Asia's Biggest Film Festival Back in Top Form in 2022

Movie stars, directors and fans descended on South Korea's port town of Busan Wednesday as Asia's largest film festival returned at full power post-pandemic Jung Yeon-je AFP
Movie stars, directors and fans descended on South Korea's port town of Busan Wednesday as Asia's largest film festival returned at full power post-pandemic Jung Yeon-je AFP
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Asia's Biggest Film Festival Back in Top Form in 2022

Movie stars, directors and fans descended on South Korea's port town of Busan Wednesday as Asia's largest film festival returned at full power post-pandemic Jung Yeon-je AFP
Movie stars, directors and fans descended on South Korea's port town of Busan Wednesday as Asia's largest film festival returned at full power post-pandemic Jung Yeon-je AFP

Movie stars, directors and fans descended on South Korea's port town of Busan Wednesday as Asia's largest film festival returned at full power post-pandemic, with an Iranian film opening the event.

Top Korean actors and Asian stars including Hong Kong's legendary Tony Leung are set to attend the Busan International Film Festival, which opened with a red carpet event and will run until October 14, AFP said.

South Korea has cemented its status as a global cultural powerhouse in recent years, thanks in part to the explosive success of the Oscar-winning film "Parasite" and the Netflix series "Squid Game".

But due to the Covid-19 pandemic, the Busan festival was reduced to a fraction of its usual scale in 2020, while last year's edition took place with a number of social distancing measures.

But the festival is back with no restrictions for 2022, with high-profile guests such as Japan's famed filmmaker Hirokazu Kore-eda flying in to discuss their latest projects.

"We feel fortunate to be able to play the role of Asia's best film festival again," festival director Huh Moon-young told reporters last month.

The festival will feature 243 movies from 71 countries, including 89 that will have their world premiere.

Hosts South Korea are well-represented, with K-pop megastar and actress IU joining Kore-eda to discuss their film "Broker" -- which was featured at the Cannes film festival earlier this year.

The festival opened with Iranian filmmaker Hadi Mohaghegh's "Scent of Wind", which tells the story of a father and a son -- both of whom have disabilities -- living in a remote village.

Celebrating Tony Leung
Hong Kong's acclaimed actor Tony Leung has been selected as the recipient of Busan's "Asian Cineaste of the Year" prize.

The festival will screen six films featuring Leung, who will be in Busan to receive the award and meet with festival goers.

Leung, 60, is best known for his collaborations with famed director Wong Kar-wai, and picked the six films himself -- which include Wong's "In the Mood for Love" (2000) and "Happy Together" (1997).

Other anticipated screenings include Korean-Canadian director Anthony Shim's "Riceboy Sleeps," which tells the story of a Korean immigrant single mother, said the festival's programmer Nam Dong-chul.

"The movie is expected to become the next 'Minari'," Nam said, referring to a 2020 drama about South Korean immigrants in the United States, which received rave reviews and a slew of awards, including the best supporting actress Oscar.

Four South Korean top stars -- Kang Dong-won, Han Ji-min, Lee Young-ae and Ha Jung-woo -- will meet with fans in Busan to talk about their life and work.

Japanese director Kei Ishikawa's drama "A Man" -- about a widow who discovers unexpected truths about her late husband -- will close the edition.



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."