Comedy, Romance, J.Lo and Pirates in ‘Shotgun Wedding’

This image released by Lionsgate shows Jennifer Lopez, left, and Josh Duhamel in a scene from "Shotgun Wedding." (Lionsgate via AP)
This image released by Lionsgate shows Jennifer Lopez, left, and Josh Duhamel in a scene from "Shotgun Wedding." (Lionsgate via AP)
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Comedy, Romance, J.Lo and Pirates in ‘Shotgun Wedding’

This image released by Lionsgate shows Jennifer Lopez, left, and Josh Duhamel in a scene from "Shotgun Wedding." (Lionsgate via AP)
This image released by Lionsgate shows Jennifer Lopez, left, and Josh Duhamel in a scene from "Shotgun Wedding." (Lionsgate via AP)

Josh Duhamel was filming a scene in the new action-rom com “Shotgun Wedding” in which his fiancé, played by Jennifer Lopez, throws a grenade up in the air. He hits it like a baseball into a bad guy who blows up and sets off a display of rainbow-colored fireworks.

“I was like, holy (expletive) this movie is bonkers,” Duhamel said.

The film, directed by Jason Moore, starts out like a regular romantic comedy. Lopez’s Darcy and Duhamel’s Tom are having a big destination wedding on an island. There’s funny and awkward family dynamics and a charismatic ex-boyfriend shows up too. And Darcy and Tom find themselves fighting and about to call off the wedding moments before they’re to walk down the aisle. Then a band of pirates armed with guns arrive and takes the wedding party hostage.

Lopez, who produced and stars, came to the Mark Hammer script through her producing partner Elaine Goldsmith-Thomas, — they've been making films together since “Maid in Manhattan.”

“She’s kind of the architect of careers,” Lopez said. “We do really kind of think about not just what we want to do, but what the audience would enjoy or what the world needs at different times. I even do that as an artist with my albums and the things I want to put out in the world as a message.”

“Shotgun Wedding,” streaming Friday on Prime Video, was not just a fun genre mash up in a slick package, Lopez liked the idea that her character was getting married for the first time at an “older age” and that Tom was the “groomzilla,” obsessed with the details and logistics of planning the fete.

It took, she said, “Different things that people don’t think of as conventional and normal and making that thing regular and acceptable.”

The film was not exactly a hard sell for anyone involved. From Cheech Marin, who plays Darcy’s billionaire father, to Jennifer Coolidge, as Tom’s very normal Midwestern mother, everyone basically heard “Jennifer Lopez” and “Dominican Republic shoot” and signed up.

“It was a funny script,” Coolidge said. “We had a table read at the very beginning and I remember it was such a good table read. I remember thinking, ‘Oh my God, this is going to be really fun.’”

There was a hitch before they got to the island. Armie Hammer had been originally set to play Tom but he stepped away from the project after misconduct allegations surfaced, which he has denied. They were two weeks into prep and a pivotal role needed to be recast. Moore, a Broadway veteran, didn’t panic.

“There’s always a moment when the understudy has to go on,” Moore said. “It always works out. ... There were a couple of days of ‘Oh boy’ and it yielded something even more wonderful.”

Duhamel had been on Moore’s shortlist and had been friendly with Lopez for years.

“He’s an incredibly handsome 1940s movie star who’s not afraid to look vulnerable and silly,” Moore said. Duhamel and Lopez spoke over Zoom and decided it was a go.

“You really do need a certain kind of chemistry,” Lopez said. “This was not just romantic comedy chemistry. It’s more, you know, trusting each other and doing actions and doing stunts and also broad comedy. It was a lot.”

“It was so much better than I even imagined,” Lopez added. “We were just like right on the same wavelength.”

Coolidge also approved.

“They’re so fun to look at,” Coolidge said. “You know, you want to see everything ... you want to see them get together.”

But of course, pirates get in the way of some of that, and also promptly force the wedding guests to stand in a pool as their hostages while they try to find the fighting bride and groom. It was a lot of time partially submerged in water with about a dozen other people.

“I’m probably not supposed to say, but we didn’t change the water the whole time we were shooting,” said Coolidge.

D’Arcy Carden, who plays Marin’s new-agey and much younger girlfriend, said those 20 some days were a little humbling.

Marin and Steve Coulter, who played Coolidge's husband, would even sometimes take naps in their soaking wet suits next to one another, of which Carden says she has photographic proof.

But aside from soggy shoes for two weeks, Carden said it was “as dreamy a situation as you could be in.”

Much of the cast even lived together in a giant house and would go out together most nights, which translated into a family-like atmosphere on set.

“It was like this weird sort of movie dorm,” Duhamel said. “But with a spa and a hot tub and a pool and a beach.”

Lenny Kravitz, as Darcy’s ex-boyfriend, even flies in (in a helicopter) to disrupt things.

“He’s an amplified sort of ridiculous version of, you know, a tiny part of what people think I am,” said Kravitz, a longtime friend of Lopez’s.

Moore wanted to make sure that the film looked “big and James Bond and lux. Sometimes action rom coms can look kind of small,” he said.

And all were impressed by Lopez, who doesn’t act the “movie star” part on set. During a day filming scenes on a small boat in the open water, Lopez went into producer mode and decided they didn’t need an extra boat for her makeup person to be out there with them. She could do her makeup herself. And she nailed it, Moore said.

“She is a mogul and a producer and a storyteller, an actress, a singer and a brilliant physical comedienne,” Moore said. “She’s got discipline and she’s got artistic finesse which is a wonderful combo. She really can do everything.”



Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
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Blake Lively Sues ‘It Ends With Us’ Director Justin Baldoni Alleging Harassment and Smear Campaign

Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)
Blake Lively attends the LACMA Art+Film Gala at the Los Angeles County Museum of Art (LACMA) in Los Angeles, California, on November 2, 2024. (AFP)

Actor Blake Lively sued "It Ends With Us" director Justin Baldoni and several others tied to the romantic drama on Tuesday, alleging harassment and a coordinated campaign to attack her reputation for coming forward about her treatment on the set.

The federal lawsuit was filed in New York just hours after Baldoni and many of the other defendants in Lively's suit sued The New York Times for libel for its story on her allegations, saying the newspaper and the star were the ones conducting a coordinated smear campaign.

The lawsuits are major developments in a story emerging from the surprise hit film that has already made major waves in Hollywood and led to discussions of the treatment of female actors both on sets and in media.

Lively's suit said that Baldoni, the film's production company Wayfarer Studios and others engaged in "a carefully crafted, coordinated, and resourced retaliatory scheme to silence her, and others, from speaking out."

She accuses Baldoni and the studio of embarking on a "multi-tiered plan" to damage her reputation following a meeting in which she and her husband, actor Ryan Reynolds, addressed "repeated sexual harassment and other disturbing behavior" by Baldoni and a producer Jamey Heath, who is also named in both lawsuits.

The plan, the suit said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.

The alleged mistreatment on set included comments from Baldoni on the bodies of Lively and other women on the set.

Baldoni's attorney Bryan Freedman did not immediately respond to a request for comment on Lively's lawsuit. But he previously called the same allegations "completely false, outrageous and intentionally salacious."

Lively's lawsuit comes the same day as the libel lawsuit filed in Los Angeles Superior Court by Baldoni and others against the Times seeking at least $250 million. The Times stood by its reporting and said it plans to "vigorously defend" against the lawsuit.

Others who are defendants in Lively's suit and plaintiffs in the libel suit include Wayfarer and crisis communications expert Melissa Nathan, whose text message was quoted in the headline of the Dec. 21 Times story: "‘We Can Bury Anyone’: Inside a Hollywood Smear Machine."

Written by Megan Twohey, Mike McIntire and Julie Tate, the story was published just after Lively filed a legal complaint with the California Civil Rights Department, a predecessor to her new lawsuit.

The libel lawsuit says the newspaper "relied almost entirely on Lively’s unverified and self-serving narrative, lifting it nearly verbatim while disregarding an abundance of evidence that contradicted her claims and exposed her true motives. But the Times did not care."

A spokesperson for the Times, Danielle Rhoades, said in a statement that "our story was meticulously and responsibly reported."

"It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article. To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error," the statement said.

But Baldoni's lawsuit says that "If the Times truly reviewed the thousands of private communications it claimed to have obtained, its reporters would have seen incontrovertible evidence that it was Lively, not Plaintiffs, who engaged in a calculated smear campaign."

Lively is not a defendant in the libel lawsuit. Her lawyers said in a statement that "Nothing in this lawsuit changes anything about the claims advanced in Ms. Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today."

The romantic drama "It Ends With Us," an adaptation of Colleen Hoover’s bestselling 2016 novel, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni. Baldoni took a backseat in promoting the film while Lively took centerstage along with Reynolds, who was on the press circuit for "Deadpool & Wolverine" at the same time.

Lively came to fame through the 2005 film "The Sisterhood of the Traveling Pants," and bolstered her stardom on the TV series "Gossip Girl" from 2007 to 2012. She has since starred in films including "The Town" and "The Shallows."

Baldoni starred in the TV comedy "Jane the Virgin," directed the 2019 film "Five Feet Apart" and wrote "Man Enough," a book pushing back against traditional notions of masculinity. He responded to concerns that "It Ends With Us" romanticized domestic violence, telling the AP at the time that critics were "absolutely entitled to that opinion."

He was dropped by his agency, WME, immediately after Lively filed her complaint and the Times published its story. The agency represents both Lively and Reynolds.

Baldoni's attorney, Freedman, said in a statement on the libel suit that "the New York Times cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites."

"In doing so, they pre-determined the outcome of their story, and aided and abetted their own devastating PR smear campaign designed to revitalize Lively’s self-induced floundering public image and counter the organic groundswell of criticism amongst the online public," he added. "The irony is rich."