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Harry Styles Evolves from Heartthrob to Fashion Icon

The 79th Venice Film Festival - Photo call for the film "Don't Worry Darling" out of competition - Venice, Italy, September 5, 2022 - Cast member Harry Styles attends. (Reuters)
The 79th Venice Film Festival - Photo call for the film "Don't Worry Darling" out of competition - Venice, Italy, September 5, 2022 - Cast member Harry Styles attends. (Reuters)
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Harry Styles Evolves from Heartthrob to Fashion Icon

The 79th Venice Film Festival - Photo call for the film "Don't Worry Darling" out of competition - Venice, Italy, September 5, 2022 - Cast member Harry Styles attends. (Reuters)
The 79th Venice Film Festival - Photo call for the film "Don't Worry Darling" out of competition - Venice, Italy, September 5, 2022 - Cast member Harry Styles attends. (Reuters)

Harry Styles will never be just a singer-songwriter, he's now an actor and a fashion powerhouse as well.

The former member of British pop boy band "One Direction" has shed his musician’s skin for the male lead role alongside Oscar nominee Florence Pugh in the highly anticipated dystopian thriller film "Don’t Worry Darling," directed by Olivia Wilde.

The film had its buzzy world premiere at the Venice International Film Festival on Monday, taking the internet and the world by storm with behind-the-scenes controversies and most of all, fashion.

Styles arrived on the Venice carpet dripping in a navy blue Gucci suit with bold broad shoulders and a very peaked collar, Sarah Karmali, executive editor (digital) at Harper’s Bazaar, described to The Associated Press.

Laura Jordan, fashion & lifestyle features director at Grazia magazine, said Styles' partnership with his stylist Harry Lambert has created "absolute magic."

"(Styles' fashion) always got this kind of retro bit camp vibe. He loves the big collar, the tinted shades, lots and lots of Gucci," Jordan said.

In 2018, Styles began to build his personal style and brand by becoming one of the ambassadors for the Italian fashion house Gucci. Styles has worn the brand in several editorial campaigns but more noteworthy was the dress he sported for the November 2020 Vogue cover. The musician-actor was the fashion magazine's first solo male cover star.

The highly talked about cover depicted Styles in an open green field under clear skies and dressed in Gucci's Alessandro Michele-designed blue dress that was lined with black lace for a pop of contrast, multiple ruffled tiers and to top it all off — a classic black blazer.

Since his transition from member of a boy band to a solo artist with multiple bestselling albums, he has become synonymous with a flamboyant signature look — a colorful array of oversized 70s-inspired three-piece suits and jumpsuits with flared bellbottoms and an occasional feather boa, mimicking the likes of Elton John.

Each outfit for his "Love On Tour 2022," which currently includes an impressive 15-day residency at New York's Madison Square Garden, sparks a pattern — literally.

Exclusively dressed in Gucci every night, Styles has worn a different pattern-filled two-piece jumpsuit ranging from stripes to dots, all in different colors like bright hues of red, pink, blue and yellow.

If there is a takeaway from Styles' personal wardrobe evolution, it is that it's personal, eclectic and most of all, fun.

"Harry Styles knows exactly who Harry Styles is," Jordan said.

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Fashion

Kamali's Sophomore Show for Chloé in Paris Dazzled with Lightness

Models present creations by Chloe for the Women Ready-to-wear Spring-Summer 2025 collection as part of the Paris Fashion Week, in Paris on September 26, 2024. (Photo by Bertrand GUAY / AFP)
Models present creations by Chloe for the Women Ready-to-wear Spring-Summer 2025 collection as part of the Paris Fashion Week, in Paris on September 26, 2024. (Photo by Bertrand GUAY / AFP)
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Kamali's Sophomore Show for Chloé in Paris Dazzled with Lightness

Models present creations by Chloe for the Women Ready-to-wear Spring-Summer 2025 collection as part of the Paris Fashion Week, in Paris on September 26, 2024. (Photo by Bertrand GUAY / AFP)
Models present creations by Chloe for the Women Ready-to-wear Spring-Summer 2025 collection as part of the Paris Fashion Week, in Paris on September 26, 2024. (Photo by Bertrand GUAY / AFP)

Chemena Kamali’s sophomore collection for Chloé was a luminous exploration of femininity, blending the house’s heritage with a fresh, sensual energy for spring. Set against a backdrop of sun-faded apricots, blushes and soft whites, the Paris collection captured Kamali’s vision of a summer that she surmised as: “when you pause, escape, explore and recharge.” It celebrated Chloé’s free-spirited DNA, infused with a lightness that felt both nostalgic and forward-looking.
According to The Associated Press, here are some highlights of Thursday's shows at Paris Fashion Week, including a French honor for Naomi Campbell:
Kamali's joyful freedom “There’s a liberating expression of total freedom,” Kamali said of her spring display.
This freedom flowed through silk charmeuse gowns, lingerie-inspired crop tops and peek-a-boo designs.
Echoes of Karl Lagerfeld’s '70s Chloé lingered in exaggerated shoulders and standout pieces, like a loose-fitting, vivid blue coat. “Chloé is not a passing moment; it’s an eternal state of mind,” Kamali noted, grounding her collection in the house’s long-standing ethos of optimism and instinct.
Layering played a central role, but Kamali kept it light and intuitive, reflecting what she called a “very personal way of dressing.” Sheer fabrics and sun-worn lace mixed effortlessly with ribbed jerseys, creating looks that felt weightless and spontaneous, a signature of Kamali’s debut collection. “What matters to me is the feeling and intuition,” she said.
A standout moment came in the form of a dramatic trapeze-shaped silk gown, its dynamic silhouette swirling with movement. It epitomized Kamali’s ability to honor Chloé’s romantic roots while infusing a modern sensibility. “The mood is light, weightless, sensual and joyful,” she explained. That joyful freedom was a defining thread from start to finish.
With her second outing, Kamali proved she is the right designer to lead Chloé. She crafted a spring collection that balanced nostalgia and sensuality while pushing the house toward a bright, optimistic future.
Mugler’s Cadwallader takes a bite at fashion

Casey Cadwallader delivered a striking show for Mugler, equal parts theatrical and innovative. The hair, sculpted into harsh fringes like a viper’s fang, set the tone for a collection defined by sharp architectural lines. Curving lapels adorned tight jackets, while tendrils of latticed silk flowed into skirts that bled vibrant yellows, creating a visual spectacle.
The collection boldly embraced femininity, featuring a bust that echoed the form of seashells and a densely packed bustier resembling a diving whale. This daring aesthetic aligns with Cadwallader’s aim to infuse the brand with a fresh energy, moving away from the extravagance that some original Mugler fans long for.
Oversized tubular arms complemented a webbed skirt-coat, while a transparent loose trench evoked the look of a sea medusa, reinforcing Cadwallader’s commitment to pushing boundaries.
Naomi Campbell honored in France amid charity controversy

Iconic British model Naomi Campbell was awarded a prestigious honor in France, being named a knight in the Order of Arts and Letters at the culture ministry for her significant contributions to French culture.
However, this recognition comes as Campbell faces scrutiny back home, having been barred from serving as a charity trustee in England and Wales for five years. This decision follows a three-year investigation into the financial activities of her charity, “Fashion for Relief,” which was found to have been “poorly governed” and lacking in “adequate financial management.”
The Charity Commission, which oversees charities in England and Wales, reported multiple instances of misconduct, revealing that only 8.5% of the charity’s expenditures went to charitable grants over a six-year period from 2016. Notably, the inquiry uncovered that charity funds were misused for Campbell’s luxury hotel stays during events in Cannes, alongside personal expenses such as spa treatments and room service.
In response to a question from the AP, Campbell said, “I’ve just found out today about the findings and I am extremely concerned. We are investigating on our side. I was not in control of my charity; I put the control in the hands of a legal employer. We are investigating to find out what and how, and everything I do and every penny I ever raised goes to charity.”
Alongside Campbell, fellow trustee Bianka Hellmich has been disqualified for nine years after receiving unauthorized payments for consultancy services, while trustee Veronica Chou has been barred for four years. The charity, founded in 2005 to unite the fashion industry in addressing global poverty, was dissolved earlier this year, having raised over $15 million for various causes worldwide.
Despite the controversy, Campbell’s honor in France highlights her lasting impact on the cultural landscape.
Rick Owens enchants with gothic splendor

At Thursday’s show at the Palais de Tokyo, Rick Owens unleashed a captivating spectacle that felt like a dramatic descent into a realm inhabited by gothic aliens. The atmosphere was thick with smoke and suspense as an army of biblical figures marched out in impressive diagonal formations, their asymmetrical knee-high leather boots featuring translucent heels, making each step a statement.
Owens’ trademark angular, alien-like geometric shoulders dominated the runway, capturing the essence of his singular vision—one that merges dark romanticism with avant-garde aesthetics. The collection was a testament to his ability to blend his gothic instincts with a sense of reverent irreverence, reminiscent of the “delicate time” he referenced in previous collections, where beauty and horror coexist.
As the show unfolded, a billowing coven emerged, clad in oversized black priest-like hoods and flowing tulle cloaks that draped elegantly over their forms. Some models donned discreet headscarves, striking a balance between reverence and defiance, perfectly embodying Owens’ commentary on societal norms. This juxtaposition echoes his commitment to inclusivity, presenting a vision of fashion that celebrates diversity while challenging conventional beauty standards.
The intricate craftsmanship used in the collection exemplified Owens’ mastery. Each piece, from the cloaks to the striking silhouettes, invited viewers to appreciate humble fabrics. This aligns with his insistence that he presents “the most excellent aesthetics” possible, recognizing the nuanced interplay between the dark and the light in our world.
While some may find Owens’ aesthetic too avant-garde or even gloomy, this show reaffirmed his position as a provocative force in fashion. The theatricality and elaborate design remind us of his role as one of the last independent designers in Paris, navigating the complexities of the fashion landscape with fierce authenticity.