Iranian Women Take Center Stage at Sundance Film Festival

Directors Maryam Keshavarz, Sierra Urich and Noora Niasari all have films at the 2023 Sundance Film Festival. Robin Marchant / GETTY IMAGES NORTH AMERICA/AFP
Directors Maryam Keshavarz, Sierra Urich and Noora Niasari all have films at the 2023 Sundance Film Festival. Robin Marchant / GETTY IMAGES NORTH AMERICA/AFP
TT

Iranian Women Take Center Stage at Sundance Film Festival

Directors Maryam Keshavarz, Sierra Urich and Noora Niasari all have films at the 2023 Sundance Film Festival. Robin Marchant / GETTY IMAGES NORTH AMERICA/AFP
Directors Maryam Keshavarz, Sierra Urich and Noora Niasari all have films at the 2023 Sundance Film Festival. Robin Marchant / GETTY IMAGES NORTH AMERICA/AFP

Movies by and about Iranian women took center stage at the Sundance film festival this weekend, as diaspora filmmakers reflected on female-led protests and the deadly challenges of censorship and resistance in their ancestral home.

"Joonam," a documentary about a three-generation family of Iranian women now living in Vermont, and "The Persian Version," a colorful but candid dramedy which hops between Iran and New York over several decades, received world premieres on Saturday, said AFP.

"Shayda," a drama directed by Noora Niasari about a Persian woman who flees her abusive husband in Australia, debuted earlier at the high-profile independent film festival in Utah.

Their inclusion in Sundance's line-up follows four months of mass demonstrations in Iran, triggered by anger over the death of 22-year-old Mahsa Amini after her arrest for violating Iran's strict dress rules.

At least 481 people have been killed in the crackdown and at least 109 others are facing execution in protest-related cases, in addition to the four already put to death, according to NGO Iran Human Rights.

The protesters "are literally putting themselves on the line... I stand in support with them 100 percent," said "Joonam" director Sierra Urich.

"You can't speak freely in Iran, they're imprisoning filmmakers and imprisoning artists," Urich told AFP.

"I can speak freely outside of Iran -- to an extent."

Iran has arrested a number of celebrities from the country's film industry in connection with the protest movement. Renowned director Jafar Panahi has been in prison six months following an earlier conviction for "propaganda against the system."

While US-born Urich cannot visit Iran for security reasons, her film chronicles her efforts to connect with and better understand the country by learning Farsi and interviewing her mother and grandmother.

She learns about the murder of an ancestor, and the story of how her grandmother was married at 14 to a man she met before reaching puberty.

While her grandmother is happy to reflect, her mother worries it is "very dangerous" to delve into the family's past on camera, at one point warning her daughter that in Iran, "the filmmaker will be the one hanged."

"Coming into Sundance, the film is on the world stage. I think Iranians are always weighing how truthful they will be, versus what they will say, causing consequences for people that are back home," said Urich.

"It wasn't until my grandmother shared the story of her grandfather's martyrdom that I really understood this wall of fear that had been built by this authoritarian regime, to so many people in Iran, outside of Iran.

"My mom was trying to protect me from that reality."

- 'Resilience' -
In "The Persian Version," rebellious young Iranian-American Leila (played by Layla Mohammadi) has a fractured relationship with her immigrant mother, caused by Leila's sexuality and their seemingly different views on the role of women.

But as she uncovers the truth about her parents' experiences in Iran and their departure from the country, both generations of women gain perspective on their complicated heritage.

"I'm proud to have an Iranian film here at this moment about women," said director Maryam Keshavarz at the film's premiere, where cast members wore badges in Iranian flag colors with the protest movement's slogan "Woman Life Freedom."

"I think it speaks to the resilience through the decades, not just now. It's been forever in the making," she said.

"Even before this regime, women have always pushed against society for what they've wanted.

"They've upended the norms and they've learned to find their way of being free."

Keshavarz has not been able to return to Iran since the release of her debut film "Circumstance," about two teenage Persian girls who fall in love.

Urich still hopes to visit one day, but is watching the protests from afar, and for now hopes that her film can be "a small part of that struggle for freedom."

"I think part of why it's so moving to see what's happening in Iran right now, and to be here with these other filmmakers," she said, "is it's a real sense of community, and being able to tell our stories openly."



UK to Regulate Netflix and Other Streamers in Line with Broadcasters 

The Netflix logo is displayed during an event in Mumbai, India, February 3, 2026. (Reuters)
The Netflix logo is displayed during an event in Mumbai, India, February 3, 2026. (Reuters)
TT

UK to Regulate Netflix and Other Streamers in Line with Broadcasters 

The Netflix logo is displayed during an event in Mumbai, India, February 3, 2026. (Reuters)
The Netflix logo is displayed during an event in Mumbai, India, February 3, 2026. (Reuters)

‌Britain said on Tuesday Netflix, Amazon Prime Video, Disney+ and other streamers would be required to follow the same rules on content and accessibility as traditional broadcasters like the BBC.

Two-thirds of households subscribe to at ‌least one ‌major streamer, with 85% ‌of ⁠people using an ⁠on-demand service each month, compared to 67% who watch live TV, the government said.

Bringing the services into the scope ⁠of regulator Ofcom's broadcasting ‌code would ‌protect audiences from harmful content, and ‌ensure the provision ‌of accessibility services like subtitles, it said.

Streaming services with more than 500,000 UK users will ‌have to adhere to the new standards, which ⁠include ⁠ensuring news is reported accurately and impartially and audiences are protected against harmful or offensive material.

Ofcom will have powers to investigate and take action where they consider there has been a breach of the code, it said.


‘One Battle’ Triumphs at BAFTAs That Honor British Talent 

Director Paul Thomas Anderson poses in the press room after winning the awards for Best Film, Best Adapted Screenplay, and Best Director for "One Battle After Another" during the EE BAFTA Film Awards 2026 at the Royal Festival Hall in London, Britain, 22 February 2026. (EPA)
Director Paul Thomas Anderson poses in the press room after winning the awards for Best Film, Best Adapted Screenplay, and Best Director for "One Battle After Another" during the EE BAFTA Film Awards 2026 at the Royal Festival Hall in London, Britain, 22 February 2026. (EPA)
TT

‘One Battle’ Triumphs at BAFTAs That Honor British Talent 

Director Paul Thomas Anderson poses in the press room after winning the awards for Best Film, Best Adapted Screenplay, and Best Director for "One Battle After Another" during the EE BAFTA Film Awards 2026 at the Royal Festival Hall in London, Britain, 22 February 2026. (EPA)
Director Paul Thomas Anderson poses in the press room after winning the awards for Best Film, Best Adapted Screenplay, and Best Director for "One Battle After Another" during the EE BAFTA Film Awards 2026 at the Royal Festival Hall in London, Britain, 22 February 2026. (EPA)

Paul Thomas Anderson's "One Battle After Another" continued its awards season streak by winning the top prize at the BAFTAs on Sunday, with the British awards also recognizing homegrown talent across categories.

Following in the footsteps of Hollywood ceremonies last month, the BAFTAs gave the best film award to the offbeat thriller "One Battle After Another".

Paul Thomas Anderson won the best director award for the political thriller, which has struck a chord with its portrayal of a deeply polarized United States -- and also won the most prizes of the night with a tally of six.

"Unfortunately, the title makes sense," Anderson told reporters after the ceremony. "It just does start to seem like one battle after another these days. But stay hopeful."

Chalamet's ping-pong drama "Marty Supreme" left the night with no awards -- having been nominated in 11 categories -- but Guillermo del Toro's "Frankenstein" walked off with three wins in the technical categories.

Vampire period film "Sinners" left the night with three awards, including for best score and best original screenplay.

The BAFTA ceremony, often seen as a weather vane for the Oscars in three weeks time, recognized British and Irish talent in some of the top categories.

- Aramayo, local hero -

Loud cheers erupted in London's Southbank Centre when British actor Robert Aramayo triumphed over established stars Timothee Chalamet and Leonardo DiCaprio to snag the best actor honor.

Aramayo, the underdog in the category, won for his portrayal of a man with Tourette syndrome in "I Swear", inspired by the real life story of Scot John Davidson whose life was irrevocably changed by the condition.

"I honestly cannot believe I won this award. I really, really cannot," said a tearful Aramayo, who had already won in the rising star category.

"I'm just really happy that 'I Swear' has shown a spotlight on something that is really, really misunderstood," he added.

Ireland's Jessie Buckley continued her winning streak for her heart-wrenching portrayal of Shakespeare's wife Agnes in "Hamnet", scooping the best actress award, beating off strong competition from stars including Kate Hudson and Emma Stone

"This really does belong to the women past, present and future that have taught me and continue to teach me how to do it differently," said Buckley, who made history as the first Irish actress to win a BAFTA in the category.

- Royals in attendance -

Unlike France's Cesar Awards or Spain's Goya Awards, which champion national cinema, the BAFTAs are open to all nationalities. As a consequence, the awards have previously faced some criticism for the American-dominated roster.

This year, however, local talent got wide recognition.

"Hamnet" won outstanding British film, and Nigerian-British actress Wunmi Mosaku won best supporting actress for her role in "Sinners".

Adapted from a novel by Maggie O'Farrell, "Hamnet" follows William Shakespeare and his wife Agnes as they navigate the loss of their son in plague-ravaged Elizabethan England.

"Sentimental Value" won in the foreign language film category, becoming the first Norwegian film to win at the BAFTAs, according to director Joachim Trier.

The intimate drama follows the relationship between two daughters and their estranged father, as he struggles to reconnect with them while making a film in their now hollowed-out family home.

"We felt ready to try to talk about family life, intergenerational trauma and all those things we don't know how to talk about," Danish-Norwegian filmmaker Trier told reporters.

Hollywood and British royalty were in attendance, including BAFTA president Prince William, his wife Princess Catherine, and A-listers DiCaprio, Chalamet and Cillian Murphy.

William, the eldest son of King Charles III, was the latest royal to go about business-as-usual at the end of a dramatic week that saw his uncle and ex-prince Andrew arrested.

The Prince of Wales said he was not calm "at the moment" when asked about whether he had watched "Hamnet", according to the PA news agency.

"I need to be in quite a calm state and I'm not at the moment," William told Elaine Bedell, chief executive of the Southbank Centre.

But even the heir-to-the-throne smiled wide as Paddington Bear came onto the stage to present the award for best children and family film.


'GOAT' Battles to Top of N. America Box Office

'GOAT' Battles to Top of N. America Box Office
TT

'GOAT' Battles to Top of N. America Box Office

'GOAT' Battles to Top of N. America Box Office

Sony animated film "GOAT," produced by NBA superstar Stephen Curry, glided into the number one spot at the North American box office, taking in $17 million, industry estimates showed Sunday.

The film, the story of an undersized goat who wants to join a basketball-like "roarball" team, features Curry in a voice role.

Caleb McLaughlin and David Harbour ("Stranger Things"), Gabrielle Union and country star Jelly Roll also star in the family-friendly movie.

"GOAT" moved ahead of steamy literary adaptation "Wuthering Heights," which earned $14.2 million in its second week of release, according to Exhibitor Relations.

The Warner Bros film, starring Margot Robbie and Jacob Elordi as the doomed lovers Cathy and Heathcliff from Emily Bronte's classic novel, features original songs from Charli XCX.

Debuting in third place with $8 million was Lionsgate's "I Can Only Imagine 2," a sequel about the singer who wrote and performed the number one Christian single of all time, AFP reported.

In fourth place was Amazon MGM's heist thriller "Crime 101," starring Chris Hemsworth, Halle Berry and Mark Ruffalo, with $5.8 million.

And in fifth place was horror flick "Send Help" from 20th Century, starring Rachel McAdams and Dylan O'Brien as a woman and her boss trying to survive on a deserted island after a plane crash.

It earned $4.5 million.

"It's a quiet weekend for new releases. The market is full right now, and a number of pictures are having good runs," said analyst David A. Gross of Franchise Entertainment Research.