'Majestic' Greek 'Zorba' Star Irene Papas Dies at 93

Irene Papas was one of Greece's most renowned actors - INTERCONTINENTALE/AFP
Irene Papas was one of Greece's most renowned actors - INTERCONTINENTALE/AFP
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'Majestic' Greek 'Zorba' Star Irene Papas Dies at 93

Irene Papas was one of Greece's most renowned actors - INTERCONTINENTALE/AFP
Irene Papas was one of Greece's most renowned actors - INTERCONTINENTALE/AFP

Greek-born actor Irene Papas, famous for her fiery appearances in the internationally acclaimed "The Guns of Navarone" and "Zorba the Greek", died Wednesday at the age of 93.

Greece's Culture Minister Lina Mendoni in a statement said Papas was "majestic" and "the personification of Greek beauty on the cinema screen and theatre stage".

Her cause of death was not immediately known, but the actor had Alzheimer's Disease and had been frail for some time, AFP said.

One of Greece's most renowned actors, Papas appeared in over 60 films in a career spanning nearly six decades.

On screen and stage, she starred with A-list partners, including Richard Burton, Kirk Douglas and Jon Voight.

"Ordinary actors have trouble sharing the screen with her," the late film critic Roger Ebert wrote in 1969.

Widely known as Pappas but personally preferring a single 'p' in her surname, the actor was born Irene Lelekou in 1929 in the village of Chiliomodi near Corinth, into a family of schoolteachers.

Gifted with a deep voice, piercing eyes and a chiseled face likened to the Caryatid statues of ancient Greece, Papas began performing at the age of 15 in local cultural events before studying drama in Athens.

She made her cinema debut in the 1948 Greek drama "Fallen Angels", and later broke onto the international scene with "Dead City", the first Greek movie shown at the Cannes Film Festival in 1952.

'Not looking for a career'

"The Guns of Navarone" in 1961, in which she starred alongside Gregory Peck and Anthony Quinn, as a brooding Greek guerrilla fighter, was a landmark role in Papas's career.

She would again partner up with Quinn in 1964's "Zorba the Greek", another timeless classic.

"I left Greece to discover where the best acting was. I wanted to learn. I was not looking for a career," she told state TV ERT in 2002.

"If you do your job well, a career comes on its own."

In 1969, she played the widow of a murdered lawmaker in Costa-Gavras's Oscar-winning drama "Z".

Papas won several awards, including best actress at the 1961 Berlin Film Festival and the 2009 Golden Lion for lifetime achievement award in Venice.

Yet, she described herself as a "coward" who turned to theater to overcome timidness and struggled to reconcile her fiery on-screen persona with her real self.

'Fame gave me nothing'

"Fame gave me nothing," Papas said in a 2003 interview with Greek daily Eleftherotypia.

"In contrast, it destroyed my private life. Because the person who will approach me, let's say sexually, has already fallen in love with my image."

In 2004, she revealed a secret, long affair with Marlon Brando in the 1950s.

"We had a love story," she told Italy's Corriere della Sera daily.

At the age of 18, Papas married her acting tutor Alkis Papas. They had no children and soon divorced, but she kept her husband's surname.

In her final years, she lived near Athens' Acropolis, cared for by a niece as she battled Alzheimer's.



China’s Jia Brings Film Spanning Love, Change over Decades to Busan

This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)
This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)
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China’s Jia Brings Film Spanning Love, Change over Decades to Busan

This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)
This picture taken on October 5, 2024 shows Chinese film director Jia Zhangke (L) and Chinese actress Zhao Tao (R) posing for photos during a press conference for the Gala Presentation "Caught by the Tides" at the 29th Busan International Film Festival (BIFF) in Busan. (Yonhap/AFP)

Chinese director Jia Zhangke's ambitious latest, which utilizes footage shot across two decades, offered a peek into the evolving nature of cinema as it unspooled at this year's Busan International Film Festival.

"Caught by the Tides" combines a story of elusive love with a panoramic portrayal of recent Chinese history using everything from low-resolution digital camera footage to a scene enhanced with cutting-edge AI technology.

And while it explores the meaning of the past, the film's creation emphasized innovation.

Jia assembled and recontextualized footage shot over more than 20 years, including unused scenes from previous films, newly filmed sequences, and random images he captured during his travels -- blending documentary and fiction.

The result, with a format reminiscent of Richard Linklater's 2014 film "Boyhood", creates a vivid record of time passing, particularly through lead actress Zhao Tao, Jia's long-time collaborator and wife in real life.

As she goes on a fruitless search for a lost love, audiences witness her age before their eyes.

The film also uses images related to key events that have shaped contemporary China, such as the successful bid for the 2008 Olympics and the construction of the Three Gorges Dam, which resulted in often overlooked suffering for those displaced by the project.

"After Covid, I felt that one era had ended and a new one was emerging," Jia told reporters in Busan when asked what motivated him to create "Caught by the Tides".

"With the rapid advancements in technology, including science, the Internet, and AI, people's lifestyles have also shifted. I realized that during this period of change, it was important to process the (accumulated) footage I had previously filmed."

Actress Zhao described the film as a "truly precious gift."

"It has allowed me to document my 20s, 30s, and 40s through the medium of film, while also expressing the lives and struggles of many women through the character," she told reporters.

The film played over the weekend as part of BIFF's gala presentation section.

- Covid, cinema and AI -

Jia's feature debut, "Xiao Wu", earned the director BIFF's New Current Award for emerging filmmakers in 1998, when he was just 28.

"It's not an exaggeration to say that my life as a filmmaker started in Busan," Jia said, adding he had missed the South Korean port city since his last visit.

He has since won the top prize at the Venice Film Festival for "Still Life" (2006), among other prestigious awards, establishing himself as one of the most important Chinese filmmakers of his generation.

"Jia stood out as someone who is obviously talented. He was, above all else, original," Kim Dong-ho, the 87-year-old BIFF founder, told AFP of the Chinese filmmaker's younger years.

Now 54, Jia has brought his latest film to Busan at a pivotal moment of change for the festival.

BIFF's opening night featured a streaming title for the first time in its history, and it hosted a day-long conference just on the theme of AI in content production.

At the festival's main venue, giant posters of Netflix's latest streaming projects underlined the shift -- including its opening film "Uprising," positioned next to a festival gift store that ironically proclaimed: "Theater is Not Dead."

Jia's film, by its end, reflects and evokes these changes and what may lie ahead, showing its characters queuing for PCR tests and wearing masks during the Covid pandemic, an era that contributed to the rise of streaming platforms worldwide.

One scene was modified using AI technology, changing the film that the protagonist watches to create a stronger link to an element introduced later in the story -- robots.

When reflecting on his some 26 years in film, Jia said: "It feels like I've been drifting in an endless ocean."

But "completing each film made me feel like I stood tall, having overcome the waves."