How to Make a Mummy: Ancient Egyptian Workshop Has New Clues

This photo provided by the Saqqara Saite Tombs Project in January 2023 shows vessels from an embalming workshop in Saqqara, Egypt. (Saqqara Saite Tombs Project, University of Tübingen via AP)
This photo provided by the Saqqara Saite Tombs Project in January 2023 shows vessels from an embalming workshop in Saqqara, Egypt. (Saqqara Saite Tombs Project, University of Tübingen via AP)
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How to Make a Mummy: Ancient Egyptian Workshop Has New Clues

This photo provided by the Saqqara Saite Tombs Project in January 2023 shows vessels from an embalming workshop in Saqqara, Egypt. (Saqqara Saite Tombs Project, University of Tübingen via AP)
This photo provided by the Saqqara Saite Tombs Project in January 2023 shows vessels from an embalming workshop in Saqqara, Egypt. (Saqqara Saite Tombs Project, University of Tübingen via AP)

For thousands of years, ancient Egyptians mummified their dead in the search for eternal life. Now, researchers have used chemistry and an unusual collection of jars to figure out how they did it.

Their study, published Wednesday in the journal Nature, is based on a rare archaeological find: An embalming workshop with a trove of pottery around 2,500 years old. Many jars from the site were still inscribed with instructions like “to wash” or “to put on his head.”

By matching the writing on the outside of the vessels with the chemical traces inside, researchers uncovered new details about the “recipes” that helped preserve bodies for thousands of years.

“It’s like a time machine, really,” said Joann Fletcher, an archaeologist at University of York who was not involved with the study. “It’s allowed us to not quite see over the shoulders of the ancient embalmers, but probably as close as we’ll ever get.”

Those recipes showed that embalmers had deep knowledge about what substances would help preserve their dead, said Fletcher, whose partner was a co-author on the study. And they included materials from far-flung parts of the world — meaning Egyptians went to great lengths to make their mummies “as perfect as they could possibly be.”

The workshop — uncovered in 2016 by study author Ramadan Hussein, who passed away last year — is located in the famous burial grounds of Saqqara. Parts of it sit above the surface, but a shaft stretches down to an embalming room and burial chamber underground, where the jars were discovered.

It was in rooms like these where the last phase of the process took place, said Salima Ikram, an Egyptologist at The American University in Cairo who was not involved with the study. After drying out the body with salts, which probably took place above ground, embalmers would then take the bodies below.

“This was the last phase of your transformation where the secret rites, the religious rites, were being performed,” Ikram said. “People would be chanting spells and hymns while you were being wrapped and resin was being anointed all over your body.”

Experts already had some clues about what substances were used in those final steps, mainly from testing individual mummies and looking at written texts. But a lot of gaps remained, said senior author Philipp Stockhammer, an archaeologist at Ludwig Maximilian University in Germany.

The new finds helped crack the case.

Take the word “antiu,” which shows up in a lot of Egyptian texts but didn't have a direct translation, Stockhammer said. In the new study, scientists found that several jars labeled as “antiu” contained a mixture of different substances — including animal fat, cedar oil and juniper resin.

These substances, along with others found in the jars, have key properties that would help preserve the mummies, said lead author Maxime Rageot, an archaeologist at Germany’s University of Tubingen.

Plant oils — which were used to protect the liver and treat the bandages — could ward off bacteria and fungi, while also improving the smell. Hard materials like beeswax, used on the stomach and skin, could help keep out water and seal the pores.

Some of the substances came from very far away — like dammar and elemi, types of resin that come from the tropical rainforests of Southeast Asia. These results show that ancient Egyptians would trade far and wide to get the most effective materials, the authors said.

“It’s interesting to see the complexity,” Stockhammer said. “Having this global network on the one hand, having all this chemical knowledge on the other side.”

Ikram said an important next step for the research will be to test different parts of actual mummies to see if the same substances show up. And these recipes probably weren't universal — they changed over time and varied between workshops.

Still, the study gives a basis for understanding the past, and can bring us closer to people who lived long ago, she said.

“The ancient Egyptians have been separated from us through time and space, yet we still have this connection,” Ikram said. “Human beings all throughout history have been scared of death.”



Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”


Nine Skiers Missing, Six Rescued after California Avalanche

FILE PHOTO: The snow-covered Sierra Nevada Mountains are seen from the air during a Pacific Gas and Electric snowpack survey near Nevada City, California, US April 3, 2017.  REUTERS/Bob Strong/File Photo
FILE PHOTO: The snow-covered Sierra Nevada Mountains are seen from the air during a Pacific Gas and Electric snowpack survey near Nevada City, California, US April 3, 2017. REUTERS/Bob Strong/File Photo
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Nine Skiers Missing, Six Rescued after California Avalanche

FILE PHOTO: The snow-covered Sierra Nevada Mountains are seen from the air during a Pacific Gas and Electric snowpack survey near Nevada City, California, US April 3, 2017.  REUTERS/Bob Strong/File Photo
FILE PHOTO: The snow-covered Sierra Nevada Mountains are seen from the air during a Pacific Gas and Electric snowpack survey near Nevada City, California, US April 3, 2017. REUTERS/Bob Strong/File Photo

Nine skiers were missing after an avalanche in California's Sierra Nevada mountains on Tuesday, but six others, who had been stranded, have since been rescued, authorities said.

The avalanche swept the Castle Peak area of Truckee, California, about 10 miles north of Lake Tahoe, at about 11:30 a.m. Pacific time, engulfing a group of skiers, according to a Facebook statement posted by the Nevada County Sheriff's Office.

Those rescued have varying injuries and two were ‌sent to a hospital ‌for treatment.

The sheriff's office revised the number of ‌people ⁠in the group to ⁠15 from an earlier estimate of 16, adding that no further updates were expected on Tuesday evening.

If all nine of the missing skiers should perish, the incident would rank among the deadliest single avalanches on record in the United States. The Colorado Avalanche Information Center has tallied six US avalanche fatalities so far this season.

Avalanches have claimed an average of 27 lives ⁠each winter in the United States over the past ‌decade, the center reported.

A winter storm warning ‌was in effect for much of northern California on Tuesday, with heavy snow ‌forecast in the upper elevations of the Sierra Nevada.

The Sierra Avalanche Center ‌had posted an alert before dawn on Tuesday, warning of a "high avalanche danger" in the ski region, the sheriff's statement said.

"I don't think it was a wise choice," Greene said of the decision of a ski tour company to take paying ‌customers out into the backcountry under such conditions, adding, "but we don't know all the details yet." He declined to ⁠name the company involved.

Rescue ⁠ski teams were dispatched to the avalanche zone from the Boreal Mountain Ski Resort and Tahoe Donner's Alder Creek Adventure Center.

The survivors had taken refuge in a makeshift shelter, constructed partly from tarpaulin sheets and communicated with rescuers via radio beacon and text messaging.

Greene declined to say how many of the ski guides and how many of their customers were among the missing.

Weather conditions remained hazardous in the Sierra backcountry slopes, with additional avalanche activity expected through Tuesday night and into Wednesday, according to the sheriff's statement.

California Governor Gavin Newsom was briefed on the avalanche, and state authorities were "coordinating an all-hands search-and-rescue effort" in conjunction with local emergency teams, his office said in a posting on X.