Viola Davis 'Conflicted' as 'Woman King' Faces Crucial Box Office Battle

John Boyega, Thuso Mbedu, Viola Davis, Lashana Lynch, and Sheila Atim star in "The Woman King," which premiered in Toronto and portrays the real-life 19th century female warriors of Dahomey, in present-day Benin Matt Winkelmeyer GETTY IMAGES NORTH AMERICA/AFP/File
John Boyega, Thuso Mbedu, Viola Davis, Lashana Lynch, and Sheila Atim star in "The Woman King," which premiered in Toronto and portrays the real-life 19th century female warriors of Dahomey, in present-day Benin Matt Winkelmeyer GETTY IMAGES NORTH AMERICA/AFP/File
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Viola Davis 'Conflicted' as 'Woman King' Faces Crucial Box Office Battle

John Boyega, Thuso Mbedu, Viola Davis, Lashana Lynch, and Sheila Atim star in "The Woman King," which premiered in Toronto and portrays the real-life 19th century female warriors of Dahomey, in present-day Benin Matt Winkelmeyer GETTY IMAGES NORTH AMERICA/AFP/File
John Boyega, Thuso Mbedu, Viola Davis, Lashana Lynch, and Sheila Atim star in "The Woman King," which premiered in Toronto and portrays the real-life 19th century female warriors of Dahomey, in present-day Benin Matt Winkelmeyer GETTY IMAGES NORTH AMERICA/AFP/File

Viola Davis said the future of big-budget Black female filmmaking in Hollywood is at stake as her ground-breaking African warrior epic "The Woman King" hits theaters this weekend.

The Oscar-winning actress told AFP Wednesday she feels intense pressure and conflicting emotions, because she knows the movie's performance will be judged in a way that films with white directors and casts are not, AFP said.

"First of all, the movie has to make money. And I feel conflicted about that -- that we sort of have one or two chances," she said.

"If it doesn't make money then what it means overall, is that, what, Black women, dark-skinned Black women can't lead a global box office?

"That's it, period. And now they have data on it because 'Woman King' did a, b and c. And that's what I'm conflicted about.

"Because it simply isn't true. We don't do that with white movies. We simply don't. If a movie fails, you do another movie, and you do another movie just like it."

Sony Pictures' "The Woman King," which portrays the real-life 19th-century all-female warriors of Dahomey, in present-day Benin, is in many ways a step into the unknown for a major Hollywood studio.

With a Black female director, Gina Prince-Bythewood, and a majority Black and female cast, it will open in more than 3,000 domestic theaters, with a budget including marketing that reportedly approaches $100 million.

Davis, the only African-American to win an Oscar, Emmy and Tony, spent six years trying to get "The Woman King" made, with studios and producers reluctant to take the plunge.

'Prove it'

She plays veteran warrior Nanisca as she trains the next generation of recruits fending off a larger, rival African kingdom and European slavers.

The all-female army of the Dahomey kingdom served as an inspiration for the elite women fighters in "Black Panther," which grossed $1.3 billion worldwide.

Davis called on the movie-going public to prove that films like "The Woman King" can succeed without being part of the Marvel superhero franchise.

"We're all in this together, right? We know that we need each other. We know that we're all committed to inclusion and diversity," she said.

"Then, if you can plop down your money to see 'Avatar,' If you can plop down your money to see 'Titanic,' then you can plop your money into seeing 'The Woman King.'

"Because here's the thing. It's not even that it's just Black female-led, the cultural significance of it. It's a very entertaining movie.

"And if we are indeed equal, then I'm challenging you to prove it."

'You won't see us'

The movie received largely positive reviews following its world premiere at the ongoing Toronto International Film Festival.

Variety called it a "compelling display of Black power," with Davis in "her fiercest role yet."

But, Davis said, the film's muscular battle scenes had drawn criticism and misogyny from within the Black community.

"You even have people in the Black community saying, 'Ah, it's dark-skinned women, why do they have to be so masculine? Why can't they look prettier? Why couldn't it be a romantic comedy?'" she told AFP.

"Well, guess what, if this movie doesn't make money September 16 -- by the way, I am 150 percent certain it will -- but if it doesn't, then guess what? You won't see us at all," she said.

"That's the truth. I wish it were different."



New Coppola Film Trailer Axed for Using Fake Movie Reviews

The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
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New Coppola Film Trailer Axed for Using Fake Movie Reviews

The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File
The much-hyped premiere of Francis Ford Coppola's wildly ambitious, decades-in-the-making 'Megalopolis' at the Cannes Film Festival left the industry confounded. Christophe SIMON / AFP/File

A trailer promoting Francis Ford Coppola's new film "Megalopolis" has been withdrawn after it was found to have incorporated fake movie reviews, reportedly generated by artificial intelligence.
Coppola's wildly ambitious, decades-in-the-making movie, which hits theaters next month and stars Adam Driver, has starkly divided critics, said AFP.
A trailer released this week drew parallels to earlier works by the revered Hollywood director that also initially left some professional reviewers cold before going on to become classics -- suggesting "Megalopolis" can do the same.
"True genius is often misunderstood," a voiceover began, before quotes from famous critics calling "The Godfather" a "sloppily self-indulgent movie" and "Apocalypse Now" a "spectacular failure" were presented on the screen.
The problem? None of those quotes were real.
Instead, the trailer appears to have used AI-generated imitations of the type of withering put-downs associated with renowned reviewers such as Pauline Kael.
In at least one case, a criticism appears to have been lifted from a review of an entirely different film
The trailer was quickly recalled, with Hollywood studio Lionsgate offering "our sincere apologies to the critics involved and to Francis Ford Coppola" for an "inexcusable error in our vetting process."
"We screwed up. We are sorry," said a statement.
Lionsgate has since parted company with the marketing consultant behind the trailer, trade outlet Variety said Friday. Meanwhile Deadline reported that the quotes were generated by AI.
The furor comes at a time when Hollywood is roiled by the encroaching impact of AI. Fears the technology could replace entertainment industry jobs -- from actors to writers -- were central to last summer's devastating strikes.
The trailer episode is just the latest controversy to hit "Megalopolis," an already hugely divisive epic.
Legendary director Coppola has said he spent $120 million of his own money to make the film, selling a stake in his California vineyard.
But its much-hyped world premiere at the Cannes Film Festival left the industry confounded.
Critics' responses ranged from "a true modern masterwork" to a "catastrophe."
Driver stars as a seemingly magical architect whose efforts to rebuild a decaying city into a futuristic utopia are thwarted by its resentful mayor (Giancarlo Esposito).
The movie also stars Aubrey Plaza, Shia LaBeouf and Dustin Hoffman.
It receives its North American premiere at the Toronto film festival next month, before being released in US theaters on September 27.
The controversy has provoked theories among some Hollywood observers that the entire unseemly debacle could have been staged to provoke headlines.
Lionsgate did not respond to an AFP request for comment.
But a source familiar with the marketing plan told AFP the studio did not deliberately fabricate the quotes, and removed the trailer as soon as it became aware of the situation.