Chaos Agent Kanye West Crosses Line with Bigoted Remarks

US rapper Kanye West (C), attends a fashion show during the Paris Womenswear Fashion Week, in Paris, on October 2, 2022 JULIEN DE ROSA AFP/File
US rapper Kanye West (C), attends a fashion show during the Paris Womenswear Fashion Week, in Paris, on October 2, 2022 JULIEN DE ROSA AFP/File
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Chaos Agent Kanye West Crosses Line with Bigoted Remarks

US rapper Kanye West (C), attends a fashion show during the Paris Womenswear Fashion Week, in Paris, on October 2, 2022 JULIEN DE ROSA AFP/File
US rapper Kanye West (C), attends a fashion show during the Paris Womenswear Fashion Week, in Paris, on October 2, 2022 JULIEN DE ROSA AFP/File

Kanye West has long been one of the entertainment industry's most polarizing figures, but his recent actions including anti-Semitic comments and white supremacist messaging have alienated fans and business partners alike.

It's another problematic turn for the rapper and fashion mogul once hailed as an artistic genius, but whose stubborn contrarianism has seen him start conflating hate speech with free speech, AFP said.

The latest controversies -- which erupted during Paris fashion week and after an interview with Fox News -- add to his reputation as a chaos agent, one that has tarnished his musical and fashion talent.

The 45-year-old West, who in the past has unironically compared himself to Michelangelo, broke out in 2004 with "The College Dropout," building a masterful music career that saw him imbue rap with soul and electronic elements to create his lush albums.

His mercurial ways drew some critics but for years his celebrity earned him a pass.

At times his comments garnered him praise for his honesty: in 2005, he called out George W. Bush's handling of Hurricane Katrina, delivering an urgent plea for help during a televised fundraising concert before saying "George Bush doesn't care about Black people."

But in the decades that followed his musings grew increasingly bombastic and controversial.

After the rollercoaster rollout of his album "The Life of Pablo," West, who has talked openly about struggling with bipolar disorder, suffered a mental breakdown, disappearing from the public eye.

In late 2016 he reemerged, strolling into Trump Tower to meet the then president-elect.

He made waves as a rare celebrity to support the Republican billionaire, whose four years in the White House were mired with repeated accusations of racism and sexism.

In 2018, West met with Trump in Washington for a surreal tete-a-tete that included a hug between the two and an on-camera rant.

And during the 2020 election West, who later legally changed his name to Ye, his longtime nickname, launched his own unsuccessful bid for the American presidency as an independent candidate of the Birthday Party.

- 'Attention addict' -
Since then West has been crossing line after line.

At Paris' most recent fashion week he sported a shirt allying with white supremacist rhetoric. Days later his Instagram and Twitter accounts were restricted over anti-Semitic posts.

The American Jewish Committee (AJC) hit out at West for having "fomented hatred of Jews," while many other celebrities decried his words and urged him to stop.

"Kanye West should figure out how to make a point without using anti-Semitism," the AJC organization said.

The artist's already controversial Fox News interview grew even more so after Vice released unaired footage including West comments that were steeped in racist conspiracy theories.

This week, a producer behind the series "The Shop: Uninterrupted" with NBA superstar LeBron James said they were pulling an episode that would have featured West, saying he used the platform to "reiterate more hate speech and extremely dangerous stereotypes."

He unceremoniously scrapped his partnership with Gap, and German sportswear giant Adidas said it was reconsidering their collaboration that's been dogged by tensions.

These are only the latest shock-value moves from the rapper who has long fed media cycles with provocation.

Earlier this year, West was banned from posting on Instagram for 24 hours after violating the social network's harassment policy amid his acrimonious divorce from reality star Kim Kardashian, with whom he has four children.

While in the past some analysts have allowed West benefit of the doubt due to his mental illness, the consensus this time around has emphasized that psychiatric episodes are not an excuse for bigoted behavior.

In the opinion pages of The New York Times, columnist Charles Blow dubbed the artist "a brooding, narcissistic attention addict and praise junkie."

"He attends his torture. He curates and employs it. Some of it may come naturally, but some is manufactured, to enlarge the legend."



Tim Burton Talks about His Dread of AI as an Exhibition of His Work Opens in London

 A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
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Tim Burton Talks about His Dread of AI as an Exhibition of His Work Opens in London

 A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)
A member of staff poses at The World of Tim Burton exhibition at the Design Museum, in London, Monday, Oct. 21, 2024. (AP)

The imagination of Tim Burton has produced ghosts and ghouls, Martians, monsters and misfits – all on display at an exhibition that is opening in London just in time for Halloween.

But you know what really scares him? Artificial intelligence.

Burton said Wednesday that seeing a website that had used AI to blend his drawings with Disney characters “really disturbed me.”

“It wasn’t an intellectual thought — it was just an internal, visceral feeling,” Burton told reporters during a preview of “The World of Tim Burton” exhibition at London’s Design Museum. “I looked at those things and I thought, ‘Some of these are pretty good.’ ... (But) it gave me a weird sort of scary feeling inside.”

Burton said he thinks AI is unstoppable, because “once you can do it, people will do it.” But he scoffed when asked if he’d use the technology in this work.

“To take over the world?” he laughed.

The exhibition reveals Burton to be an analogue artist, who started off as a child in the 1960s experimenting with paints and colored pencils in his suburban Californian home.

“I wasn’t, early on, a very verbal person,” Burton said. “Drawing was a way of expressing myself.”

Decades later, after films including “Edward Scissorhands,” “Batman,” “The Nightmare Before Christmas” and “Beetlejuice,” his ideas still begin with drawing. The exhibition includes 600 items from movie studio collections and Burton's personal archive, and traces those ideas as they advance from sketches through collaboration with set, production and costume designers on the way to the big screen.

London is the exhibition’s final stop on a decade-long tour of 14 cities in 11 countries. It has been reconfigured and expanded with 90 new objects for its run in the British capital, where Burton has lived for a quarter century.

The show includes early drawings and oddities, including a competition-winning “crush litter” sign a teenage Burton designed for Burbank garbage trucks. There’s also a recreation of Burton’s studio, down to the trays of paints and “Curse of Frankenstein” mug full of pencils.

Alongside hundreds of drawings, there are props, puppets, set designs and iconic costumes, including Johnny Depp’s “Edward Scissorhands” talons and the black latex Catwoman costume worn by Michelle Pfeiffer in “Batman.”

“We had very generous access to Tim’s archive in London, stuffed full of thousands of drawings, storyboards from stop-motion films, sketches, character notes, poems,” said exhibition curator Maria McLintock. “And how to synthesize such a wide ranging and meandering career within one exhibition was a fun challenge — but definitely a challenge.”

Seeing it has not been a wholly fun experience for Burton, who said he’s unable to look too closely at the items on display.

“It’s like seeing your dirty laundry put on the walls,” he said. “It’s quite amazing. It’s a bit overwhelming.”

Burton, whose long-awaited horror-comedy sequel “Beetlejuice Beetlejuice” opened at the Venice Film Festival in August, is currently filming the second series of Netflix’ Addams Family-themed series “Wednesday.”

These days he is a major Hollywood director whose American gothic style has spawned an adjective – “Burtoneqsue.” But he still feels like an outsider.

“Once you feel that way, it never leaves you,” he said.

“Each film I did was a struggle,” he added, noting that early films like “Pee-wee’s Big Adventure” from 1985 and “Beetlejuice” in 1988 received some negative reviews. “It seems like it was a pleasant, fine, easy journey, but each one leaves its emotional scars.”

McLintock said Burton “is a deeply emotional filmmaker."

“I think that’s what drew me to his films as a child,” she said. "He really celebrates the misunderstood outcast, the benevolent monster. So it’s been quite a weird but fun experience spending so much time in his brain and his creative process.

“His films are often called dark,” she added. “I don’t agree with that. And if they are dark, there’s a very much a kind of hope in the darkness. You always want to hang out in the darkness in his films.”