The Daniels Win the DGA’s Top Prize, an Oscar Bellwether

(L-R) Dan Kwan and Daniel Scheinert, winners of the Outstanding Directorial Achievement in Theatrical Feature Film award for “Everything Everywhere All at Once,” pose in the press room during the 75th Directors Guild of America Awards at The Beverly Hilton on February 18, 2023 in Beverly Hills, California. (Getty Images/AFP)
(L-R) Dan Kwan and Daniel Scheinert, winners of the Outstanding Directorial Achievement in Theatrical Feature Film award for “Everything Everywhere All at Once,” pose in the press room during the 75th Directors Guild of America Awards at The Beverly Hilton on February 18, 2023 in Beverly Hills, California. (Getty Images/AFP)
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The Daniels Win the DGA’s Top Prize, an Oscar Bellwether

(L-R) Dan Kwan and Daniel Scheinert, winners of the Outstanding Directorial Achievement in Theatrical Feature Film award for “Everything Everywhere All at Once,” pose in the press room during the 75th Directors Guild of America Awards at The Beverly Hilton on February 18, 2023 in Beverly Hills, California. (Getty Images/AFP)
(L-R) Dan Kwan and Daniel Scheinert, winners of the Outstanding Directorial Achievement in Theatrical Feature Film award for “Everything Everywhere All at Once,” pose in the press room during the 75th Directors Guild of America Awards at The Beverly Hilton on February 18, 2023 in Beverly Hills, California. (Getty Images/AFP)

The Directors Guild of America handed its top prize for feature filmmaking to Daniel Kwan and Daniel Scheinert for “Everything Everywhere All at Once,” putting them on course to win at the Academy Awards next month.

The 75th annual DGA Awards, held at the Beverly Hilton in Beverly Hills, California, on Saturday evening, denied Steven Spielberg a record-extending four wins for the guild's top honor. Spielberg had once been expected to cruise through awards season with his autobiographical “The Fabelmans,” but the strong affection for “Everything Everywhere All at Once” — the Oscar favorite with a leading 11 nominations — has come to dominate Hollywood's Oscar run-up.

In the past 10 years, all but once has the DGA winner gone on to win at the Academy Awards. (In 2020, Sam Mendes won at the DGA for “1917,” while Bong Joon Ho won the Oscar for “Parasite.”) Last year, Jane Campion (“The Power of the Dog”) won at each. In 75 years, only 10 times have the DGA winner and the Oscar winner not aligned.

The other nominees were: Todd Field (“Tár”), Martin McDonagh (“The Banshees of Inisherin”) and Joseph Kosinski (“Top Gun: Maverick”). The same filmmakers are nominated for best director at the March 12 Oscars, with one exception. The academy picked Ruben Östlund (“Triangle of Sadness”) rather than Kosinski.

Kwan and Scheinert, the filmmaking pair known as “The Daniels,” are just the third duo to win the DGA's top award, following Robert Wise and Jerome Robbins for “West Side Story” (1961) and Joel Coen and Ethan Coen for “No Country for Old Men” (2007).

They're also uncommonly young (both are 35) and early in their careers (this is just their second feature film) to win with the guild — especially over a veteran like Spielberg. He holds the record for most DGA nominations with 13.

No women were nominated by the DGA or the film academy for best director this year. But both of the guild's other top awards went to female filmmakers.

Best first feature went to Charlotte Wells for the father-daughter drama “Aftersun.” Best documentary was awarded to Sara Dosa for “Fire of Love,” about an adventurous French volcanologist couple.



‘Cute and Murderous’: How Squid Game’s Iconic Killer Doll Came to Life 

Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)
Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)
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‘Cute and Murderous’: How Squid Game’s Iconic Killer Doll Came to Life 

Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)
Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)

While the second season of "Squid Game" has new plot twists, one element of the Netflix mega-hit series where contestants down on their luck risk their lives to play children's games for the chance of winning cash prizes, has remained constant.

That is Young-hee, an innocent-looking robotic doll who in fact has a deadly role in the South Korean-made television series to find contestants to gun down playing the game "Red Light, Green Light" if she spots them moving.

Young-hee, who is clad in a simple orange dress and a hair clip, has become a viral meme on social media and the centerpiece of the streaming giant's promotional campaign.

Chae Kyoung-sun, the production designer for "Squid Game", said the doll's appearance had been partly inspired by her own daughter.

"My daughter had a bowl cut for a long time which was very cute so I decided to draw a very short bang," Chae told Reuters.

"Her eyes are a little crazy. She's a killing machine and the movement of her eyes had to be easy to see, so we made her eyes quite big."

The initial inspiration for Young-hee came from a girl of the same name on the cover of old primary school textbooks in South Korea, though the killer doll was initially conceived as genderless, Chae said.

The first season of "Squid Game" became the most-watched show on the streaming platform and expectations were high for the second season to replicate the success.

The new season of the dystopian thriller, released on Dec. 26, also broke a record as the most-watched show in its premiere week on the streaming platform, with 68 million views, according to Netflix.

The streaming giant said on Tuesday it gained a record 18.9 million subscribers in its fourth quarter thanks in part to the second season of Squid Game.

In 2023, Netflix announced a $2.5 billion investment in South Korea to produce Korean TV series, movies and unscripted shows.

Asked about the success of the show and this particular character, Chae put it down to their unorthodox nature.

"How does this cute kid suddenly turn into a killing machine? - I think the creation of the 'Squid Game' world by adopting unpredictable concepts and methods resonated with young people looking for fresh things," she said.

At the end of the second season, viewers also get a glimpse of Chul-su, a male doll set to appear in the next season alongside Young-hee that was originally envisaged for the first series.

"When they said there will be a second season and that Chul-su would appear, I brought back the drawings I had of Chul-su for the first season," Chae said.

"Think of it as a friend, a partner," she said.

The third and final season of Squid Game is set to be released later this year.