Totoro Time: Japan's Ghibli Theme Park Opens to Visitors

The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP
The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP
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Totoro Time: Japan's Ghibli Theme Park Opens to Visitors

The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP
The park evokes the retro peace of the 1988 classic 'My Neighbor Totoro' Photo credit: AFP/Studio Ghibli Yuichi YAMAZAKI AFP

A huge grinning Totoro and other whimsical exhibits welcomed visitors to Japan's new Ghibli theme park as three of its five sections opened to the public on Tuesday.

The attraction in central Japan has been long awaited by fans of Studio Ghibli's beloved animations, from "Howl's Moving Castle" to the Oscar-winning "Spirited Away".

Now a fluffy Cat Bus, a life-sized No-Face and recreations of buildings from the films are ready for visitors less than a month after the country fully reopened its borders to foreign tourists.

Tickets are reservation only, and are already sold out until the end of the year, said AFP.

One middle-aged visitor, who described himself as "a huge fan", told broadcaster TV Asahi he had been queuing to enter the park since the previous day.

"Congratulations!" said a hand-drawn note posted on Twitter by Studio Ghibli, illustrated with a row of figures resembling the spirit creature Totoro and signed by the company's co-founder Hayao Miyazaki.

Ghibli producer Toshio Suzuki also spoke of his excitement at a ceremony on Monday ahead of the opening.

"I didn't sleep very well last night. It's a bit different from a film release," he said.

Spread over 7.1 hectares (17.5 acres) of a 194-hectare (480-acre) park in Aichi region where the 2005 International Expo was held, the site features large open-air areas in keeping with the importance of nature in Ghibli films.

Among the three sections now open is the "Hill of Youth", the gateway to the park that features an elevator tower inspired by Ghibli films including "Castle in the Sky".

Elsewhere, "Dondoko Forest" evokes the retro peace of the 1988 classic "My Neighbour Totoro", with bucolic walking paths and an enormous Totoro figure.

A major draw will be Ghibli's Grand Warehouse, a hangar-like indoor portion of the park with various attractions, including 14 sets from 13 of the studio's film classics.

Visitors can stroll along an alley designed to look like the opening scene of "Spirited Away," or perch on the red velvet-covered train seat in a carriage next to the movie's instantly recognizable "No-Face" character.

Aichi region is predicting an influx of 1.8 million visitors a year once all five areas of the park are open from next year, with an estimated annual economic impact of 48 billion yen ($324 million).

Studio Ghibli, founded in 1985 by Miyazaki and fellow animator Isao Takahata, has captivated fans around the world with works blending nostalgia, courage, greed and interaction with the natural world.

The studio already operates the hugely popular Ghibli Museum on the outskirts of Tokyo, which offers tickets only at the beginning of each month and regularly sells out within hours.



‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
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‘Lilo & Stitch’ Cruises to No. 1 Again; John Wick Spinoff ‘Ballerina’ Dances to 2nd Place

Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
Stitch arrives at the premiere of "Lilo and Stitch" on Saturday, May 17, 2025, at El Capitan Theatre in Los Angeles. (Photo by Richard Shotwell/Invision/AP)

In the box office showdown between a deadly assassin and a chaotic CG alien, “Lilo & Stitch” still had the edge. The Disney juggernaut celebrated a third weekend at the top of the charts, while the John Wick spinoff “Ballerina” did not jeté as high as expected.

According to studio estimates Sunday, “From the World of John Wick: Ballerina” earned $25 million from 3,409 theaters in the US and Canada, The Associated Press reported. Several weeks ago it was tracking to open in the $35 to $40 million range, but that was adjusted down several times. Ultimately, it still came in lower than forecasts. The movie, directed by Len Wiseman, makes a sideline character out of Keanu Reeves’ John Wick and focuses on Ana de Armas. It takes place during the events of “John Wick 3.”

The box office performance is a bit perplexing result considering that “Ballerina” got good critic reviews and audience exit polls. Conventional wisdom would say that word of mouth might have given it a boost over the weekend. But, recently, opening weekend isn’t the end all that it used to be. “Ballerina” could be in the game for the long haul.

The Lionsgate release, a Thunder Road Films and 87Eleven Entertainment production, had a hefty production price tag reported to be in the $90 million range. But much of that cost has already been offset by foreign pre-sales. Internationally, it earned $26 million from 82 countries, bringing its global opening to $51 million.

As the first spinoff, it’s the second lowest opening of the five-film franchise – above only the first film which opened just over $14 million in 2014, which does not account for inflation. The franchise overall has grossed more than $1 billion worldwide.

First place once again went to “Lilo & Stitch,” which added another $32.5 million in North America, bringing its domestic total to $335.8 and global tally to $772.6 million. In just 17 days, it's already made more domestically than the live-action “The Little Mermaid” did in its entire run ($298 million).

“Mission: Impossible — The Final Reckoning” slid to third place with $15 million, bringing its worldwide total to $450.4 million. “Karate Kid: Legends” earned $8.7 million to take fourth place. And “Final Destination: Bloodlines" rounded out the top five with $6.5 million.

The new Wes Anderson movie “The Phoenician Scheme” expanded beyond New York and Los Angeles to 1,678 theaters nationwide. The Focus Features release starring Benicio del Toro made an estimated $6.3 million and landed in sixth place.