Trevor Noah Returns as Grammy Host with Comfort, Nervousness

Trevor Noah appears at the 63rd annual Grammy Awards in Los Angeles on March 14, 2021. Noah is hosting the Grammy Awards for a third-straight year. (AP)
Trevor Noah appears at the 63rd annual Grammy Awards in Los Angeles on March 14, 2021. Noah is hosting the Grammy Awards for a third-straight year. (AP)
TT
20

Trevor Noah Returns as Grammy Host with Comfort, Nervousness

Trevor Noah appears at the 63rd annual Grammy Awards in Los Angeles on March 14, 2021. Noah is hosting the Grammy Awards for a third-straight year. (AP)
Trevor Noah appears at the 63rd annual Grammy Awards in Los Angeles on March 14, 2021. Noah is hosting the Grammy Awards for a third-straight year. (AP)

Trevor Noah feels more comfortable hosting the Grammy Awards for a third-straight year, but the former “The Daily Show” host still has some nervousness about leading the ceremony with big-time acts like Beyoncé, Adele and Harry Styles looking on.

“The nerves come in because you’re standing in front of not just some of the best, but some of the biggest performers in the world,” said the Emmy winner. Noah expects his diligent preparation to get him through Sunday’s show.

“Nerves are part of what I do,” the comedian said.

Noah returns for his third hosting stint at the Grammys, which airs live from Crypto.com Arena on Sunday on CBS and Paramount+. The ceremony returns to Los Angeles after relocating to Las Vegas for the first-time ever because of rising COVID-19 cases and omicron variant.

“I was relieved Trevor came back because it makes my job more enjoyable and easier,” said Ben Winston, the show’s executive producer. He called Noah an “absolute pro” who he said can pivot gracefully at any moment on a night celebrating music’s best.

“He reassures me on a stressful night when a set hasn’t been built in time and I say to his ear ‘Sorry about that. I need you to go an extra 90 seconds because Lady Gaga’s orchestra isn’t in.’ He’ll just naturally flow, make a joke, get up and sit at somebody’s table and chat with them,” Winston said. “That’s a very difficult task with very few people could do — and definitely can’t do with his comedy and charm that Trevor has.”

Noah said each year of hosting the Grammys has offered a different experience because of the logistical challenges stemmed from the pandemic. But he said the intimate but socially-distanced in-person award show in 2021 helped him build a rapport with music stars — especially when telling his jokes.

Last year’s ceremony in Las Vegas was a hybrid model that included fans.

“Every year, I notice that I develop a different rapport with the people in the room,” he said. “That opens you up to a few more jokes and a few more conversations in a way where people understand the context of who you are in relations to them. It means you get to have a little bit of fun without anybody feeling like you’re dunking on them.”

As a music fan, Noah is looking forward to checking out the popular performers who will hit the stage including Bad Bunny, Mary J. Blige, Sam Smith, Lizzo, Steve Lacy and Brandi Carlile.

Beyoncé heads into the ceremony with a leading nine nominations, including record and song of the year nods for her song “Break My Soul.” Kendrick Lamar has the second-most nominations with eight, while Adele and Carlile enter the show with seven nods.

Styles, Blige, Future, DJ Khaled, The-Dream and mastering engineer Randy Merrill each received six nominations.

“We love having Trevor because he’s so darn good at it,” said Harvey Mason jr, the CEO of the Recording Academy. “He is so personable, he’s so funny. I don’t know how he does what he does. He never stumbles, he never hesitates. He’s always so earnest and heartfelt. He’s also a music guy. You see him when he’s not on camera. He’s singing, he’s dancing, he’s rapping. I feel like he’s one of us now.”



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
TT
20

Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.