'This Freaking Tower!': Tech Saves Potty-mouthed Stars in Vertigo Thriller 'Fall'

"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File
"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File
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'This Freaking Tower!': Tech Saves Potty-mouthed Stars in Vertigo Thriller 'Fall'

"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File
"Fall" follows two young women who decide to scale an impossibly tall metal telecommunications tower FABRICE COFFRINI AFP/File

When you're dangling from a tower 2,000 feet above the desert floor by your fingertips, it may be difficult not to drop a couple of F-bombs -- even if you're a Hollywood actor shooting a PG-13 rated movie.

Fortunately, a new editing technology came to the rescue of the "potty-mouthed" stars of "Fall," out in US theaters Friday, which follows two young women who decide to scale an impossibly tall metal tower in the remote California desert.

This being a movie, the adventure doesn't go to plan, leaving Becky (Grace Caroline Currey) and Hunter (Virginia Gardner) stranded on a tiny platform where vertigo is just one of the terrifying challenges they must overcome.

"I'm talking about the most intense winds I've ever experienced," Currey told AFP, of the grueling shoot.

"Gini (Gardner) and I are just holding on to that pole, sitting there, swaying, looking at each other, and it's making sounds.

"We had a moment going, 'what did we get ourselves into? Also, are these our final hours? Are we gonna make it down?'"

"There was definitely some swearing in the environment and in the air."

Though the movie was not shot at the real B67 TV Tower, which is twice the height of the Eiffel Tower, the actors still had to perform on a terrifying set: a 60-foot tower perched atop a sheer cliff in the Mojave desert.

Using judicious angles to avoid showing the mountain, British director Scott Mann was able to retain a realistic feel for the Indy thriller at the tiny budget of $3 million.

But when major Hollywood studio Lionsgate agreed to distribute the film, there was one problem.

The actors were cursing throughout, using language likely to trigger a restricted "R" rating that could dampen box office receipts.

"Potty mouths Virginia and Grace, is what I'd say!" joked Mann, in an interview with AFP via Zoom.

"I do not blame Gini and Grace -- because let's be honest, off the top of this ridiculous structure, thousands of feet up, asking to improvise out scenes, it is entirely justified they would be saying that."

"Definitely my fault!" he admitted.

- 'Potty-mouth language' -
While a giant summer superhero movie might typically reshoot certain scenes, the budget on "Fall" did not allow for that, and filmmakers were reluctant to edit out dialog.

Instead they found a creative solution: a nascent technology, primarily invented for foreign-language dubbing, enabling them to seamlessly swap in more family-friendly audio.

It maps the actors' faces, learning their specific mouth movements, before manipulating these motions with 3D computer effects to sync with new dialog.

"What the technology allowed was, rather than having to rebuild the tower and go up the mountain again, just to go to a sound studio," said Mann, who co-founded a start-up working on the technology.

"We rewrote those little moments, just to work around some of that potty-mouth language, and then basically inject it back into the movie."

While the tool has been referred to as "deepfake," Mann said that label suggests more nefarious uses such as pornography, while in reality it is more "hands-off."

"It's an interesting use, and I think it was a good solution," he said.

- 'Wild' -
Despite being released in mid-August -- typically a period with low audiences, where many weaker films are unceremoniously dumped by studios -- "Fall" has received very positive reviews.

The Guardian said the micro-budget movie should embarrass other giant studios who throw "a hundred times more at blockbusters with a hundred times less of a thrill factor," while Vanity Fair dubbed it "an engrossing dog-days surprise."

For Currey, who did many of her own stunts including clinging onto a plummeting ladder, making the movie was "pretty wild, not like anything I've ever done before."

"And we didn't know if we were going to be R or PG-13," she added.

"As far as Gini and I knew, we could say whatever we wanted!"



Kendrick Lamar Surprises with New Album 'GNX'

FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
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Kendrick Lamar Surprises with New Album 'GNX'

FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)

Kendrick Lamar gave music listeners an early holiday present Friday with the surprise drop of a new album.

The Grammy winner's 12-track “GNX” is his first release since 2022's “Mr. Morale & The Big Steppers” and his sixth studio album overall. It also comes just months after his rap battle with Drake.

Lamar first teased the album with a cover art and video snippet of “GNX,” which features multi-instrumentalist Jack Antonoff as a co-producer on every track except for “Peekaboo.” Other notable producers include Sounwave and DJ Mustard, who both contributed production on the hit “Not Like Us,” the ubiquitous diss track emanating from the Drake feud.

Lamar's former Top Dawg Entertainment labelmate SZA appears on a couple songs including “Gloria” and “Luther,” which also features sampled vocals from Luther Vandross and Cheryl Lynn through “If This World Were Mine."
On the opening track “Wacced Out Murals,” Lamar raps about cruising in his Buick GNX (Grand National Experimental) car with listening to Anita Baker. He brings up Snoop Dogg posting Drake's AI-assisted “Taylor Made Freestyle” diss track on social media and Nas congratulating Lamar for being selected to headline February's Apple Music Super Bowl Halftime Show in New Orleans.
Lamar also shows admiration for Lil Wayne, who expressed his hurt feelings after being passed over as the headliner in his hometown.
Lamar, 37, has experienced massive success since his debut album “good kid, m.A.A.d city” in 2012. Since then, he’s accumulated 17 Grammy wins and became the first non-classical, non-jazz musician to win a Pulitzer Prize for his 2017 album “DAMN.”
The surprise release caps a big year for Lamar, who was featured on the song “Like That” with Future and Metro Boomin — a track that spent three weeks at No. 1 on the Billboard Hot 100 this year.
Lamar is up for seven Grammys, fueled by “Not Like Us,” which earned nods for record and song of the year, rap song, music video as well as best rap performance. He has two simultaneous entries in the latter category, a career first: “Like That” is up for best rap performance and best rap song, too.