Leading New Wave Film Director Jean-Luc Godard Dies Aged 91

In this file photo taken on May 21, 1988 Franco-Swiss film director Jean-Luc Godard attends a press conference during the Cannes International Film Festival in Cannes. (AFP)
In this file photo taken on May 21, 1988 Franco-Swiss film director Jean-Luc Godard attends a press conference during the Cannes International Film Festival in Cannes. (AFP)
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Leading New Wave Film Director Jean-Luc Godard Dies Aged 91

In this file photo taken on May 21, 1988 Franco-Swiss film director Jean-Luc Godard attends a press conference during the Cannes International Film Festival in Cannes. (AFP)
In this file photo taken on May 21, 1988 Franco-Swiss film director Jean-Luc Godard attends a press conference during the Cannes International Film Festival in Cannes. (AFP)

Film director Jean-Luc Godard, the godfather of France's New Wave cinema who pushed cinematic boundaries and inspired iconoclastic directors decades after his 1960s heyday, died on Tuesday aged 91, his family and producers said.

Godard was among the world's most acclaimed directors, known for such classics as "Breathless" and "Contempt", which broke with convention and helped kickstart a new way of filmmaking, with handheld camera work, jump cuts and existential dialogue.

"Jean-Luc Godard died peacefully at his home surrounded by loved ones," his wife Anne-Marie Mieville and producers said in a statement published by several French media. Godard will be cremated and there will be no official ceremony, they said.

French daily Liberation, which first reported the news, said Godard chose to end his life through assisted suicide, a practice allowed under Swiss law, citing a person close to the family as saying that "it was his decision and it was important to him that people know about it."

When contacted by Reuters, the family said they would make no further comment on the matter.

For many movie buffs, no praise is high enough: Godard, with his tousled black hair and heavy-rimmed glasses, was a veritable revolutionary who made artists of movie-makers, putting them on a par with master painters and icons of literature.

"A movie should have a beginning, a middle, and an end, but not necessarily in that order," he once said.

Godard was not alone in creating France's New Wave (Nouvelle Vague), a credit he shares with at least a dozen peers including Francois Truffaut and Eric Rohmer, most of them pals from the trendy, bohemian Left Bank of Paris in the late 1950s.

However, he became the poster child of the movement, which spawned offshoots in Japan, Hollywood and, more improbably, in what was then Communist-ruled Czechoslovakia as well as in Brazil.

"Jean-Luc Godard, the most iconoclastic filmmaker of the New Wave, had invented a resolutely modern, intensely free art. We are losing a national treasure, a look of genius," President Emmanuel Macron tweeted.

Brigitte Bardot, who appeared in several of Godard's films, also paid tribute on Twitter.

"Godard created Contempt and then, breathless, he has joined the firmament of the last great star-makers", Bardot wrote, in a play on the titles of two of the filmmaker's 1960s classics "Contempt", which she starred in, and "Breathless".

Quentin Tarantino, director of 1990s cult films "Pulp Fiction" and "Reservoir Dogs", is among a more recent generation of filmmakers who took up the mantle of the boundary-bending tradition initiated by Godard and his Paris Left Bank cohorts.

Earlier came Martin Scorsese in 1976 with "Taxi Driver", the disturbing neon-lit psychological thriller of a Vietnam veteran turned cabbie who steers through the streets all night with a growing obsession for the need to clean up seedy New York City.

"RIP Jean-Luc Godard, one of the most influential, iconoclastic filmmakers of them all," said film director Edgar Wright. "It was ironic that he himself revered the Hollywood studio filmmaking system, as perhaps no other director inspired as many people to just pick up a camera and start shooting..."

Godard was not universally revered however; some of his sharpest critics included the late Swedish director Ingmar Bergman, himself a trailblazer in European cinema who is perhaps best known for his 1957 films "The Seventh Seal" and "Wild Strawberries".

"I've never gotten anything out of (Godard's) movies. They have felt constructed, faux intellectual and completely dead. Cinematographically uninteresting and infinitely boring," Bergman once said in an interview, according to his foundation's website.

New Wave, new ways

Godard was born into a wealthy Franco-Swiss family on Dec. 3, 1930 in Paris's plush Seventh Arrondissement. His father was a doctor, his mother the daughter of a Swiss man who founded Banque Paribas, then an illustrious investment bank.

This upbringing contrasted with his later pioneering ways. Godard fell in with like-minded folk whose dissatisfaction with humdrum movies that never strayed from convention sowed the seeds of a breakaway movement which came to be called the Nouvelle Vague.

With its more forthright, offbeat approach to violence and its explorations of the counter-culture, anti-war politics and other changing mores, the New Wave was about innovation in the making of movies.

Godard was one of the most prolific of his peers, producing dozens of short- and full-length films over more than half a century from the late 1950s.

"Sometimes reality is too complex. Stories give it form," Godard said.

Cigars and coffee

Godard spent the final years of his life in Rolle, a Swiss village on the banks of Lake Geneva - a region favored by celebrities keen to avoid the spotlight.

"We would come across him here, he had a very unique silhouette, he was always smoking his iconic cigar and he used to drink his coffee in a restaurant on the main street," said Rolle Mayor Monique Pugnale.

"We used to see him almost every week, he came to buy a cookie," said Nadine von Wattenwyl, who runs a grocery store. "We knew already what he wanted, so we were ready."

Most of Godard's most influential and commercially successful films came in the 1960s, including "Vivre Sa Vie" (My Life to Live), "Pierrot le Fou", "Two or Three Things I Know About Her" and "Weekend".

He switched to directing films steeped in leftist, anti-war politics through the 1970s before returning to a more commercial mainstream. Recent works, however - among them "Goodbye to Language" in 2014 and "The Image Book" in 2018 - were more experimental and slimmed the audience largely to Godard geeks.



Comic-Con Fans Assemble as Marvel Eyes Major Reboot 

Convention attendees blur past a wall of illustrated Marvel superhero characters during preview night for Comic-Con International, Wednesday, July 24, 2024, in San Diego. (AP)
Convention attendees blur past a wall of illustrated Marvel superhero characters during preview night for Comic-Con International, Wednesday, July 24, 2024, in San Diego. (AP)
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Comic-Con Fans Assemble as Marvel Eyes Major Reboot 

Convention attendees blur past a wall of illustrated Marvel superhero characters during preview night for Comic-Con International, Wednesday, July 24, 2024, in San Diego. (AP)
Convention attendees blur past a wall of illustrated Marvel superhero characters during preview night for Comic-Con International, Wednesday, July 24, 2024, in San Diego. (AP)

Comic-Con returns in full force to San Diego this week, where a hugely anticipated Marvel superhero film event is among the draws for tens of thousands of hyped-up fans dressed as fantasy heroes and sci-fi villains.

One of the world's largest pop culture events, Comic-Con began five decades ago as a humble comic book-themed gathering in a hotel basement, but today draws vast crowds and A-list stars promoting new movies and television shows.

Last year's edition was dampened by Hollywood strikes -- which prevented actors from attending, and quelled fan interest -- but Comic-Con is expected to draw 130,000 attendees back to the southern Californian city this time around.

The hottest ticket is the Saturday night Marvel movies presentation, at which parent company Disney is expected to unveil plans to reboot its mega-grossing superhero film franchise, after years of high-profile missteps.

The Marvel movies dominated Hollywood and global box offices for years, with 2019's "Avengers: Endgame" briefly becoming the highest-grossing film of all time at more than $2.79 billion.

But the past few years have brought more flops than hits, as fans complained about over-complicated plotlines and mourned the departure of favorite characters like Robert Downey Jr's "Iron Man."

And the franchise has been rocked by domestic violence revelations about actor Jonathan Majors, who had been set to become the major new supervillain across multiple films.

Majors, who was convicted for assaulting and harassing his then-girlfriend, has been dropped by Marvel, but there is no word on who -- or what -- will replace him.

Saturday's presentation is expected to reveal how Disney will move forward without him, and has been billed as a potential "make or break" moment by some observers.

It will take place inside the 6,000-capacity Hall H, where many camp in line for days to gain access.

"If the company wants to lure in anyone besides the dwindling ranks of... diehards, it needs to bring the answer to these questions to Hall H," wrote Susana Polo, for entertainment news outlet Polygon.

- Aliens, Deadpool and Ancient Rome -

Also on the Comic-Con lineup from Disney are a look at "Alien: Romulus," the latest in the long-running sci-fi saga, and a "celebration" event for this weekend's major superhero release, "Deadpool & Wolverine."

Rival studio Warner, which runs the DC superhero movies, is keeping a lower profile, but will offer a glimpse at its Batman spinoff TV series "The Penguin," starring Colin Farrell.

Elsewhere, "Those About To Die," a bloody romp through Ancient Rome and its macabre world of chariot races and gladiator fights, starring Anthony Hopkins, will host multiple fan events.

Amazon's Prime Video will lift the lid on the second season of its "Lord of the Rings" television series, which aims to improve on the mixed reviews for its hugely expensive debut season two years ago.

And following the success of recent video game adaptations for the small screen such as "Fallout" and "The Last of Us," Amazon will take viewers into the underworld of Japanese crime lords with "Yakuza: Like a Dragon," based on the hit games from Sega.

But for many, Comic-Con is primarily a place to dress up as Disney characters or fearsome samurai warriors, and meet with like-minded fans to buy and trade comic books.

Comic-Con runs from Thursday until Sunday.