Director Tawfik Al-Zaidi Tells Asharq Al-Awsat: ‘Noura’ Resembles AlUla in its Connection with Human, Art

Saudi film director Tawfik Al-Zaidi.
Saudi film director Tawfik Al-Zaidi.
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Director Tawfik Al-Zaidi Tells Asharq Al-Awsat: ‘Noura’ Resembles AlUla in its Connection with Human, Art

Saudi film director Tawfik Al-Zaidi.
Saudi film director Tawfik Al-Zaidi.

Saudi film director Tawfik Al-Zaidi expected the revenues of the Saudi cinema to hit one billion Saudi riyals by the end of 2022, after it exceeded 900 million riyals in November, highlighting the vital role Saudi Arabia has played in the cinema industry since 2018.

During an interview with Asharq Al-Awsat, Al-Zaidi said Saudi Arabia has become a filmmaking-friendly environment, noting that the kingdom has got into the cinema industry with cinema theaters and specialized festivals like Jeddah’s Red Sea Film Festival, which was a game changer.

Al-Zaidi, who directed, wrote, and made his film “Noura” in a small town in AlUla city, said he chose AlUla as a geographic background for his feature film because he sees that the movie and AlUla, which represents an esteemed human heritage, are similar in their connection to humans and art.

Starred by Yacob al-Farhan, Maria Bahrawi, and Abdullah al-Sadhan, “Noura” tells the story of Nader, an artist who gave up painting and moved to western Saudi Arabia where he became a children teacher; and Noura, a young woman who lives with her little brother, Nayef, an independent life, away from male caretakers after the death of their father. In the movie, Noura discovers that Nader is an artist, then an artistic connection emerges between the two, which revives Nader’s inspiration and makes him introduce Noura to a world of possibilities outside her small town.

Tawfik Al-Zaidi believes that cinema is rewriting reality by creating a world and living in it. He chose filmmaking driven by his passion for visual storytelling and narration, and because he sees the visual language of films as a universal, human language and a key to understanding the meanings and messages proposed by the director. Al-Zaidi started his career when he was 12, filming his peers playing football in his neighborhood with his own camera. Despite his early skills at the time, he didn’t realize that he was taking his first steps in the cinema industry.

Tawfik al-Zaidi started directing his own short movies in 2006, and he’s considered an influencing and pioneering member of the new cinema wave in the kingdom. His short film, “The Perfect Crime”, won the Best Montage Award at the Jeddah Film Festival 2007, and his film, “The Silence”, won the Gulf Award for Short Films at the Muscat International Film Festival 2009. The movie was screened in over 20 countries, and was selected by a US organization to be displayed in their private library.

In 2014, he wrote and directed “Four Colors” with the support of Emirati company Two Four 54, and the film was screened at the Dubai International Film Festival. In 2015, he wrote and directed “The Other”, a film funded by Misk foundation. Starred by Syrian actor Mohammed al-Qass, and Saudi actor Meshaal al-Mutairi, the film won the Best Short Film Award in the Riyadh Film Festival 2016.



Hope Floats in the Amazon as Bacuri, a Young Manatee, Fights for Survival

Bacuri, a rescued manatee, breathes while swimming in a pool at the Emilio Goeldi Museum's scientific station in the Caxiuana National Forest in Para state, Brazil, Thursday, March 20, 2025. (AP)
Bacuri, a rescued manatee, breathes while swimming in a pool at the Emilio Goeldi Museum's scientific station in the Caxiuana National Forest in Para state, Brazil, Thursday, March 20, 2025. (AP)
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Hope Floats in the Amazon as Bacuri, a Young Manatee, Fights for Survival

Bacuri, a rescued manatee, breathes while swimming in a pool at the Emilio Goeldi Museum's scientific station in the Caxiuana National Forest in Para state, Brazil, Thursday, March 20, 2025. (AP)
Bacuri, a rescued manatee, breathes while swimming in a pool at the Emilio Goeldi Museum's scientific station in the Caxiuana National Forest in Para state, Brazil, Thursday, March 20, 2025. (AP)

Deep in silence, as if under a spell, children watch intently as Bacuri, a young Amazonian manatee, glides around a small plastic pool. When he surfaces for air, some of them exchange wide smiles. The soft rustle of rainforest leaves punctuated by bird song adds to the magic of the moment.

The children from riverside communities traveled for hours by boat just to meet Bacuri at the Ferreira Penna Scientific Base of the Emilio Goeldi Museum, Brazil's oldest research institute in the Amazon. Despite their endangered status, manatees are still hunted and their meat illegally sold, and they are increasingly threatened by climate change. Environmentalists hope that by engaging local communities, Bacuri and others like him will be spared.

The Amazonian manatee is the region's largest mammal but is rarely seen, much less up close. The reasons for this are twofold: The manatee has acute hearing and will vanish into the murky water at the slightest sound; and its population has dwindled after being overhunted for hundreds of years, mostly for its tough hides that were exported to Europe and Central America.

To help the manatee population recover, several institutions are rescuing orphaned manatee calves, rehabilitating them and reintroducing them to the wild.

Bacuri weighed just 22 pounds (10 kilograms) - a fraction of the more than 900 pounds (400 kilograms) of an adult manatee - when he was rescued and taken to the federally protected Caxiuana National Forest. He was named after the local community that found him. Two years and several thousand milk bottles later, Bacuri has grown to about 130 pounds (60 kilos).

Three institutions are responsible for his care. The Goeldi Museum provides facilities and educates nearby communities. The federal Chico Mendes Institute for Biodiversity Conservation assigns two staffers for 15-day shifts to feed Bacuri three bottles of milk a day as well as chopped beets and carrots, and clean the pool every 48 hours. The nonprofit Instituto Bicho d'Agua - meaning institute of water animals in Portuguese - oversees veterinary care, dietary planning and caregiver training.

During their visit, the children learn that female manatees are pregnant for about a year then nurse their young for two more, feeding them from nipples behind their front flippers - the manatee equivalent of armpits. This long reproductive cycle is one reason the manatee population has not recovered from the commercial hunting that persisted until the mid-20th century.

They also learn the species is endangered and that they are the ones who must protect it.

"You are the main guardians," biologist Tatyanna Mariúcha, head of the Ferreira Penna scientific base, tells the children, who spend the rest of the day drawing and making Play-Doh models of Bacuri.

With its auditorium, dormitories, observation towers, cafeteria and laboratories, the research station - two hours by speedboat from Portel, the nearest city - stands in stark contrast to nearby communities comprising clusters of wooden houses on stilts where families rely on cassava farming, fishing and harvesting açaí berries. School field trips and community outreach aim to narrow the gap.

"Caxiuana is their home," Mariúcha told The Associated Press. "We can't just come here and do things without their consent."

Local knowledge will play a key role when Bacuri is finally released. He is the only manatee calf under care at Caxiuana. Once he has fully transitioned to a plant-based diet, he'll spend time in a river enclosure before his release. That site will be selected based on where residents say wild manatees feed and pass through.

If all goes as planned, Bacuri will be the first manatee released in the Caxiuana area. Two other calves rescued in poor health died in captivity, a sadly common outcome.

While subsistence hunting isn't a major threat to the species, some fishermen still sell manatee meat illegally in nearby towns. Brazil banned hunting of all wild animals in 1967, with two exceptions: Indigenous peoples are allowed to hunt, and others can kill a wild animal to satisfy the hunger of the hunter or his family.

The threat of hunters has become harder to manage due to climate change, said Miriam Marmontel, a senior researcher at the Mamirauá Institute for Sustainable Development, hundreds of miles (kilometers) upstream along the Amazon River.

Dozens of dolphins died near Mamiraua in 2023, likely due to soaring water temperatures during a historic drought. Manatees avoided mass mortality then because they typically inhabit deep pools during the dry season, but recent droughts have dramatically reduced the water level, making manatees more vulnerable to poachers.

"As climate change accelerates, manatees may begin to suffer from heat stress too," Marmontel said. "They also have a thermal limit, and eventually it may be crossed."

That's why reintroduction efforts are so important.

Around 60 rescued manatees are being cared for across the state of Para, where Caxiuana is located. Bicho d'Agua is caring for four in partnership with the Federal University of Para and Brazil's environmental agency. One of the four, named Coral, was found near Obidos and airlifted 620 miles (1,000 kilometers) to the institute's facility in Castanhal. She arrived dehydrated and with severe skin burns, likely from sun exposure.

"The population has declined so much that every hunted animal impacts the species," Renata Emin, president of Bicho d'Agua, told AP. "That's why any effort matters, not just because one individual may return to the wild and help rebuild the population but because of the community and government engagement it inspires."