‘My Favorite Year,’ Comic Salute to TV’s Golden Age, Hits 40

British actor Peter O'Toole. (AP)
British actor Peter O'Toole. (AP)
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‘My Favorite Year,’ Comic Salute to TV’s Golden Age, Hits 40

British actor Peter O'Toole. (AP)
British actor Peter O'Toole. (AP)

Peter O’Toole was famed for his commanding, Oscar-nominated turns. Mark Linn-Baker was a fledgling stage actor. Richard Benjamin, who’d made a leading-man splash in "Goodbye, Columbus" and "Westworld," had a few TV directing credits. 

The sum of these unlikely parts was the zesty 1982 movie comedy "My Favorite Year," starring O’Toole and Linn-Baker, directed by Benjamin and produced by Mel Brooks. It paid loving tribute to the original golden age of TV in the mid-20th century and the variety shows that were the "Saturday Night Live" hits of their day. 

When Benjamin read the screenplay credited to Norman Steinberg and Dennis Palumbo, he immediately turned to his wife, actor Paula Prentiss. 

"I hope they want me for this, because it's just great," Benjamin recalled saying. 

The film, marking its 40th anniversary, is set in 1954 and topped by O’Toole as faded but still-glam movie idol Alan Swann, who's appearing on "Comedy Cavalcade" only to pay off his IRS debt. Linn-Baker plays Benjy Stone, an energetic young writer tasked with keeping Swann out of trouble (read: sober) until the broadcast. 

The inspirations for "My Favorite Year" included Sid Caesar, the decade’s reigning TV comedy star, and "Your Show of Shows," the hit he topped from 1950-54 and was followed by "Caesar’s Hour." The movie also is infused with the spirit of Errol Flynn's swashbuckling films such as "Captain Blood," with Swann's "Captain from Tortuga" seen in a faux clip. 

Brooks, who wrote for "Your Show of Shows" alongside another future giant of stage and screen, Neil Simon, said in his 2021 memoir "All About Me!" that the movie represented "my love letter to Sid Caesar and the early days of television, and it was also a damn good story." 

"It’s one of the three best productions about live TV that I’ve ever seen," said David Bianculli, a TV critic for NPR's "Fresh Air" and author of "Dictionary of Teleliteracy." His other top picks: "The Dick Van Dyke Show" and Simon's play "Laughter on the 23rd Floor." 

"My Favorite Year," which is available on streaming services, had a respectable box office opening in October 1982, coming in third behind "An Officer and a Gentlemen" and "E.T. the Extra-Terrestrial." 

Joseph Bologna plays the talented, manic (and sexist) King Kaiser. Others in the impeccable cast include Lainie Kazan ("My Big Fat Greek Wedding" and sequels), Jessica Harper ("See"), Bill Macy ("Maude") and Selma Diamond. A character actor on sitcoms, among them the 1980s "Night Court," Diamond's TV roots were in writing and included "Your Show of Shows." 

Benjamin was a teenage fan of Caesar's program and recalled how he and his equally devoted friends would get on the phone after it aired Saturday nights to recap and reenact the highlights. 

"The show changed everything. Comedians used to stand up and tell jokes, but here was comedy that was behavior" and unfolded in extended sketches, Benjamin said. "It seemed like a miracle that this (film) would come to me." 

His agent had talked him up for the job, and a meeting with Brooks and producer Michael Gruskoff convinced them that Benjamin could handle it. 

The role of Swann had yet to be cast, and it was a quirk of Hollywood fortune that it went to O'Toole, yielding his seventh of eight leading-actor Oscar nods (he lost to Ben Kingsley in "Gandhi"). O'Toole received an honorary Academy Award in 2003. 

Albert Finney had been offered the part but was dragging his feet. Benjamin was dispatched to the San Francisco area, where Finney was working on another film, to talk him into it — or risk seeing the project fall apart. 

Finney said he liked the script for "My Favorite Year." But after making several movies in the United States, he longed to get back to the London stage despite the fact he'd earn only "£125 pounds a week," as he put it. 

"Why don't you get O'Toole?" Finney helpfully suggested. "We do this all the time. I turn something down, he turns something down" and the other one takes the role. 

Prentiss, who'd starred opposite O'Toole in the 1965 film "What's New Pussycat," seconded the idea. So did the producers, who again tasked Benjamin with getting an actor to say yes. O'Toole deemed the script excellent but was curious about a scene that included Swann's tombstone, with the birthdate of Aug. 2. 

O'Toole asked if the date been tailored to each actor who'd been pitched the project. When told it wasn't, he replied, "That's my birthday, and that's how old I am. Therefore, I must do the film." 

(The cemetery scene was filmed but cut when test audiences had a more upbeat response to what now concludes the movie, Benjamin said.) 

O'Toole proved a breeze during filming. Benjamin recalled expressing concern to him about a scene in which the actor's head would hit an unpadded tile wall. "I was trained in music hall, " the English-born O'Toole said, referring to his country's version of vaudeville. "I can do this all day." 

Linn-Baker (TV's "Ghosts," "Perfect Strangers") found O'Toole a kind and generous mentor and remains awed by his body of work, which includes "Lawrence of Arabia," "Becket" and "The Lion in Winter." O'Toole died in 2013 at age 81. 

"The relationship that Benjy and Swann had on film is pretty much the relationship that we had off screen," said Linn-Baker, currently on Broadway in "The Music Man" with Hugh Jackman. "He took me under his wing. The little I know about film acting, I know from watching him and listening to him." 

Kazan, who played Belle Steinberg Carroca, Benjy's widowed and remarried mom, recalls meeting O'Toole for the first time when she and Brooks knocked on the actor's dressing room door, heard a muffled "come in" and found an underwear-clad O'Toole seated at the sink and washing his hair. 

"He stands up and says, ‘Miss Kazan, my extreme pleasure,’" the actor and singer recounted with delight. "I fell in love with him. He was so wonderful to me." 

Kazan, who earned a Tony nomination for reprising the role of Belle in the 1992-93 musical adaptation of "My Favorite Year," said she based the outspoken Jewish mother on her relatives, including an aunt who was "a real dominant figure" and Kazan's mother, a beautiful woman who wore "all these fantastic clothes." 

A Brooklyn dinner invitation from Belle to Swann results in a culture clash of epic comedy proportions. At one point, Benjy's middle-aged aunt Sadie enters wearing an elaborate wedding gown, prompting a dubious compliment from sister Belle. 

"You like it? I only wore it once," replies a beaming Sadie, while Swann, amused, looks on. 

For all its entertaining punchlines and slapstick, "My Favorite Year" is a deserved Valentine to the groundbreaking creativity of early TV makers. The templates they created remain copied and popular, even amid the medium's drastic 21st-century changes. 

The movie's plot is fanciful, but "the world in which it is set is the zany reality, and it's just so good," Bianculli said. "I show ‘Your Show of Shows’ in my class (at Rowan University), and it still works." 



Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
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Sony Buys a Majority Stake in the ‘Peanuts’ Comic for $457 Million from Canada's WildBrain

Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)
Sony Corp. President Kenichiro Yoshida speaks as characters from "Peanuts" are shown at a press conference at the company's headquarters Tuesday, May 22, 2018, in Tokyo. (AP)

Happiness is taking control of a beloved comic strip.

Sony is buying a 41% stake in the Charles M. Schulz comic “Peanuts” and its characters including Snoopy and Charlie Brown from Canada's WildBrain in a $457 million deal, the two companies said Friday.

The deal adds to Sony's existing 39% stake, bringing its shareholding to 80%, according to a joint statement. The Schulz family will continue to own the remaining 20%.

“With this additional ownership stake, we are thrilled to be able to further elevate the value of the 'Peanuts' brand by drawing on the Sony Groupʼs extensive global network and collective expertise,” Sony Music Entertainment President Shunsuke Muramatsu said.

“Peanuts” made its debut Oct. 2, 1950 in seven newspapers. The travails of the “little round-headed kid” Charlie Brown and pals including Linus, Lucy, Peppermint Patty and his pet beagle Snoopy eventually expanded to more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites stuck in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket," “good grief” and “happiness is a warm puppy” are a part of the global vernacular. Schulz died in 2000.

Sony acquired its first stake in Peanuts Holdings LLC in 2018 from Toronto-based WildBrain Ltd. In Friday's transaction, Sony's music and movie arms signed a “definitive agreement” with WildBrain to buy its remaining stake for $630 million Canadian dollars ($457 million).

Rights to the “Peanuts” brand and management of its business are handled by a wholly-owned subsidiary of Peanuts Holdings.

WildBrain also owns other kids' entertainment franchises including Strawberry Shortcake and Teletubbies.


‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.