Comedy, Romance, J.Lo and Pirates in ‘Shotgun Wedding’

This image released by Lionsgate shows Jennifer Lopez, left, and Josh Duhamel in a scene from "Shotgun Wedding." (Lionsgate via AP)
This image released by Lionsgate shows Jennifer Lopez, left, and Josh Duhamel in a scene from "Shotgun Wedding." (Lionsgate via AP)
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Comedy, Romance, J.Lo and Pirates in ‘Shotgun Wedding’

This image released by Lionsgate shows Jennifer Lopez, left, and Josh Duhamel in a scene from "Shotgun Wedding." (Lionsgate via AP)
This image released by Lionsgate shows Jennifer Lopez, left, and Josh Duhamel in a scene from "Shotgun Wedding." (Lionsgate via AP)

Josh Duhamel was filming a scene in the new action-rom com “Shotgun Wedding” in which his fiancé, played by Jennifer Lopez, throws a grenade up in the air. He hits it like a baseball into a bad guy who blows up and sets off a display of rainbow-colored fireworks.

“I was like, holy (expletive) this movie is bonkers,” Duhamel said.

The film, directed by Jason Moore, starts out like a regular romantic comedy. Lopez’s Darcy and Duhamel’s Tom are having a big destination wedding on an island. There’s funny and awkward family dynamics and a charismatic ex-boyfriend shows up too. And Darcy and Tom find themselves fighting and about to call off the wedding moments before they’re to walk down the aisle. Then a band of pirates armed with guns arrive and takes the wedding party hostage.

Lopez, who produced and stars, came to the Mark Hammer script through her producing partner Elaine Goldsmith-Thomas, — they've been making films together since “Maid in Manhattan.”

“She’s kind of the architect of careers,” Lopez said. “We do really kind of think about not just what we want to do, but what the audience would enjoy or what the world needs at different times. I even do that as an artist with my albums and the things I want to put out in the world as a message.”

“Shotgun Wedding,” streaming Friday on Prime Video, was not just a fun genre mash up in a slick package, Lopez liked the idea that her character was getting married for the first time at an “older age” and that Tom was the “groomzilla,” obsessed with the details and logistics of planning the fete.

It took, she said, “Different things that people don’t think of as conventional and normal and making that thing regular and acceptable.”

The film was not exactly a hard sell for anyone involved. From Cheech Marin, who plays Darcy’s billionaire father, to Jennifer Coolidge, as Tom’s very normal Midwestern mother, everyone basically heard “Jennifer Lopez” and “Dominican Republic shoot” and signed up.

“It was a funny script,” Coolidge said. “We had a table read at the very beginning and I remember it was such a good table read. I remember thinking, ‘Oh my God, this is going to be really fun.’”

There was a hitch before they got to the island. Armie Hammer had been originally set to play Tom but he stepped away from the project after misconduct allegations surfaced, which he has denied. They were two weeks into prep and a pivotal role needed to be recast. Moore, a Broadway veteran, didn’t panic.

“There’s always a moment when the understudy has to go on,” Moore said. “It always works out. ... There were a couple of days of ‘Oh boy’ and it yielded something even more wonderful.”

Duhamel had been on Moore’s shortlist and had been friendly with Lopez for years.

“He’s an incredibly handsome 1940s movie star who’s not afraid to look vulnerable and silly,” Moore said. Duhamel and Lopez spoke over Zoom and decided it was a go.

“You really do need a certain kind of chemistry,” Lopez said. “This was not just romantic comedy chemistry. It’s more, you know, trusting each other and doing actions and doing stunts and also broad comedy. It was a lot.”

“It was so much better than I even imagined,” Lopez added. “We were just like right on the same wavelength.”

Coolidge also approved.

“They’re so fun to look at,” Coolidge said. “You know, you want to see everything ... you want to see them get together.”

But of course, pirates get in the way of some of that, and also promptly force the wedding guests to stand in a pool as their hostages while they try to find the fighting bride and groom. It was a lot of time partially submerged in water with about a dozen other people.

“I’m probably not supposed to say, but we didn’t change the water the whole time we were shooting,” said Coolidge.

D’Arcy Carden, who plays Marin’s new-agey and much younger girlfriend, said those 20 some days were a little humbling.

Marin and Steve Coulter, who played Coolidge's husband, would even sometimes take naps in their soaking wet suits next to one another, of which Carden says she has photographic proof.

But aside from soggy shoes for two weeks, Carden said it was “as dreamy a situation as you could be in.”

Much of the cast even lived together in a giant house and would go out together most nights, which translated into a family-like atmosphere on set.

“It was like this weird sort of movie dorm,” Duhamel said. “But with a spa and a hot tub and a pool and a beach.”

Lenny Kravitz, as Darcy’s ex-boyfriend, even flies in (in a helicopter) to disrupt things.

“He’s an amplified sort of ridiculous version of, you know, a tiny part of what people think I am,” said Kravitz, a longtime friend of Lopez’s.

Moore wanted to make sure that the film looked “big and James Bond and lux. Sometimes action rom coms can look kind of small,” he said.

And all were impressed by Lopez, who doesn’t act the “movie star” part on set. During a day filming scenes on a small boat in the open water, Lopez went into producer mode and decided they didn’t need an extra boat for her makeup person to be out there with them. She could do her makeup herself. And she nailed it, Moore said.

“She is a mogul and a producer and a storyteller, an actress, a singer and a brilliant physical comedienne,” Moore said. “She’s got discipline and she’s got artistic finesse which is a wonderful combo. She really can do everything.”



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”