Prince Harry Interviews: Main Points

File Photo: Britain's Prince Harry leaves after attending a service of thanksgiving for the reign of Queen Elizabeth II at St Paul's Cathedral in London on June 3, 2022 on the second of four days of celebrations to mark the Platinum Jubilee. (AP)
File Photo: Britain's Prince Harry leaves after attending a service of thanksgiving for the reign of Queen Elizabeth II at St Paul's Cathedral in London on June 3, 2022 on the second of four days of celebrations to mark the Platinum Jubilee. (AP)
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Prince Harry Interviews: Main Points

File Photo: Britain's Prince Harry leaves after attending a service of thanksgiving for the reign of Queen Elizabeth II at St Paul's Cathedral in London on June 3, 2022 on the second of four days of celebrations to mark the Platinum Jubilee. (AP)
File Photo: Britain's Prince Harry leaves after attending a service of thanksgiving for the reign of Queen Elizabeth II at St Paul's Cathedral in London on June 3, 2022 on the second of four days of celebrations to mark the Platinum Jubilee. (AP)

Here are the main points from Prince Harry's first two television interviews to publicize his new autobiography "Spare", aired on Sunday.

- On why he wrote the book -Harry told Britain's ITV channel he had endured "38 years... of intentional spin and distortion".

He said he had "no intention" of harming anyone in his family by releasing the book.

But he said he needed to speak out as "certain members have decided to get in bed with the devil to rehabilitate their image", at his and his family's expense.

- On his mother's funeral -Harry recalled walking behind Princess Diana's coffin at her funeral in 1997, when he was aged just 12.

"The bridles chinking, you know, going down The Mall, the hooves going down the concrete and the occasional... gravel underneath the foot and the wails from the crowd," he recalled.

"But otherwise complete silence is something that will stick with me forever."

- On Diana's death -Harry said he read the secret government file into Diana's death, redacted by his private secretary of the most graphic descriptions and photographs of the scene.

He said he had driven as an adult through the Pont de l'Alma tunnel in Paris, where she died in a car crash.

"There's a lot of things that are unexplained," he said.

"But I've been asked before whether I want to open up a, you know, another inquiry. I don't really see the point at this stage."

In an interview aired later on America's CBS, Harry said that for "many years" part of him believed his mother had just disappeared and that "she would call us and we would go and join her."

- On his relationship with William -Harry spoke of his long-standing sibling rivalry with Prince William, how they used to fight as boys, how William ignored him at school and even tried to get him to shave off his beard before his wedding to Meghan.

He accused William of later swallowing the British tabloid media portrayal of Meghan, leading on one occasion to William physically attacking him.

Harry said that, had he not been having therapy after the trauma of his childhood, he would have fought back.

Harry told CBS he and William were not currently in touch, nor had he spoken to his father "for quite a while."

- On William, Kate and Meghan -Harry said William and Kate were fans of the US legal drama "Suits" in which Meghan starred.

But he said he thought they were not expecting him to get involved with someone like Meghan and "there was a lot stereotyping" of her as a biracial, divorced American actress.

That caused "a bit of a barrier" to welcoming her to the family, he said.

Harry stressed though that William never tried to dissuade him from marrying Meghan.

- On claims of royal racism -Harry denied he or Meghan had accused the royal family of racism but said there was unconscious bias at the palace which still needed to be addressed.

A recent incident in which a senior courtier, Susan Hussey, repeatedly asked a black British charity worker, Ngozi Fulani, where she was "really from" was an example of that, he said.

Harry said in the CBS interview: "Hell, I was probably bigoted before the relationship with Meghan."

- On the media -Harry spoke at length about the British tabloid press, accusing it of complicity and collusion with the palace, as well as racism, cronyism and duplicity.

He suggested the negative coverage he and Meghan had suffered was a result of his legal claims for alleged phone hacking against three British newspapers.

The wider aim of the claims, he said, had been to rein in tabloid excesses.

- On what he wants to achieve -Harry said he believed "100 percent" he could reconcile with his family and that could have a "ripple effect across the world".

But he conceded that his father King Charles III and his brother were unlikely to read his book or watch the interview.

- On the future -Harry said he was now "in such a good headspace" to deal with any tricky conversations with his family.

"It's been hard, I'm not going to lie," he said of the last few years, but added: "The reality is I've never been happier."



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
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Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.