Twenty-Five Years Since Paris Death, Princess Diana Still Captivates

A person looks at tributes for Britain's Princess Diana, outside Kensington Palace, before the installation of a statue in honor of Princess Diana, in London, Britain, July 1, 2021. (Reuters)
A person looks at tributes for Britain's Princess Diana, outside Kensington Palace, before the installation of a statue in honor of Princess Diana, in London, Britain, July 1, 2021. (Reuters)
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Twenty-Five Years Since Paris Death, Princess Diana Still Captivates

A person looks at tributes for Britain's Princess Diana, outside Kensington Palace, before the installation of a statue in honor of Princess Diana, in London, Britain, July 1, 2021. (Reuters)
A person looks at tributes for Britain's Princess Diana, outside Kensington Palace, before the installation of a statue in honor of Princess Diana, in London, Britain, July 1, 2021. (Reuters)

Twenty-Five Years since Paris Death, Princess Diana Still Captivates

A quarter of a century after her death at the age of just 36, Princess Diana remains a source of fascination to people around the world and her fate still casts a shadow over the British royals.

Diana was killed on Aug. 31, 1997, when the limousine carrying her and her lover Dodi al-Fayed crashed in the Pont de L’Alma tunnel in Paris as it sped away from chasing paparazzi photographers on motorbikes.

Her death plunged the monarchy into crisis, coming after the highly public disintegration of her marriage to heir Prince Charles with its revelations of feuding, adultery, and the misery she had felt in her royal role.

Millions globally mourned the "people's princess", as the then British Prime Minister Tony Blair described Diana, who was one the world's most recognized and photographed woman.

Twenty-five years on, her allure shows little sign of faltering.

There has been "Spencer", a movie about the tumultuous end of Charles and Diana's marriage; "The Princess", a documentary by Oscar-nominated director Ed Perkins; while the hit Netflix drama "The Crown" has focused on Diana in its recent series.

There have been books, countless newspaper articles, numerous TV programs, recriminations over a controversial 1995 interview she gave to the BBC, and even "Diana, The Musical", a much panned and short-lived Broadway show.

"Diana still has an impact, there are still documentaries being made about her, stories written about her, people are still intrigued by this woman," said author Andrew Morton, whose 1992 biography first exposed the deep divisions in her marriage and with whom she secretly cooperated.

"She just had a charisma, she had an appeal which went beyond her royal moniker - it was of an extraordinary human being," Morton told Reuters.

Omnipresent

For the royals themselves, Diana is still omnipresent, not least for her two sons, Princes William, 40, and Harry, 37, who have spoken of the trauma her death caused, and how it affected their mental health for years afterwards.

They were just 15 and 12 when they walked slowly behind their mother's coffin, past a throng of mourners, through the streets of London to her funeral.

"Every day, we wish she were still with us," William said when the two brothers unveiled a statue in her honor last year at Kensington Palace in central London, her former home.

"I feel her presence in almost everything that I do now," Prince Harry told a US television interview in April.

Prince Charles has slowly emerged from the shadow cast by his ex-wife's death, and has now been married for 17 years to Camilla, the woman Diana held responsible for their relationship failing. But polls show the issue lingers with some.

"I think there's a generation of people still around who feel that she (Camilla) was to blame for the break-up of the fairytale marriage," Morton said.

The enduring fascination is also not just with her life, but the manner of her death.

A lengthy inquest concluded in 2008 Diana and al-Fayed were unlawfully killed by the grossly negligent driving of chauffeur Henri Paul and paparazzi photographers pursuing their limousine.

Al-Fayed's father, Mohamed, had claimed the killing was carried out by British secret service on the orders of Queen Elizabeth's late husband Prince Philip.

A police investigation, which looked at whether she might have been murdered, dismissed a host of conspiracy theories and determined Paul had been drunk and was driving too fast.

But speculation that she was a victim of an assassination plot still endures, and one of Diana's former bodyguards made headlines this week by suggesting British security officers might have inadvertently caused the crash.

Why the interest still?

So why does Diana and her death generate such interest?

"I think the only other moment in my life that I really feel like time just stopped was 9/11," filmmaker Perkins told Reuters. "Diana's death really was a moment where the whole world just seemed to be focused on this singular event."

He was 11 at the time, and remembers the collective outpouring of emotion and the unprecedented scenes of mourning.

"We as humans have been telling ourselves variations of the fairytale myth for thousands and thousands of years. And suddenly this real-life fairytale sort of came into being," he said.

"And this marriage, this fairytale romance, came onto the public stage and gave a lot of people a beacon of hope, something that they really bought into and wanted to work. And I think a lot of people became emotionally invested in wanting that story to work."

In his 2010 biography, Blair wrote that his famous description of the "people’s princess" now seemed "corny" and "over the top", but said it was how Diana saw herself and should be remembered.

"Was Diana, the queen of people's hearts? Just look at the evidence," Morton said. "The mountains of flowers, the fact that people mourned her loss probably in some ways greater than their own members of their own family."



‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
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‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)

With a combined $270 million in worldwide ticket sales, “Wicked” and “Gladiator II” breathed fresh life into a box office that has struggled lately, leading to one of the busiest moviegoing weekends of the year.

Jon M. Chu’s lavish big-budget musical “Wicked,” starring Ariana Grande and Cynthia Erivo, debuted with $114 million domestically and $164.2 million globally for Universal Pictures, according to studio estimates Sunday. That made it the third-biggest opening weekend of the year, behind only “Deadpool & Wolverine” and “Inside Out 2.” It’s also a record for a Broadway musical adaptation.

Ridley Scott’s “Gladiator II,” a sequel to his 2000 best picture-winning original, launched with $55.5 million in ticket sales. With a price tag of around $250 million to produce it, “Gladiator II” was a big bet by Paramount Pictures to return to the Coliseum with a largely new cast, led by Denzel Washington and Paul Mescal. While it opened with a touch less than the $60 million predicted in domestic ticket sales, “Gladiator II” has performed well overseas. It added $50.5 million internationally.

Going into the weekend, box office was down about 11% from last year and some 25% from pre-pandemic times. That meant this week's two headline films led a much-needed resurgence for theaters. With “Moana 2” releasing Wednesday, Hollywood might be looking at historic sales over the Thanksgiving holiday.

“This weekend’s two strong openers are invigorating a box office that fell apart after a good summer,” said David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

The collision of the two movies led to some echoes of the “Barbenheimer” effect of last year, when “Barbie" and “Oppenheimer” launched simultaneously. The nickname this time, “Glicked,” wasn’t quite as catchy and the cultural imprint was also notably less. Few people sought out a double feature this time. The domestic grosses in 2023 – $162 million for “Barbie” and $82 million for “Oppenheimer” – were also higher.

But the counter-programming effect was still potent for “Wicked” and “Gladiator II,” which likewise split broadly along gender lines. And it was again the female-leaning release – “Wicked,” like “Barbie” before it – that easily won the weekend. About 72% of ticket buyers for “Wicked” were female, while 61% of those seeing “Gladiator II” were male.

And while “Barbenheimer” benefitted enormously from meme-spread word-of-mouth, both “Wicked” and “Gladiator II” leaned on all-out marketing blitzes.

Both movies pulled out all the stops in global advertising campaigns that spanned everything from “Wicked” Mattel dolls (some of which led to an awkward recall) to an Airbnb cross-promotion with the actual Colosseum in Rome. For “Gladiator II,” Paramount even took the unusual step of simultaneously running a one-minute trailer on more than 4,000 TV networks, radio station and digital platforms.

Though “Wicked” will face some direct competition from “Moana 2,” it would seem to be better set up for a long and lucrative run in theaters. Even at 2 hours and 40 minutes, the film has had mostly stellar reviews. Audiences gave it an “A” on CinemaScore. The reception for “Wicked” has been strong enough that Oscar prognosticators expect it to be a contender for best picture at the Academy Awards, among other categories.

Producers, perhaps sensing a hit, also took the step of splitting “Wicked” in two. Part two, already filmed, is due out next November. Each “Wicked” installation cost around $150 million to make.

“Gladiator II” has also enjoyed good reviews, particularly for Washington's charismatic performance. Audience scores, though, were weaker, with ticket buyers giving it a “B” on CinemaScore. “Gladiator II” will make up for some of that, however, with robust international sales. It launched in many overseas markets a week ago, earning $87 million before landing in North America.