‘All Quiet’ Wins 7 BAFTAs, Including Best Film, at UK Awards

Edward Berger poses for photographers with the Director Award for the film "All Quiet on the Western Front" at the 76th British Academy Film Awards, BAFTA's, in London, Sunday, Feb. 19, 2023 (AP)
Edward Berger poses for photographers with the Director Award for the film "All Quiet on the Western Front" at the 76th British Academy Film Awards, BAFTA's, in London, Sunday, Feb. 19, 2023 (AP)
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‘All Quiet’ Wins 7 BAFTAs, Including Best Film, at UK Awards

Edward Berger poses for photographers with the Director Award for the film "All Quiet on the Western Front" at the 76th British Academy Film Awards, BAFTA's, in London, Sunday, Feb. 19, 2023 (AP)
Edward Berger poses for photographers with the Director Award for the film "All Quiet on the Western Front" at the 76th British Academy Film Awards, BAFTA's, in London, Sunday, Feb. 19, 2023 (AP)

Anti-war German movie “All Quiet on the Western Front” won seven prizes, including best picture, at the British Academy Film Awards on Sunday, building the somber drama’s momentum as awards season rolls toward its climax at next month’s Oscars.

Irish tragicomedy “The Banshees of Inisherin” and rock biopic “Elvis” took four prizes each.

“All Quiet,” a visceral depiction of life and death in the World War I trenches, based on Erich Maria Remarque’s classic novel, won Edward Berger the best director award. Its other trophies included adapted screenplay, cinematography, best score, best sound and best film not in English.

Austin Butler was a surprise best actor winner for “Elvis.” Baz Lurhmann’s flamboyant musical also won trophies for casting, costume design and hair and makeup. Cate Blanchett won the best actress prize for orchestral drama “Tár.”

Martin McDonagh’s “Banshees,” the bleakly comic story of a friendship gone sour, was named best British film.

“Best what award?” joked McDonagh of the film, which was shot in Ireland with a largely Irish cast and crew. It has British funding, and McDonagh was born in Britain to Irish parents.

“Banshees” also won for McDonagh’s original screenplay, and awards for Kerry Condon as best supporting actress and Barry Keoghan for best supporting actor.

The prizes — officially the EE BAFTA Film Awards — are Britain’s equivalent of Hollywood’s Academy Awards and will be watched closely for hints of who may win at the Oscars on March 12.

Madcap metaverse romp “Everything Everywhere All at Once,” the Academy Awards front-runner, was the night’s big loser, winning just one prize from its 10 BAFTA nominations, for editing.

Actor Richard E. Grant was a suave and self-deprecating host — with support from TV presenter Alison Hammond — for the ceremony at London’s Royal Festival Hall, where the UK’s movie academy heralded its strides to become more diverse but said there was more to be done.

Grant joked in his opening monologue about the infamous altercation between Will Smith and Chris Rock at last year’s Oscars.

“Nobody on my watch gets slapped tonight,” he said. “Except on the back.”

Guests and presenters walking the red carpet on the south bank of the River Thames included Colin Farrell, Ana de Armas, Eddie Redmayne, Brian Cox, Florence Pugh, Catherine Zeta-Jones, Cynthia Erivo, Julianne Moore and Lily James.

Heir to the throne Prince William, who is president of Britain’s film and television academy, was in the audience alongside his wife, Kate. William wore a tuxedo with black velvet jacket, while Kate dressed in a floor-length Alexander McQueen dress that she also wore to the 2019 BAFTAs.

Helen Mirren paid tribute to William’s grandmother, Queen Elizabeth II, who died in September. Mirren, who portrayed the late monarch onscreen in “The Queen” and onstage in “The Audience,” called Elizabeth “the nation’s leading lady.”

Britain’s film academy introduced changes to increase the awards’ diversity in 2020, when no women were nominated as best director for the seventh year running and all 20 nominees in the lead and supporting performer categories were white.

This year there were 11 female directors up for awards across all categories, including documentary and animated films. But just one of the main best-director nominees was female: Gina Prince-Bythewood for “The Woman King.”

BAFTA chair Krishnendu Majumdar said the academy’s soul-searching had been “a necessary and humbling process.” He said the “vital work of levelling the playing field” would continue.

“West Side Story” star Ariana DeBose opened the show by performing “Sisters are Doin’ it for Themselves,” with an added rap shoutout to some of the nominated women, including Blanchett, Michelle Yeoh and Viola Davis.

Blanchett said it had been “an extraordinary year for female performers. To be counted among them is really special.”

It was a strong year for Irish actors at the BAFTAs, with Deryl McCormack up for the BAFTA Rising Star award — though he lost out to Emma Mackey – and Condon, Keoghan, Farrell and Brendan Gleeson all getting acting nominations for “Banshees.”

McCormack hailed the event as “the Irish BAFTAs.”

“It is a small country, but to see the talent that comes out of it is quite amazing,” he said.

Writer-director Charlotte Wells won the prize for best British debut for the affecting father-daughter drama “Aftersun.” Three-time Oscar winner Sandy Powell became the first costume designer to be awarded the academy’s top honor, the BAFTA fellowship.



'Den of Thieves 2' Opens at No. 1 as 'Better Man' Flops

This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)
This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)
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'Den of Thieves 2' Opens at No. 1 as 'Better Man' Flops

This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)
This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)

On a quiet weekend in movie theaters, while much of Hollywood’s attention was on the wildfires that continue to rage in Los Angeles, Lionsgate’s “Den of Thieves 2: Pantera” debuted atop the box office with $15.5 million, according to studio estimates Sunday.
Mid-January is often a slow moviegoing period, and that was slightly exacerbated by the closures of about 10 theaters in Los Angeles, the country’s top box-office market, The Associated Press reported.
A sequel to the Gerard Butler 2018 heist thriller, “Den of Thieves 2” performed similarly to the original. The first installment, released by STX, opened with $15.2 million seven years ago. O’Shea Jackson Jr. co-stars in the sequel, which debuted in 3,008 North American theaters.
Butler's films are becoming something of a regular feature in January. He also starred in “Plane,” which managed $32.1 million after launching on Jan. 13 in 2023.
“Den of Thieves 2,” made for about $40 million, was a bit more costly to make. Audiences liked it well enough, giving it a “B+” CinemaScore. Reviews (58% fresh on Rotten Tomatoes) weren’t particularly good. But it counted as Lionsgate’s first No.1 opening since “The Hunger Games: The Ballad of Songbirds and Snakes” in November 2023.
Also entering wide release over the weekend was the Robbie Williams movie “Better Man,” one of the more audacious spins on the music biopic in recent years. Rather than going the more tradition routes of Elton John (“Rocketman”) or Elvis Presley (“Elvis”), the British popstar is portrayed by a CGI chimpanzee in Michael Gracey’s film.
The Paramount Pictures release, produced for $110 million and acquired by Paramount for $25 million, didn’t catch on much better than Williams’ previous forays into the United States. It tanked, with $1.1 million in ticket sales from 1,291 locations. Gracey’s previous feature, 2017’s “The Greatest Showman” ($459 million worldwide), fared far better in theaters. Reviews, however, have been very good for “Better Man.”
It was bested by “The Last Showgirl,” the Las Vegas drama starring Pamela Anderson. The Roadside Attractions release expanded to 870 theaters and collected $1.5 million.
Also outdoing “Better Man” was Brady Corbet’s “The Brutalist.” Coming off winning best drama at the Golden Globes, the A24 postwar epic grossed a hefty $1.4 million from just 68 locations. It expands wider in the coming weeks.
The weekend's lion share of business went to holiday holdovers, including “Mufasa: The Lion King,” “Sonic the Hedgehog 3,” “Nosferatu” and “Moana 2.”
In its fourth week of release, Barry Jenkins “Mufasa” continued to do well, adding $13.2 million to bring its total to $539.7 million worldwide. Also on its fourth weekend, “Sonic the Hedgehog 3” padded its $384.8 million global total with $11 million. Robert Eggers’ “Nosferatu,” the surprise hit of the Christmas period, collected $6.8 million in ticket sales, bringing the vampire tale to $81.1 million domestically.
The Walt Disney Co.’s “Moana 2,” in its seventh week of release, added $6.5 million to bring its global tally to $989.8 million. In the coming days, it will become the third Disney film released in 2024 to notch $1 billion, joining “Inside Out 2” and “Deadpool and Wolverine.”