In Mexico, Locals Try to Save Traditional ‘Mexican Caviar’

Ahuautle, the eggs of the axayacatl, a type of an aquatic insect, are seen attached to pine needles before being harvested at Lake Texcoco, near to Mexico City, Tuesday, Sept. 20, 2022. (AP)
Ahuautle, the eggs of the axayacatl, a type of an aquatic insect, are seen attached to pine needles before being harvested at Lake Texcoco, near to Mexico City, Tuesday, Sept. 20, 2022. (AP)
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In Mexico, Locals Try to Save Traditional ‘Mexican Caviar’

Ahuautle, the eggs of the axayacatl, a type of an aquatic insect, are seen attached to pine needles before being harvested at Lake Texcoco, near to Mexico City, Tuesday, Sept. 20, 2022. (AP)
Ahuautle, the eggs of the axayacatl, a type of an aquatic insect, are seen attached to pine needles before being harvested at Lake Texcoco, near to Mexico City, Tuesday, Sept. 20, 2022. (AP)

In a shallow lake on the outskirts of Mexico City, a handful of farmers still harvest the eggs of an evasive, fingertip-size water bug in a bid to keep alive a culinary tradition dating at least to the Aztec empire.

Caviar is typically associated sturgeons swimming the Caspian Sea, but the Mexican version is made from the tiny eggs of an aquatic insect of the corixidae family, also known as the “bird fly,” because birds like to eat it. Similar bugs are often known as “water boatmen” in English, because of the way they seem to row in ponds and streams.

The bug, which only occasionally surfaces before diving again in a trail of bubbles, would not look like food to most, but it was once important to the people of the Valley of Mexico.

For Juan Hernández, a farmer from San Cristóbal Nezquipayac, cultivating and collecting the tiny insect eggs known as “ahuautle” -- meaning water amaranth in Nahua -- is a way of life.

“For me, more than anything, it means tradition,” said the 59-year-old Hernández. He is one of only six people known to still harvest ahuautle, at least in the Texcoco area, they fear they may be the last.

The painstaking collection of “Mexican caviar,” known for its intense but delicate flavor, is threatened by the drying out of Lake Texcoco, development around the lakeshore and waning interest in the ingredient among younger generations, said Jorge Ocampo, agrarian history coordinator at the Center for Economic, Social and Technological Research on Agribusiness and World Agriculture in Mexico State.

Ocampo called the dish's survival an example of “community resistance,” similar to the way in which inhabitants around Lake Texcoco — a shallow, saline lake that once covered most of the eastern half of the Mexico City valley — have managed to preserve other traditions, festivals and ceremonies.

For Hernández, it's hard, dirty work that few are willing to do anymore.

Dressed in a hat, long-sleeved shirt, shorts and rubber boots, Hernández wades through the calf-high waters of Nabor Carrillo — a smallish lake formed from the remnants of Texcoco — to collect pine branches he had poked into the muddy lakebed the week before.

The branches serve as an anchor for the bird-fly bugs to deposit their eggs.

Under a blazing sun and accompanied by the calls of hundreds of herons, plovers and other migratory birds that stop at the lakes, Hernández gathers dozens of egg-coated sticks and lays them on a raft of styrofoam.

“We look for them along the edges of the lake, where the flies are more active,” Hernández said. He started as a young man, after a period of joblessness, joining about four dozen other local residents who used to work the lakes during the ahuautle season — the rainy period from June through September.

After about two hours, Hernández has gathered a heap of sticks covered with thousands of bird-fly eggs.

He returns to the edge of the lake to lay the sticks out to dry in the sun, which can take several hours or days, depending on the weather.

“Cleaning is a process that takes a lot of work,” said Hernández, as he rubs his hand over the sticks to remove the eggs, which he then places on a piece of cloth.

Later, he takes the eggs home and runs them through a sieve to remove any bits of pine bark or mud. Then he packs them in bags he offers for sale.

While Hernández takes care of collecting the eggs, restaurant owner Gustavo Guerrero serves them to customers at his eatery in the east-side borough of Iztapalapa.

One of Guerrero's favorite recipes is to mix the ahuautle with breadcrumbs and bind them with eggs to form a croquette, which he then fries and serves with green tomatillo sauce, nopal cactus and squash flowers — all pre-Hispanic ingredients.

“Eating this is like revisiting the past,” said Guerrero, 61. He says the flavor of the ahuautle reminds him of his childhood, when his mother cooked the dish according to a recipe she learned from her grandmother.

But Guerrero acknowledges that “Mexican caviar” is at risk of disappearing because younger generations aren't familiar with the dish, and ever-fewer people harvest it in the scarce remaining lakes where it is found.

Ahuautle is also at risk of becoming only a gourmet dish for the rich: A kilogram of the eggs can sell for the equivalent of $50 (roughly $25 a pound).

Insects, their eggs and larvae have been a part of Mexico's cuisine for hundreds or thousands of years. Edday Farfán, an entomologist at Mexico's National Autonomous University, said there are more than 430 species of edible insects in Mexico.

Farfán has been studying bird flies since 2016, and even has one tattooed on his arm.

Farfán said indigenous peoples living around the lakes adopted the insect eggs as a source of protein because prior to the Spanish conquest of 1521, they had few domesticated animals or livestock.

But now, Farfán said, the dish “is associated with the countryside, perhaps with poverty, as if it were an undesirable protein.”

Even those still familiar with ahuautle often consider the insects that produce it to be feed for chickens or turkeys, and may think of it literally as “for the birds.”

With the odds stacked against it, there is no guarantee that Mexican caviar will even be a choice for future generations.

“There are a lot of kids, young people who don't eat it anymore, they don't like it,” Hernández admits.

“Now we are just keeping ahuautle alive,” he said. “I hope it doesn't disappear, because it is a source in income for those of us who live off the land.”



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”