Marvel Superheroes Return to Chinese Cinemas after Nearly Four Years

File photo: Actors Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner and Marvel Studios President Kevin Feige pose for a photo during the handprint ceremony at the TCL Chinese Theater in Hollywood, Los Angeles, California, US April 23, 2019. REUTERS/Mario Anzuoni
File photo: Actors Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner and Marvel Studios President Kevin Feige pose for a photo during the handprint ceremony at the TCL Chinese Theater in Hollywood, Los Angeles, California, US April 23, 2019. REUTERS/Mario Anzuoni
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Marvel Superheroes Return to Chinese Cinemas after Nearly Four Years

File photo: Actors Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner and Marvel Studios President Kevin Feige pose for a photo during the handprint ceremony at the TCL Chinese Theater in Hollywood, Los Angeles, California, US April 23, 2019. REUTERS/Mario Anzuoni
File photo: Actors Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner and Marvel Studios President Kevin Feige pose for a photo during the handprint ceremony at the TCL Chinese Theater in Hollywood, Los Angeles, California, US April 23, 2019. REUTERS/Mario Anzuoni

Marvel's superheroes began their return to China's massive movie market after an apparent ban of nearly four years on Tuesday, with fans streaming into cinemas to watch "Black Panther: Wakanda Forever".

The Disney-owned studio's hugely popular franchises have been absent from Chinese screens since 2019, with no explanation.

Marvel blockbusters have raked in billions globally, and their return to one of the world's biggest movie markets means hundreds of millions of dollars in potential earnings for Disney -- the first Black Panther film alone took in $105 million at Chinese cinemas.

"I'm super excited," said a woman named Chen, beaming as she lined up to enter a packed theatre in Shanghai for the midnight premiere of "Wakanda Forever".

"I've had to use streaming sites to watch the last couple of movies... But I hope this means I'll watch Marvel movies more often in theatres now."

The end of the apparent block on Marvel films has coincided with China's loosening of the strict zero-Covid policies that disrupted its entertainment industry for years.

China's communist rulers have also recently eased a tech crackdown, including on the lucrative gaming sector.

"Because of Covid, it's already been a long time since we've been to the cinema," said hospital worker Kun, 25, who came to the Shanghai theatre to watch "Wakanda Forever" with his friends.

"We still have to work tomorrow but it's a rare opportunity so we came here."

For one mother-and-son duo at the Shanghai cinema, the return of Marvel revived a family tradition.

"He's always been a Marvel fan -- during the Avengers series, we would always watch the midnight screening," said Lin Fan, with her visibly excited 13-year-old son Jiang Xiaoyi.

Next up for Chinese Marvel fans is "Ant-Man and the Wasp: Quantumania", set for release on February 17.

- Lucrative market -

"Spider-Man: Far from Home" was the last Marvel film released in China, in July 2019.

The China Film Administration, affiliated with the Communist Party's propaganda department, has not given a reason for the absence of Marvel films from cinemas.

Its remake of "Mulan" faced boycott calls after it emerged that some of the scenes were filmed in China's Xinjiang, where widespread rights abuses against the region's Muslim population have been widely documented.

And two episodes of the popular animated show "The Simpsons" have been unavailable on the company's Disney+ streaming service in Hong Kong -- one that references the 1989 Tiananmen Square crackdown, and another mentioning "forced labor camps" in China.

Regulators and Disney have not publicly commented on the apparent restriction of these episodes.

Disney is not the only company accused of bowing to censorship requirements in China, a multi-billion-dollar media market.

A 2020 report by the anti-censorship group Pen America said Hollywood studios changed scripts, deleted scenes and altered other content to avoid offending Chinese authorities.



Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
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Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)

Alfonso Cuarón is the first to admit that he does not know how to make a television series. He might even be too old to learn how, he said.

The Oscar-winning filmmaker has technically now made a series, the seven-part AppleTV+ show “Disclaimer,” four episodes of which premiered Thursday at the Venice Film Festival. But he did it his way: Like a film.

Based on Renée Knight’s 2015 book of the same name, “Disclaimer” is a psychological thriller about a documentarian and journalist, Catherine Ravenscroft (Cate Blanchett), who discovers she’s a character in a novel that reveals her darkest secret.

Cuarón, Blanchett and Kevin Kline all made the journey to the Italian film festival to debut and speak about the show before it begins streaming on Oct. 11.

“I read the book and immediately in my mind I saw a film, but I didn’t know how to make that film,” Cuarón, the director of films including “Gravity” and “Roma,” said in a news conference Thursday. “It was way too long. I could not shape it as such.”

It was only later, he said, that he thought it might work in longer form, inspired by predecessors like Rainer Werner Fassbinder, David Lynch and Krzysztof Kieślowski.

“I was intrigued and that was the point of departure,” Cuarón said.

He started writing with one name in mind for Catherine: Blanchett, terrified that she might say no. Not only did she not say no, she also was the one who suggested Kline for a British character. Sacha Baron Cohen plays her husband in the show and Kodi Smit-McPhee plays her son.

All soon realized that approaching it as a film, and shooting it as a film, would take much longer than a normal series. He even enlisted two cinematographers, Emmanuel Lubezki and Bruno Delbonnel, to add a distinct visual language to the different perspectives in the story. All told, it took about a year.

“It was a really long process,” Cuarón said. “And I really feel for the actors because they were stuck with the characters for way too long.”

Blanchett laughed that they were “still recovering.”

The final three episodes will screen Friday at the festival. Though the festival is most known for its feature film premieres, it does play host to select series as well. This year those also include Joe Wright’s Mussolini biopic “M: Son of the Century,” Rodrigo Sorogoyen’s “The New Years” and Thomas Vinterberg’s “Families Like Ours.”