Viola Davis 'Conflicted' as 'Woman King' Faces Crucial Box Office Battle

John Boyega, Thuso Mbedu, Viola Davis, Lashana Lynch, and Sheila Atim star in "The Woman King," which premiered in Toronto and portrays the real-life 19th century female warriors of Dahomey, in present-day Benin Matt Winkelmeyer GETTY IMAGES NORTH AMERICA/AFP/File
John Boyega, Thuso Mbedu, Viola Davis, Lashana Lynch, and Sheila Atim star in "The Woman King," which premiered in Toronto and portrays the real-life 19th century female warriors of Dahomey, in present-day Benin Matt Winkelmeyer GETTY IMAGES NORTH AMERICA/AFP/File
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Viola Davis 'Conflicted' as 'Woman King' Faces Crucial Box Office Battle

John Boyega, Thuso Mbedu, Viola Davis, Lashana Lynch, and Sheila Atim star in "The Woman King," which premiered in Toronto and portrays the real-life 19th century female warriors of Dahomey, in present-day Benin Matt Winkelmeyer GETTY IMAGES NORTH AMERICA/AFP/File
John Boyega, Thuso Mbedu, Viola Davis, Lashana Lynch, and Sheila Atim star in "The Woman King," which premiered in Toronto and portrays the real-life 19th century female warriors of Dahomey, in present-day Benin Matt Winkelmeyer GETTY IMAGES NORTH AMERICA/AFP/File

Viola Davis said the future of big-budget Black female filmmaking in Hollywood is at stake as her ground-breaking African warrior epic "The Woman King" hits theaters this weekend.

The Oscar-winning actress told AFP Wednesday she feels intense pressure and conflicting emotions, because she knows the movie's performance will be judged in a way that films with white directors and casts are not, AFP said.

"First of all, the movie has to make money. And I feel conflicted about that -- that we sort of have one or two chances," she said.

"If it doesn't make money then what it means overall, is that, what, Black women, dark-skinned Black women can't lead a global box office?

"That's it, period. And now they have data on it because 'Woman King' did a, b and c. And that's what I'm conflicted about.

"Because it simply isn't true. We don't do that with white movies. We simply don't. If a movie fails, you do another movie, and you do another movie just like it."

Sony Pictures' "The Woman King," which portrays the real-life 19th-century all-female warriors of Dahomey, in present-day Benin, is in many ways a step into the unknown for a major Hollywood studio.

With a Black female director, Gina Prince-Bythewood, and a majority Black and female cast, it will open in more than 3,000 domestic theaters, with a budget including marketing that reportedly approaches $100 million.

Davis, the only African-American to win an Oscar, Emmy and Tony, spent six years trying to get "The Woman King" made, with studios and producers reluctant to take the plunge.

'Prove it'

She plays veteran warrior Nanisca as she trains the next generation of recruits fending off a larger, rival African kingdom and European slavers.

The all-female army of the Dahomey kingdom served as an inspiration for the elite women fighters in "Black Panther," which grossed $1.3 billion worldwide.

Davis called on the movie-going public to prove that films like "The Woman King" can succeed without being part of the Marvel superhero franchise.

"We're all in this together, right? We know that we need each other. We know that we're all committed to inclusion and diversity," she said.

"Then, if you can plop down your money to see 'Avatar,' If you can plop down your money to see 'Titanic,' then you can plop your money into seeing 'The Woman King.'

"Because here's the thing. It's not even that it's just Black female-led, the cultural significance of it. It's a very entertaining movie.

"And if we are indeed equal, then I'm challenging you to prove it."

'You won't see us'

The movie received largely positive reviews following its world premiere at the ongoing Toronto International Film Festival.

Variety called it a "compelling display of Black power," with Davis in "her fiercest role yet."

But, Davis said, the film's muscular battle scenes had drawn criticism and misogyny from within the Black community.

"You even have people in the Black community saying, 'Ah, it's dark-skinned women, why do they have to be so masculine? Why can't they look prettier? Why couldn't it be a romantic comedy?'" she told AFP.

"Well, guess what, if this movie doesn't make money September 16 -- by the way, I am 150 percent certain it will -- but if it doesn't, then guess what? You won't see us at all," she said.

"That's the truth. I wish it were different."



Second Season of ‘Pachinko’ Explores Challenges for Ethnic Koreans in Japan

 (L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)
(L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)
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Second Season of ‘Pachinko’ Explores Challenges for Ethnic Koreans in Japan

 (L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)
(L-R) South Korean actors Youn Yuh-jung, Lee Min-ho, Kim Min-ha, Jung Eun-chae and Kim Sung-kyu attend a press conference to promote the second season of the Apple TV+ series "Pachinko", a drama that follows the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee, in Seoul on August 23, 2024. (AFP)

The second season of “Pachinko,” opening Friday, delicately captures the plight of ethnic Koreans brought to Japan during colonial rule and their descendants, exploring themes of home and identity through several generations.

The award-winning series, based on the New York Times bestselling novel, returns to Apple TV+ with eight episodes that follow four generations of an immigrant Korean family living in Japan since before World War II. The star-studded cast includes Oscar-winning actor Youn Yuh-jung and Korean actor Lee Minho.

Many ethnic Koreans were brought to Japan, often forcibly, to work in mines and factories during the country’s 1910-1945 colonial rule of Korea. They were treated as second-class citizens and faced discrimination, which the series portrays.

Youn, who plays the older version of protagonist Sunja, said she was largely unfamiliar with the situation of ethnic Koreans in Japan — known as Zainichi Koreans — before she spoke with actor Soji Arai, who plays Mozasu, the son of her character. Arai was born into an ethnic Korean family in Japan.

“It broke my heart and I cried inside because I felt so bad after hearing about their stories,” Youn told The Associated Press.

The second season continues Sunja’s story as she struggles to feed her sons Noa and Mozasu during the war.

In the series, ethnic Koreans face discrimination generation after generation. In one episode, a Japanese worker at a wartime Nagasaki factory refers to his Korean colleagues as “roaches” that “keep multiplying.”

Decades later, Sunja's grandson Solomon nearly explodes at a Japanese store clerk whom he thinks is showing discrimination over his Korean heritage. He senses that discrimination will follow him even after attaining academic and professional credentials.

The series is in Japanese, Korean and English with subtitles and is based on Korean-American author Min Jin Lee's novel, titled after a Japanese game played in arcades where ethnic Koreans often worked in jobs typically shunned by Japanese.

Youn said she portrayed Sunja as “intimidated, scared and feeling small,” believing discrimination is her fault due to endless exposure to it. Youn added that she has felt similarly in her own life, having an “inferiority complex” over her struggles with the English language.

Around half a million ethnic Koreans sill live in Japan. Although many have become naturalized Japanese citizens, about half a million have not and are officially considered foreigners.

Executive producer and showrunner Soo Hugh said she was “nervous” about how the show would be received among Zainichi Koreans, but that she was happy to learn that it had resonated “really emotionally."

“This is their story,” she told the AP, adding that she had to unlearn previous history education to understand “from the point of view of the people on the ground,” including those in Nagasaki.

When Youn was asked if she was concerned about playing a role in a series touching on sensitive parts of East Asian history, Youn said no. “We are talking about the past,” she said. “I am not a politician, so it doesn’t matter to me.”

Hugh said the series gradually transitions from the family’s day-to-day survival to answering big questions about their shifting identities: “What does it mean to live a good life ... knowing that Japan is now my home?”

These are familiar questions to Hugh, who is Korean American.

“So many Korean immigrants come to America and think, ’We’ll make a better life, but I’m not going to die in America because Korea is my home. ... You know, a year goes by, then a year, another year, and then another year,” Hugh said.

“It must feel really sad to know that you’re not going to die where you want to die. And that’s, I think, something so many of our characters confront in this show,” she said.

Youn said that people will always carry their identity with them despite circumstances. “I see many people who try their best to erase (their Korean identity),” she said. “I really don’t like that. There is no need to do that.”

“Pachinko” season two is available on Apple TV+ platforms.