Elie Saab’s Spring Couture in Paris Dreams of Thai Escape

A model presents a creation from Elie Saab Haute-Couture Spring-Summer 2023-2024 collection during Paris Fashion Week in Paris, on January 25, 2023. (AFP)
A model presents a creation from Elie Saab Haute-Couture Spring-Summer 2023-2024 collection during Paris Fashion Week in Paris, on January 25, 2023. (AFP)
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Elie Saab’s Spring Couture in Paris Dreams of Thai Escape

A model presents a creation from Elie Saab Haute-Couture Spring-Summer 2023-2024 collection during Paris Fashion Week in Paris, on January 25, 2023. (AFP)
A model presents a creation from Elie Saab Haute-Couture Spring-Summer 2023-2024 collection during Paris Fashion Week in Paris, on January 25, 2023. (AFP)

Elie Saab whisked his guests away to Thailand for a Paris Fashion Week couture show Wednesday that gleamed with gold and intricate silk embroidery.

Sheer diaphanous cloth floated around the runway in Le Marais’ Carreau du Temple amid wafting perfume, as “Emily in Paris” star Paul Forman and socialite Olivia Palermo posed for the cameras.

Haute couture is an artisanal tradition invented by English designer Charles Frederick Worth in the 1870s. It involves intricate, time-consuming sewing, use of unusual fabrics and luxurious embellishments such as rare feathers and semi-precious stone beading — and is exorbitantly priced.

Here are some highlights of Wednesday's spring-summer 2023 shows:

Saab’s embroideries

Elie Saab called it “an indulgent escape from the ordinary.”

Amid the dull Paris weather, inside blinding lights lit up long dragons gracing asymmetrical bodices, or in waves on ivory peplums. Embroidered motifs of sacred koi fish seemed to swim on mermaid tails and scalloped overskirts, while 3D guipure lace captured Eastern blooms on gowns that shimmered in gold.

This season, the Lebanese designer used the Thai kingdom as a springboard for a highly embellished, yet delicate, couture collection.

The show, entitled “a golden dawn,” had regal ambitions and was executed with flair.

The most beautiful gowns were sometimes deceptively simple, where the sumptuous material -- like one blue satin sash rippling asymmetrically across the shoulder -- could speak for itself.

The art of the invitation

The age of email and rising environmental awareness hasn't left much of a mark on the fashion industry’s antiquated system of invitations.

Season after season, gasoline-guzzling couriers crisscross Paris to personally deliver ever-elaborate, often handmade, show invites.

Top houses vie for the wackiest or most imaginative idea that often offers a clue to the theme of the runway collection.

Schiaparelli’s was a giant weighty golden brooch featuring a face in relief -- ahead of a couture show which drew controversy for featuring a fake lion’s head.

Dior’s was a beautifully packaged white box with a note from Dior Perfume Director Francis Kurkdjian and containing small, perfumed vials.

Then Valentino’s was like an invitation to a disco or concert, on a plain black card with the show details in the font preferred by club organizers. The name of the show? “Le Club Couture.”

Yuima Nakazato

Following a trip to Kenya in October 2022, Yuima Nakazato was shocked by what local people told him about waste and ecological destruction.

This season’s co-ed couture became a manifesto against a desolate African future. The Japanese designer staged a powerful underground show set amid smoke and hazy lighting as if to herald the end of the world.

A loose black one-shoulder gown — on top of baggy pants -- fused Asian with African styles with an embellished belt clasp resembling a talismanic eye.

Bone or thorn jewelry adorned minimalist looks like one slope-shouldered column ensemble. It was matched with Rick Owens-style black thigh-high wading boots for a fashion-forward vibe.

Viktor & Rolf turn couture on its head

The inimitable Dutch design duo staged a quirky and surprising show featuring gowns that tried to turn couture on its head — literally.

The collection started regularly enough, aside from the punk-like colored mini-beehive hairstyles. A shoulderless bodice gown shot out into a voluminous pale tulle full skirt fit for a bridesmaid. Later, a sculptured hourglass bodice descended into a segmented skirt that swept the floor.

But then came the surreal fun.

Causing half the audience to reach for their cameras, a model appeared wearing an entire gown attached to her front on top of another look. The dress was placed at a 2 o'clock angle with a cloud-colored tulle full skirt sweeping out theatrically to the left.

Another gown in yellow tulle was then hoisted up in a trompe l’oeil effect.

The most surreal of all was one violet gown whose waist was turned out to become vertical. It was weirdly inventive -- if a little gruesome -- with a black hole appearing around the midriff.



Met Gala Guests from Beyonce to Nicole Kidman Set to Flaunt Fashion as Art

Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
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Met Gala Guests from Beyonce to Nicole Kidman Set to Flaunt Fashion as Art

Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)
Tulips bloom outside the Metropolitan Museum of Art during preparations for the Met Gala, an annual fundraising gala held for the benefit of the Metropolitan Museum of Art's Costume Institute, along 5th Avenue in New York City, US, May 3, 2026. (Reuters)

From beyond the museum walls Monday, works of art will move and take shape as the glitterati of guests from Beyonce, Nicole Kidman to Venus Williams will fashionably ascend the Metropolitan Museum of Art’s steps and exhibit their creative interpretations of this year's dress code, “Fashion is art.”

The question of whether fashion is art has long been topic of conversation for fashion insiders, and this first Monday in May the dress code is leaving nothing up for debate.

The dress code for the starry fundraising event calls for guests to “express their relationship to fashion as an embodied art form."

Fashion has long drawn inspiration from works of art, leaving guests with no shortage of artistic references to show off.

But will guests pull from the fashion archives on Monday or wear custom artistic creations from fashion houses?

Archival fashion looks have become a red carpet phenomenon with fashion savvy stars wanting to get their hands on some of the rarer pieces of fashion history.

Designer Elsa Schiaparelli famously collaborated in 1937 with Spanish artist Salvador Dalí to design a white silk dress with a lobster printed on the front. Years later, Yves Saint Laurent would design shift dresses filled with Piet Mondrian’s blocks of color in 1965, and more recently, Marc Jacobs collaborated with artist Takashi Murakami in 2002 to add his designs to Louis Vuitton.

Monday’s carpet is also a chance for celebrities to deliver their own performance art.

The late designer Alexander McQueen was heavily regarded by fashion insiders as an artist. He closed his Spring 1999 show with a piece of performance art when machines sprayed Shalom Harlow’s white dress with black and yellow spray paint as she posed on a rotating turntable.

Past Gala dress codes have honored designers and pulled from literature. Last year, the art of tailoring was center stage with the dress code “Tailored for you.” The high-profile event raises money for the museum's Costume Institute, and each year the dress code for the gala takes cues from the Costume Institute’s spring exhibition.

On display this Spring, the “Costume Art” exhibit will “examine the centrality of the dressed body.”

The relationship between fashion and art has not always been embraced. Art historian and author Nancy Hall-Duncan writes in her book, “Art X Fashion: Fashion Inspired by Art” that in the 19th century, art was perceived as classical and fashion was frivolous.

When Yves Saint Laurent held the Met’s first fashion exhibit in 1983, the exhibit was met with heavy criticism. Since then, the museum has held countless fashion exhibits throughout the years with museums around the world following suit. The Louvre put on its first fashion exhibition “Louvre couture” last year.

The dress code set by Wintour and the Met's Costume Institute curator, Andrew Bolton, is the final seal of approval that fashion is art, Hall-Duncan told The Associated Press.

“Isn’t that a giant step?” she said. “It will indeed change perceptions.”

The red carpet spectacle is available for all to watch online with the Vogue livestream. Ashley Graham, La La Anthony and Cara Delevingne will be hosting the livestream with Emma Chamberlain interviewing guests throughout the night.

The Associated Press will have a livestream of celebrities leaving a pair of New York hotels on their way to the gala on APNews.com and YouTube. It's the first chance to see what attendees will be wearing before they hit the gala's carpet.


Estee Lauder Beats Quarterly Sales Estimates, to Cut More Jobs

Estee Lauder beat Wall Street estimates for third-quarter sales on Friday. (Getty Images via AFP)
Estee Lauder beat Wall Street estimates for third-quarter sales on Friday. (Getty Images via AFP)
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Estee Lauder Beats Quarterly Sales Estimates, to Cut More Jobs

Estee Lauder beat Wall Street estimates for third-quarter sales on Friday. (Getty Images via AFP)
Estee Lauder beat Wall Street estimates for third-quarter sales on Friday. (Getty Images via AFP)

Cosmetics maker Estee Lauder beat Wall Street estimates for third-quarter sales on Friday, driven by improving sales in China ‌and Europe ‌as CEO ‌Stephane ⁠de La Faverie's turnaround ⁠plan takes hold, sending its shares up 16% premarket.

The company, which has ⁠been in talks ‌to ‌merge with Jean ‌Paul Gaultier-owner Puig, posted ‌quarterly sales of $3.71 billion, compared with analysts' estimates of $3.69 billion, according to ‌data compiled by LSEG.

The company ⁠also ⁠revised its job cut target to a range of 9,000 to 10,000 from the previously estimated range of 5,800 to 7,000.


Armani 2025 Revenue Fell 2.8%, CEO Hasn't Met Potential Buyers

FILE - Actress Cate Blanchett, from left, designer Giorgio Armani, and actress Julia Roberts pose for photographers upon arrival at the British Fashion Awards in central London, Dec. 2, 2019. (Photo by Joel C Ryan/Invision/AP)
FILE - Actress Cate Blanchett, from left, designer Giorgio Armani, and actress Julia Roberts pose for photographers upon arrival at the British Fashion Awards in central London, Dec. 2, 2019. (Photo by Joel C Ryan/Invision/AP)
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Armani 2025 Revenue Fell 2.8%, CEO Hasn't Met Potential Buyers

FILE - Actress Cate Blanchett, from left, designer Giorgio Armani, and actress Julia Roberts pose for photographers upon arrival at the British Fashion Awards in central London, Dec. 2, 2019. (Photo by Joel C Ryan/Invision/AP)
FILE - Actress Cate Blanchett, from left, designer Giorgio Armani, and actress Julia Roberts pose for photographers upon arrival at the British Fashion Awards in central London, Dec. 2, 2019. (Photo by Joel C Ryan/Invision/AP)

Italian fashion group Armani said on Wednesday its revenue fell 2.8% at constant exchange rates last year, weighed by a weak performance of its wholesale channel.

In 2025, the company's revenue totaled 2.2 billion euros ($2.57 billion), while total turnover, including direct licensee sales, was 4 billion euros.

"We face a possible structural change in the approach to luxury and fashion ⁠by current consumers ⁠and potential, which must be taken into account," Reuters quoted Armani group CEO Giuseppe Marsocci as saying in a statement.

Earnings before interest, taxes, depreciation and amortization (EBITDA) rose 3.2% year-on-year to 152.7 million euros, while operating ⁠profit increased 2% to 52.6 million euros.

Trends in the first months of 2026 were in line with the previous year, with unfavorable currency movements weighing on performance.

Giorgio Armani, the group's founder who died last September, instructed his heirs to sell an initial stake in the company to players such as L'Oreal, EssilorLuxottica and French ⁠luxury ⁠giant LVMH.

In an interview with Italy's Sole 24 Ore published on Wednesday, Marsocci said there was no update on the group's shareholding structure, adding that interest in the Armani group remained strong.

"We have not started meetings with the three potential buyers, and there are no tensions among the family members," Marsocci said in a separate interview with WWD magazine.