‘The Lions of Sicily’ …Drama of Poverty and Wealth

Lions of Sicily, book
Lions of Sicily, book
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‘The Lions of Sicily’ …Drama of Poverty and Wealth

Lions of Sicily, book
Lions of Sicily, book

Al Arabi Publishing and Distribution, Cairo, has released an Arabic translation of “The Lions of Sicily”, a novel by Stefania Auci. Translated by Egyptian Leila al-Badri, the novel tells a decade-worth of stories about a El Florio family, which lived fame, wealth, power, love, betrayal, secrets, and revenge.

From the early 19th century till the 1930s, the members of El Florio family were the trade lords of Sicily. In their beginnings, they were poor spice vendors, then worked in tuna fishing, sulfur trade, metal molding and many other emerging industries at the time, which made them the lions of the famous Italian province.

The writer takes her readers in a trip throughout the personal history of the Sicilian family, starting with Paolo, founder of the Florio empire, his son, and his grandson, who wasted the family’s fortune on partying. After showcasing the family’s stubborn, rude men, who often find themselves forced to chose between ambition and sacrifice, the novelist shed lights on El Florio’s tough and decisive women, tender mothers, attractive lovers, and wounded wives who are looking for a place in this world.

Italian writer and Novelist, Stefania Auci was born in 1974 in the city of Trapani. After she graduated law school, she worked for an attorney before switching to teaching. She started writing in college, and published her first novel, “Flowers of Scotland” in 2011. Her fame kicked off after releasing the first volume of “The Lions of Sicily” in 2019, which became a best-selling novel not only in Italy, but also in the US, Germany, France, The Netherlands, and Spain with several translations, and won an esteemed national literary prize in Italy.

Read below a segment of the novel:

“In front of the El Florio store parked a fancy, large car that closed the route, leaving a little space for pedestrians to pass. A beautiful perfume diffused in the air surrounding the store, it was a unique mix of hay and soft flowers scents. Inside the store sits a man who belongs to the craftsmen class who came to buy red lead; he was served by Michel, while Ignazio took care of another customer.

Few moments later, a beautiful, attractive, noble woman stepped from the car and entered the store. She was wearing a colorful coat covered with fox fur shielding her from the freezing cold of March. Her white, soft skin revealed her real age that she tried to hide with makeup. Ignazio smiled at her while grinding wormwood and anise.”



The Women behind Zimbabwe’s Striking Hut Painting Art

A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)
A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)
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The Women behind Zimbabwe’s Striking Hut Painting Art

A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)
A general view of a mud painted house seen through a window of a house under construction in Matobo, Matabeleland on September 29, 2024. (AFP)

The golden rays of the afternoon sun enhance the bold, hand-painted patterns on the mud walls of a round, thatched hut in Peggy Masuku's village of Matobo in southwestern Zimbabwe.

Outside, at a small table with two curved seats -- all fashioned out of mud -- Masuku shows visitors how she mixes soil pigments, charcoal and ash to create the earth tones that make the striking motifs.

The 54-year-old is admired as one of the best among hundreds of women who practice the traditional art of hut painting in the picturesque granite hills of Matobo, where the rocks hold spiritual value.

The art is gaining recognition beyond this part of rural Zimbabwe, with the bold patterns incorporated into fashion and designs that are finding a small market as far away as Europe and bringing income to its village artists.

For the self-effacing Masuku, it all started when her stepmother assigned her, as the youngest girl in the family, the duty of smearing a cow-dung paste onto the walls and floors of the family huts, a traditional technique to maintain the structures.

"My stepmother would oversee this chore and make sure I did it to perfection. Initially, I thought this was abuse but I later realized it was good training," Masuku told AFP.

"I graduated to doing the hut painting, which elderly women did, and over time became quite good at it."

- International interest -

Masuku's talent first found recognition through a competition called My Beautiful Home, in which she has featured among the winners several times since its launch in 2014.

The annual event is the brainchild of Veronique Attala, a French woman who stumbled on "a beautifully decorated hut" when lost while hiking in the Matobo Hills, a UNESCO heritage site that has one of the highest concentrations of rock paintings in Africa.

Attala, who has lived in Zimbabwe for more than 30 years, was inspired to nurture the tradition and support the women artists and their farming communities.

A new project headed by the German Embassy has also started testing out the commercial promise of these designs.

In collaboration with Zimbabwe's National Gallery and Fashion Council, it has launched the Matobo Collection featuring the work of selected artists reproduced on saleable items such as textiles, flowerpots and lampshades.

The project is helping to find markets in other parts of Zimbabwe and also abroad, mainly in Germany, with the artists receiving a license fee for their designs and royalties for every sale.

To help the women navigate issues of copyright and compensation, the embassy has also brought in intellectual property lawyers.

"The aim is to further promote the artistry of the ladies of Matobo and, subsequently, create greater awareness of this unique cultural heritage, nationally as well as internationally," the embassy's cultural attache Katrin Simon told AFP.

One of those selected for the Matobo Collection is Elgar Maphosa, who is impressed that the traditions of her community have "come this far".

"It is something that we do as routine," the 58-year-old villager said. "I never at any time imagined that I would one day get an income out of it while also learning new things."

- Younger generation -

Hut painting is an ancient Ndebele tradition in which the motifs were originally imbued with meaning.

It was a "mode of communicating the worldview or beliefs, as well as ideals and values of communities that lived long ago," said cultural historian Pathisa Nyathi.

"Over time the meanings got lost and, owing to the interaction with other cultures including Western, emphasis is now on aesthetics," Nyathi told AFP.

Emboldened by her success at My Beautiful Home, Masuku has been commissioned to paint buildings at Zimbabwe's top tourist resort town of Victoria Falls, which she hopes will lead to more projects.

Younger women are also learning the craft, including 26-year-old Nozipho, a development studies graduate and civil servant who is currently learning the art from her mother, and hopes to follow the steps of the older women in her community.