols, ‘Star Trek’s’ Trail-Blazing Uhura, Dies at 89

In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)
In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)
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Actress Nichelle Nichols, ‘Star Trek’s’ Trail-Blazing Uhura, Dies at 89

In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)
In this file photo taken on March 2, 2003, US actress Nichelle Nichols attends the 2003 TV Land awards at the Palladium Theater in Hollywood, California. (AFP)

Nichelle Nichols, whose portrayal of starship communications officer Lieutenant Uhura in the 1960s sci-fi TV series "Star Trek" and subsequent movies broke color barriers and helped redefine roles for Black actors, has died at age 89, her family said.

Nichols, whose fans included Martin Luther King Jr. and a young Barack Obama, "succumbed to natural causes and passed away" on Saturday night, her son, Kyle Johnson, wrote on Facebook.

"Her light however, like the ancient galaxies now being seen for the first time, will remain for us and future generations to enjoy, learn from and draw inspiration," Johnson wrote.

The series, which became a pop culture phenomenon, shattered stereotypes common on US television at the time by casting Black and minority actors in high-profile roles on the show.

In 1968 she and "Star Trek" star William Shatner broke a cultural barrier when they engaged in US television's first interracial kiss.

She had planned to quit "Star Trek" after one season, but King, the 1960s civil rights leader, convinced her to stay because it was so revolutionary to have a Black woman playing an important senior crew member at a time when Black people were fighting for equality in American society.

Nichols also helped break color barriers at NASA, whose leaders were "Star Trek" fans. After she criticized the space agency for failing to pick qualified women and minorities as astronauts, it hired Nichols in the 1970s to help in recruiting.

Her efforts helped attract, among others, the first woman US astronaut, Sally Ride; the first Black woman astronaut, Mae Jemison; and the first Black NASA chief, Charlie Bolden.

Nichols "symbolized to so many what was possible" and "inspired generations to reach for the stars," NASA said on Twitter.

Nichols' portrayal of the competent, level-headed Uhura also helped inspire future Black actors, including Oscar winner Whoopi Goldberg. Nichols recalled Goldberg telling her of watching "Star Trek" as a 9-year-old, seeing her playing Uhura, and yelling out to her mother: "Come quick! There's a Black lady on television and she ain't no maid!'"

The original "Star Trek" series, tracking the adventures of the crew of the starship USS Enterprise in the 23rd century, ran for only three seasons on the NBC network from 1966 to 1969. But it became hugely popular in syndication in the 1970s, inspiring first an animated series that reunited the cast from 1973 to 1975 and then a succession of feature films and shows.

Nichols appeared in six "Star Trek" films ending with "Star Trek VI: The Undiscovered Country" in 1991.

Uhura deftly handled the starship Enterprise's communications with allied spaceships and alien races while interacting with Captain James T. Kirk (Shatner), Vulcan first officer Mr. Spock (Leonard Nimoy) and the starship's helmsman, Sulu (George Takei).

Takei wrote on Twitter that he and Nichols "lived long and prospered together," describing her as trailblazing and incomparable. "(My) heart is heavy, my eyes shining like the stars you now rest among."

Nichols' best-known scene featured the first scripted interracial kiss on US television, although it was not a romantic one. In an episode called "Plato's Stepchildren," Uhura and Kirk were compelled telekinetically to smooch by aliens toying with the feeble humans. In real life, Nichols disliked Shatner, who she considered arrogant.

"She was a beautiful woman & played an admirable character that did so much for redefining social issues both here in the US & throughout the world," Shatner said on Twitter.

She felt differently about "Star Trek" creator Gene Roddenberry, who cast her after she had acted in a previous show he produced. Nichols had a romance with him in the 1960s and sang a song called "Gene" at his 1991 funeral.

Visit to the White House

Obama, the first Black US president, who was 5 years old when the "Star Trek" series made its debut, also was a fan. Nichols visited him at the White House in 2012 and posed for a photo in the Oval Office, with the president smiling and putting his hand on her shoulder while both made a "Star Trek" Vulcan hand gesture meaning "live long and prosper."

In a 2011 interview with Smithsonian magazine, Nichols recalled meeting King at a civil rights group's fundraiser.

Nichols said she was approached by one of the event's promoters, who told her, "There's someone who wants to meet you and he says he's your biggest fan, so I'm thinking of a young kid. I turn around and standing across the room, walking towards me, was Dr. Martin Luther King with this big smile on his face."

After Nichols told King she planned to quit "Star Trek," she said he implored her to stay.

She said King told her: "This is a God-given opportunity to change the face of television, change the way we think. We are no longer second-class, third-class citizens. He (Roddenberry) had to do it in the 23rd century but it's the 20th century that's watching.'" She rescinded her resignation.

Like other "Star Trek" cast members, she had a hard time finding work due to typecasting after the original series ended. It was during this time when she played a foul-mouthed madam in the film "Truck Turner" (1974) starring Isaac Hayes. She was a recurring character on the television show "Heroes" in 2007.

She was born on Dec. 28, 1932 in Robbins, Illinois, trained as a singer and dancer and toured with jazz greats Duke Ellington and Lionel Hampton before her acting career took off.

Nichols, who was married twice and had one child, suffered a mild stroke in June 2015.



Christopher Reeve’s Children Want to Honor His Honesty in 'Super/Man' Film

Christopher Reeve and wife Dana pose at The Christopher Reeve Paralysis Foundation 13th Annual "A Magical Evening" Gala in New York in this photo taken on November 24, 2003. (Reuters)
Christopher Reeve and wife Dana pose at The Christopher Reeve Paralysis Foundation 13th Annual "A Magical Evening" Gala in New York in this photo taken on November 24, 2003. (Reuters)
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Christopher Reeve’s Children Want to Honor His Honesty in 'Super/Man' Film

Christopher Reeve and wife Dana pose at The Christopher Reeve Paralysis Foundation 13th Annual "A Magical Evening" Gala in New York in this photo taken on November 24, 2003. (Reuters)
Christopher Reeve and wife Dana pose at The Christopher Reeve Paralysis Foundation 13th Annual "A Magical Evening" Gala in New York in this photo taken on November 24, 2003. (Reuters)

What makes a hero? "Super/Man: The Christopher Reeve Story" seeks to address that question by looking at the life of the late actor who once played the Man of Steel but was paralyzed following a horse-riding accident.

The documentary, released in UK cinemas on Friday, charts Reeve's rise to stardom thanks to the 1978 film "Superman" as well as his activism and quest to find a cure for spinal cord injury after becoming a quadriplegic.

It features interviews with his three children, Matthew, Alexandra and William, and a rich archive of home footage before and after the avid sportsman's 1995 accident, showing both tender moments as well as more challenging times.

Reeve, who starred in four "Superman" films and other movies, died in 2004 of heart failure, aged 52. His wife Dana died 17 months later of lung cancer. She was 44.

"It was a huge leap of faith, we decided to sit for interviews and hand over our films and trust that (the directors) would do justice to our dad and Dana’s story, which they did," Alexandra Reeve told Reuters.

"But it’s also a total gift. We sat there in the screening room (after first seeing the film)... and I remember the lights coming up at the end and... one of the first things I said was: ‘You just gave us two hours with our parents again.’"

Reeve's children and co-directors Ian Bonhote and Peter Ettedgui said the film seeks to strike a balance, showing both Reeve's strengths and weaknesses. He is heard talking about his struggles with fame and life after his accident.

"He was always honest and he was always very open and candid ... after the accident, he was very forthright about... any medical setbacks, about his hopes for research in the future," Matthew Reeve said, adding the film wanted to "honor that aspect of his honesty".

Christopher and Dana Reeve campaigned heavily to advocate for people living with paralysis and their carers, raise awareness and fund research.

“My father and mother placed very little, if any, weight on fame or public success. They cared most about the health and love within a family," Will Reeve said.

"They didn’t see themselves as anything more than two human beings just trying get through life as best they could."