Chaos Agent Kanye West Crosses Line with Bigoted Remarks

US rapper Kanye West (C), attends a fashion show during the Paris Womenswear Fashion Week, in Paris, on October 2, 2022 JULIEN DE ROSA AFP/File
US rapper Kanye West (C), attends a fashion show during the Paris Womenswear Fashion Week, in Paris, on October 2, 2022 JULIEN DE ROSA AFP/File
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Chaos Agent Kanye West Crosses Line with Bigoted Remarks

US rapper Kanye West (C), attends a fashion show during the Paris Womenswear Fashion Week, in Paris, on October 2, 2022 JULIEN DE ROSA AFP/File
US rapper Kanye West (C), attends a fashion show during the Paris Womenswear Fashion Week, in Paris, on October 2, 2022 JULIEN DE ROSA AFP/File

Kanye West has long been one of the entertainment industry's most polarizing figures, but his recent actions including anti-Semitic comments and white supremacist messaging have alienated fans and business partners alike.

It's another problematic turn for the rapper and fashion mogul once hailed as an artistic genius, but whose stubborn contrarianism has seen him start conflating hate speech with free speech, AFP said.

The latest controversies -- which erupted during Paris fashion week and after an interview with Fox News -- add to his reputation as a chaos agent, one that has tarnished his musical and fashion talent.

The 45-year-old West, who in the past has unironically compared himself to Michelangelo, broke out in 2004 with "The College Dropout," building a masterful music career that saw him imbue rap with soul and electronic elements to create his lush albums.

His mercurial ways drew some critics but for years his celebrity earned him a pass.

At times his comments garnered him praise for his honesty: in 2005, he called out George W. Bush's handling of Hurricane Katrina, delivering an urgent plea for help during a televised fundraising concert before saying "George Bush doesn't care about Black people."

But in the decades that followed his musings grew increasingly bombastic and controversial.

After the rollercoaster rollout of his album "The Life of Pablo," West, who has talked openly about struggling with bipolar disorder, suffered a mental breakdown, disappearing from the public eye.

In late 2016 he reemerged, strolling into Trump Tower to meet the then president-elect.

He made waves as a rare celebrity to support the Republican billionaire, whose four years in the White House were mired with repeated accusations of racism and sexism.

In 2018, West met with Trump in Washington for a surreal tete-a-tete that included a hug between the two and an on-camera rant.

And during the 2020 election West, who later legally changed his name to Ye, his longtime nickname, launched his own unsuccessful bid for the American presidency as an independent candidate of the Birthday Party.

- 'Attention addict' -
Since then West has been crossing line after line.

At Paris' most recent fashion week he sported a shirt allying with white supremacist rhetoric. Days later his Instagram and Twitter accounts were restricted over anti-Semitic posts.

The American Jewish Committee (AJC) hit out at West for having "fomented hatred of Jews," while many other celebrities decried his words and urged him to stop.

"Kanye West should figure out how to make a point without using anti-Semitism," the AJC organization said.

The artist's already controversial Fox News interview grew even more so after Vice released unaired footage including West comments that were steeped in racist conspiracy theories.

This week, a producer behind the series "The Shop: Uninterrupted" with NBA superstar LeBron James said they were pulling an episode that would have featured West, saying he used the platform to "reiterate more hate speech and extremely dangerous stereotypes."

He unceremoniously scrapped his partnership with Gap, and German sportswear giant Adidas said it was reconsidering their collaboration that's been dogged by tensions.

These are only the latest shock-value moves from the rapper who has long fed media cycles with provocation.

Earlier this year, West was banned from posting on Instagram for 24 hours after violating the social network's harassment policy amid his acrimonious divorce from reality star Kim Kardashian, with whom he has four children.

While in the past some analysts have allowed West benefit of the doubt due to his mental illness, the consensus this time around has emphasized that psychiatric episodes are not an excuse for bigoted behavior.

In the opinion pages of The New York Times, columnist Charles Blow dubbed the artist "a brooding, narcissistic attention addict and praise junkie."

"He attends his torture. He curates and employs it. Some of it may come naturally, but some is manufactured, to enlarge the legend."



‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
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‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)

“Venom: The Last Dance” showed less bite than expected at the box office, collecting $51 million in its opening weekend, according to studio estimates Sunday, significantly down from the alien symbiote franchise’s previous entries.

Projections for the third “Venom” film from Sony Pictures had been closer to $65 million. More concerning, though, was the drop off from the first two “Venom” films. The 2018 original debuted with $80.2 million, while the 2021 follow-up, “Venom: Let There Be Carnage,” opened with $90 million even as theaters were still in recovery mode during the pandemic.

“The Last Dance,” starring Tom Hardy as a journalist who shares his body with an alien entity also voiced by Hardy, could still turn a profit for Sony. Its production budget, not accounting for promotion and marketing, was about $120 million — significantly less than most comic-book films.

But “The Last Dance” is also performing better overseas. Internationally, “Venom: The Last Dance” collected $124 million over the weekend, including $46 million over five days of release in China. That’s good enough for one of the best international weekends of the year for a Hollywood release.

Still, neither reviews (36% fresh on Rotten Tomatoes) nor audience scores (a franchise-low “B-” CinemaScore) have been good for the film scripted by Kelly Marcel and Hardy, and directed by Marcel.

The low weekend for “Venom: The Last Dance” also likely ensures that superhero films will see their lowest-grossing year in a dozen years, not counting the pandemic year of 2020, according to David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

Following on the heels of the “Joker: Folie à Deux” flop, Gross estimates that 2024 superhero films will gross about $2.25 billion worldwide. The only upcoming entry is Marvel’s “Kraven the Hunter,” due out Dec. 13.

Even with the $1.3 billion of “Deadpool & Wolverine,” the genre hasn’t, overall, been dominating the way it once did. In 2018, for example, superhero films accounted for more than $7 billion in global ticket sales.

Last week’s top film, the Paramount Pictures horror sequel “Smile 2,” dropped to second place with $9.4 million. That brings its two-week total to $83.7 million worldwide.

The weekend’s biggest success story might have been “Conclave,” the papal thriller starring Ralph Fiennes and directed by Edward Berger (“All Quiet on the Western Front”). The Focus Features release, a major Oscar contender, launched with $6.5 million in 1,753 theaters.

That put “Conclave” into third place, making it the rare adult-oriented drama to make a mark theatrically. Some 77% of ticket buyers were over the age of 35, Focus said. With a strong opening and stellar reviews, “Conclave” could continue to gather momentum both with moviegoers and Oscar voters.