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Bad Guys Turn Good in China 'Minions' Movie Ending

'Minions: The Rise of Gru', premiered in China this month, some weeks after the film opened in US cinemas VALERIE MACON AFP/File
'Minions: The Rise of Gru', premiered in China this month, some weeks after the film opened in US cinemas VALERIE MACON AFP/File
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Bad Guys Turn Good in China 'Minions' Movie Ending

'Minions: The Rise of Gru', premiered in China this month, some weeks after the film opened in US cinemas VALERIE MACON AFP/File
'Minions: The Rise of Gru', premiered in China this month, some weeks after the film opened in US cinemas VALERIE MACON AFP/File

What's small, yellow, loves bananas and promotes the rule of law? A Minion, at least according to an edited version of the latest animated film featuring supervillain Gru and his army of tiny sidekicks being screened in China.

The fifth instalment of the lucrative "Despicable Me" franchise, "Minions: The Rise of Gru", premiered in China this month, several weeks after the film opened in United States cinemas, AFP said.

But while the international version of the kung fu-filled family-friendly romp set in 1970s San Francisco tells the story of how the dastardly Gru cut his teeth as a tween criminal, filmgoers in China are treated to an alternative ending in which the good guys win.

A series of subtitled still images inserted into the credits sequence on mainland Chinese screens reassures audiences that police catch Gru's law-breaking mentor Wild Knuckles and lock him up for 20 years after a failed heist.

International viewers simply see Knuckles give police the slip by faking his death earlier in the film's concluding scenes, but in the Chinese version he puts his con artist skills to positive use in prison, where he follows his "love of acting" and sets up a theatrical troupe.

As for Gru, he "eventually became one of the good guys", devoted to raising his family, the Chinese ending says.

It is not the first time a popular foreign film has been altered for cinemas in China, where the entertainment industry faces some of the world's strictest censorship rules and is tasked with promoting "healthy" values.

David Fincher's 1999 cult classic "Fight Club" starring Brad Pitt and Edward Norton was given similar treatment when Chinese streaming platform Tencent Video in January uploaded a version where police shut down the protagonist's plan to bring down modern civilization.

It is unclear if the "Minions" ending was altered due to censors' demands or if producers considered it a more palatable conclusion for the Chinese market.

Universal did not immediately respond to AFP's request for comment.

Social media reaction to the Chinese "Minions" ending was mixed, with one person on the Twitter-like Weibo social media platform saying they had gone to the cinema specifically to see the new ending but was disappointed that it was "just subtitles".

Other fans were upset by the discontinuity between young Gru's virtuous transformation in the new film, a prequel, and his continued villainous behavior in the other films, set in the present day.

"We can only say that the Gru of the main films lives in another parallel Minion universe," one Weibo user complained.

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Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
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Cate Blanchett Wants You to Laugh at Politics in ‘Rumours’

Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)
Cate Blanchett poses for photographers upon arrival at the premiere of the film "Rumours" during the London Film Festival on Sunday, Oct. 13, 2024, in London. (AP)

You’d be hard pressed to find an upcoming film weirder than “Rumours.”

The biting commentary on the emptiness of political statements and the performances politicians put on starts off as a straight political satire focusing on the G7 world leaders, but then slips into a world of slow-yet-terrifying zombies; a mysterious, giant brain found in the middle of a forest with unexplained origins; and an AI chatbot bent on entrapment.

It goes from provocative to absurd within a few short scenes, with the G7 leaders no longer the subject of criticism, but the butt of the joke.

And that’s kind of the whole point, according to its star and executive producer, Cate Blanchett.

“We’re all in such a state of heightened anxiety and fear with what’s going on with climate, what’s going on with the global political situation. We feel like we’re on the precipice of a world war and there’s a lot of people in positions of power who seem to be relishing that moment,” Blanchett told The Associated Press.

She plays a fictional chancellor of Germany named Hilda Orlmann, the host of the conference who's more focused on optics than action.

“I think the audience will come to it with a need for some kind of catharsis. And because the film is ridiculous and terrifying ... I think they’ll be able to laugh at the absurdity of the situation we found ourselves in. I think it’s a very generous film in that way,” she said.

The three directors, Guy Maddin and brothers Evan and Galen Johnson, said they wanted the film to feel like it had a “generic wash of political disrespect” and to include some resonant critiques, but they didn’t want viewers to feel like they were leaving a lecture hall as they walked out of the theater.

“I’m preachy enough when I talk to people. I don’t want to make a movie that’s preachy, you know? I just favor movies that aren’t that. That just hit me with a little mystery of ... ‘What are you doing or seeing? What am I experiencing?’” Evan Johnson, who wrote the script, as well as co-directed, said.

As for the more absurd plotlines, Maddin said he and his collaborators share “a compulsion to come up with an original recipe.”

And original it certainly is. In its straightforward opening act, leaders from the Group of 7 meet for their annual summit and try to draft a provisional statement for an unnamed crisis. Then, as the evening goes on and they struggle to string together a couple, meaningful sentences, they find themselves abandoned and subject to attack from “bog people,” or well-preserved mummified bodies from thousands of years ago. Hijinks — and hilarity — ensue from there.

Nikki Amuka-Bird, who plays the fictionalized British Prime Minister Cardosa Dewindt, said that while reading the script, she kept asking herself, “What’s happening?” But the ridiculous plotline — including the apocalyptic invasion of zombie-like “bog people” — was only part of the reason why she took on the project.

“This kind of total courage to genre splice in this way takes away any kind of apprehension or fear you might have about it because their (the directors’) tongues are firmly in their cheeks the whole time,” Amuka-Bird said. “It’s a really imaginative exercise and it’s just fantastic to work with directors who can be that bold and take chances like that.”

The cast is rounded out by a starry ensemble: Roy Dupuis is a melodramatic Canadian prime minister, Charles Dance is an American president with an inexplicable British accent, Denis Ménochet is a paranoid French president and Alicia Vikander makes an appearance as a frenetic leader from the European Commission.

The title of the movie, Blanchett said, is meant to invoke the revered Fleetwood Mac album of the same name, which was made at a time when the bandmembers were reportedly “all sleeping together and bickering and breaking up,” she said.

“What was surprising about it is you think, ‘OK, this is a film about the G7,’ but it’s like a sort of a daytime soap opera with these sort of trysts and liaisons and petty squabbles,” Blanchett said. “It was such an unusual way to look at the mess we’re all in and the leadership that’s led us here.”