Merit Culture Magazine: Egyptian Woman's Struggle, Huda Shaarawi as Example

Merit Culture Magazine: Egyptian Woman's Struggle, Huda Shaarawi as Example
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Merit Culture Magazine: Egyptian Woman's Struggle, Huda Shaarawi as Example

Merit Culture Magazine: Egyptian Woman's Struggle, Huda Shaarawi as Example

The 64th issue of the Merit Culture Magazine (October issue) dedicates a cultural section titled a “Woman Fight for her Rights - Huda Shaarawi as an Example” including six articles: “Woman’s role in global development movement”, a lecture addressed by Shaarawi, head of the Egyptian Women Union at the time, at the American University of Cairo, on November 12, 1929; “Memoirs of Huda Shaarawi and beginnings of feminist renaissance” by Dr. Nadia Hanawi (Iraq); “From Mashrabiya to Court” by Dr. Ikram Badawi; “Huda Shaarawi…between social work and political struggle” by Dr. Asmaa Badawi; “How did Huda Shaarawi come out from ‘Harem Era’ and ‘uncovered her face’?” by researcher Samar Lashin; “Arabic feminism: influencing models and contemporary problematics” by journalist Mariana Sami.

The “Critical Views” section features six articles including “Lady Chatterley's Lover… Guardians of the Lord and Literature Inquisitions” by Dr. Mamdouh Farraj al-Nabi; “Social transformation in Jabbour Douaihy’s The American Quarter” by Dr. Huda Ali Eid (Lebanon); “In days of bright sun” by Miral al-Tahawi, in which she exposes laws and customs that subdue women; “Cultural criticism experience of Iraqi critic Fadel Abboud al-Tamimi” by Dr. Tarek Bouhala (Algeria); “Comparative Literature Studies in Moroccan Universities” by Abadati Boushaab (Morocco); “Storytelling romance in Ibtihal al-Shayeb’s ‘Familiar’ collection” by Shawky Abdul Hamid Yahya.

The “Poetry” section includes 11 poems by Ibrahim Daoud, Mahmoud Qarni, Al Sammah Abdullah, Atef Abdulaziz, Karim Abdul Salam, Hana al-Ghunaimi (Egypt), Naseer al-Sheikh (Iraq), Leila Bare’ (Morocco), Salim al-Naffar (Palestine), and Aisha al-Maghrebi (Libyan based in Paris).

The “Story” section offers stories by Al Sayed Najm, Hossam al-Mukadem, Salah Matar, Hassan al-Judi (Syria), Sanaa Shaalan (Jordan), Saad al-Nazzal (Iraq), and Sondos Abdelkader Midi (Libya).

This issue’s “Noun al-Neswa” section discusses the “Truce Nights- Pain Clashes” released by Merit Publishing House in 2020, by Egyptian novelist Mona al-Assassi, in addition to four articles.

The “Speech Innovation” section features three articles: “Views in Literary Quranic Studies” by Mohammed Yassine; “What are the historic roots of some legislations, worships in Islam” by Aya Kotob; “Sufism… understanding of heaven and hell” by Hala Ismat.

The “Around the World” section includes two translations: Asmaa Moussa Othman translated two stories by Italian novelist Andrina Christa, “Eternal Wedding” and “Renata”; and Hussein Sunbuli (Syria) translated the “Disappointment”, a novel by German novelist Thomas Man.

The “Cultures and Arts” section includes an interview by Samir Darwish with Egyptian storyteller and novelist Tarek Imam in which he admits that “Marquise is my favorite and most inspiring novelist, but I believe that Dostoevsky and Kazantzakis top the list of best novelists in history.” The “Personal View” section features “Texts against the official literary current,” an article by Dr. Faisal al-Ahmar (Algeria). The October issue of Merit includes many more articles

like Heidi Ammar’s “Philosophic Quartet in Egyptian Cinema” in the “Cinema” section; “The Codex Sinaiticus” by Dr. Majed Izzat Israel in the “Manuscript” section; “Art Treatment between Imagination and Reality” by Mina Nassef in the “Theater” section; “Eves of Apple” by Dr. Usama al-Hammoud (Syria), and “Women of Sultan Harem in the ‘Pasha’s Daughter” novel” by Khadija Masrouq (Alegria) in the “Books” section.

The cover and graphics in the “Creativity and Creatives” section are made by Syrian artists Ola al-Ayoubi, while graphics in “Noun al-Neswa” are signed by Egyptian artist Najat Farouq, and the photographs on the covers of each section and the back cover are presented by Yemeni photographer Abdullah al-Jaradi.

Merit Culture’s editorial board is composed of publishing manager Mohammed Hashem, editor-in-chief Samir Darwish, assistant editor-in-chief Adel Samih, managing editor Sara al-Iskafi. The primary maquette is gifted by Ahmed al-Loubad.



Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
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Culture Being Strangled by Kosovo's Political Crisis

The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP
The cinema has been waiting for much-needed repairs for years. Armend NIMANI / AFP

Kosovo's oldest cinema has been dark and silent for years as the famous theater slowly disintegrates under a leaky roof.

Signs warn passers-by in the historic city of Prizren that parts of the Lumbardhi's crumbling facade could fall while it waits for its long-promised refurbishment.

"The city deserves to have the cinema renovated and preserved. Only junkies gathering there benefit from it now," nextdoor neighbor butcher Arsim Futko, 62, told AFP.

For seven years, it waited for a European Union-funded revamp, only for the money to be suddenly withdrawn with little explanation.

Now it awaits similar repairs promised by the national government that has since been paralyzed by inconclusive elections in February.

And it is anyone's guess whether the new government that will come out of Sunday's snap election will keep the promise.

'Collateral damage'

Cinema director Ares Shporta said the cinema has become "collateral damage" in a broader geopolitical game after the EU hit his country with sanctions in 2023.

The delayed repairs "affected our morale, it affected our lives, it affected the trust of the community in us," Shporta said.

Brussels slapped Kosovo with sanctions over heightened tensions between the government and the ethnic Serb minority that live in parts of the country as Pristina pushed to exert more control over areas still tightly linked to Belgrade.

Cultural institutions have been among the hardest-hit sectors, as international funding dried up and local decisions were stalled by the parliamentary crisis.

According to an analysis by the Kosovo think tank, the GAP Institute for Advanced Studies, sanctions have resulted in around 613 million euros ($719 million) being suspended or paused, with the cultural sector taking a hit of 15-million-euro hit.

'Ground zero'

With political stalemate threatening to drag on into another year, there are warnings that further funding from abroad could also be in jeopardy.

Since February's election when outgoing premier Albin Kurti topped the polls but failed to win a majority, his caretaker government has been deadlocked with opposition lawmakers.

Months of delays, spent mostly without a parliament, meant little legislative work could be done.

Ahead of the snap election on Sunday, the government said that more than 200 million euros ($235 million) will be lost forever due to a failure to ratify international agreements.

Once the top beneficiary of the EU Growth Plan in the Balkans, Europe's youngest country now trails most of its neighburs, the NGO Group for Legal and Political Studies' executive director Njomza Arifi told AFP.

"While some of the countries in the region have already received the second tranches, Kosovo still remains at ground zero."

Although there have been some enthusiastic signs of easing a half of EU sanctions by January, Kurti's continued push against Serbian institutions and influence in the country's north continues to draw criticism from both Washington and Brussels.

'On the edge'

Across the river from the Lumbardhi, the funding cuts have also been felt at Dokufest, a documentary and short film festival that draws people to the region.

"The festival has had to make staff cuts. Unfortunately, there is a risk of further cuts if things don't change," Dokufest artistic director Veton Nurkollari said.

"Fortunately, we don't depend on just one source because we could end up in a situation where, when the tap is turned off, everything is turned off."

He said that many in the cultural sector were desperate for the upcoming government to get the sanctions lifted by ratification of the agreements that would allow EU funds to flow again.

"Kosovo is the only one left on the edge and without these funds."


Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa
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Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

Saudi Culture Ministry Concludes Intangible Cultural Heritage Documentation Project in Al-Ahsa

The Saudi Ministry of Culture concluded the project to survey, document, and archive intangible cultural heritage in Al-Ahsa Governorate by holding a workshop in the governorate, attended by stakeholders and relevant entities, as part of the ministry’s efforts to preserve national cultural heritage and strengthen Saudi cultural identity, reported the Saudi Press Agency on Thursday.

The project included a field survey covering various cities and villages across Al-Ahsa, during which diverse elements of intangible cultural heritage were identified and documented. These included oral traditions, performing arts, skills associated with traditional cultural crafts, social practices, and knowledge related to nature and the local environment.

The work was carried out in cooperation with concerned entities, specialized experts, and local practitioners.

The workshop reviewed the project’s final outcomes and presented reports on documentation and digital archiving activities.

It discussed mechanisms to ensure the sustainability of these efforts and the transmission of this cultural legacy to future generations, contributing to greater community awareness of the value and importance of intangible cultural heritage.


Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA
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Hail Region Pavilion Showcases Heritage Artifacts at Camel Festival

The pavilion aims to connect visitors to Hail's history and social legacy - SPA
The pavilion aims to connect visitors to Hail's history and social legacy - SPA

Hail Region pavilion at the Ministry of Interior’s Security Oasis exhibition, part of the 10th King Abdulaziz Camel Festival in Al-Sayahid, features heritage artifacts that reflect the region's renowned hospitality.

The display includes ancient trays and copperware from nearly seventy years ago.

According to SPA, these traditional food preparation and serving vessels have garnered significant interest from visitors. They document daily life in old Hail and its deep-rooted social traditions, particularly in gatherings and special occasions.

The pavilion aims to connect visitors to Hail's history and social legacy, fostering appreciation for national heritage and ensuring cultural preservation for future generations.