‘All Quiet’ Wins 7 BAFTAs, Including Best Film, at UK Awards

Edward Berger poses for photographers with the Director Award for the film "All Quiet on the Western Front" at the 76th British Academy Film Awards, BAFTA's, in London, Sunday, Feb. 19, 2023 (AP)
Edward Berger poses for photographers with the Director Award for the film "All Quiet on the Western Front" at the 76th British Academy Film Awards, BAFTA's, in London, Sunday, Feb. 19, 2023 (AP)
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‘All Quiet’ Wins 7 BAFTAs, Including Best Film, at UK Awards

Edward Berger poses for photographers with the Director Award for the film "All Quiet on the Western Front" at the 76th British Academy Film Awards, BAFTA's, in London, Sunday, Feb. 19, 2023 (AP)
Edward Berger poses for photographers with the Director Award for the film "All Quiet on the Western Front" at the 76th British Academy Film Awards, BAFTA's, in London, Sunday, Feb. 19, 2023 (AP)

Anti-war German movie “All Quiet on the Western Front” won seven prizes, including best picture, at the British Academy Film Awards on Sunday, building the somber drama’s momentum as awards season rolls toward its climax at next month’s Oscars.

Irish tragicomedy “The Banshees of Inisherin” and rock biopic “Elvis” took four prizes each.

“All Quiet,” a visceral depiction of life and death in the World War I trenches, based on Erich Maria Remarque’s classic novel, won Edward Berger the best director award. Its other trophies included adapted screenplay, cinematography, best score, best sound and best film not in English.

Austin Butler was a surprise best actor winner for “Elvis.” Baz Lurhmann’s flamboyant musical also won trophies for casting, costume design and hair and makeup. Cate Blanchett won the best actress prize for orchestral drama “Tár.”

Martin McDonagh’s “Banshees,” the bleakly comic story of a friendship gone sour, was named best British film.

“Best what award?” joked McDonagh of the film, which was shot in Ireland with a largely Irish cast and crew. It has British funding, and McDonagh was born in Britain to Irish parents.

“Banshees” also won for McDonagh’s original screenplay, and awards for Kerry Condon as best supporting actress and Barry Keoghan for best supporting actor.

The prizes — officially the EE BAFTA Film Awards — are Britain’s equivalent of Hollywood’s Academy Awards and will be watched closely for hints of who may win at the Oscars on March 12.

Madcap metaverse romp “Everything Everywhere All at Once,” the Academy Awards front-runner, was the night’s big loser, winning just one prize from its 10 BAFTA nominations, for editing.

Actor Richard E. Grant was a suave and self-deprecating host — with support from TV presenter Alison Hammond — for the ceremony at London’s Royal Festival Hall, where the UK’s movie academy heralded its strides to become more diverse but said there was more to be done.

Grant joked in his opening monologue about the infamous altercation between Will Smith and Chris Rock at last year’s Oscars.

“Nobody on my watch gets slapped tonight,” he said. “Except on the back.”

Guests and presenters walking the red carpet on the south bank of the River Thames included Colin Farrell, Ana de Armas, Eddie Redmayne, Brian Cox, Florence Pugh, Catherine Zeta-Jones, Cynthia Erivo, Julianne Moore and Lily James.

Heir to the throne Prince William, who is president of Britain’s film and television academy, was in the audience alongside his wife, Kate. William wore a tuxedo with black velvet jacket, while Kate dressed in a floor-length Alexander McQueen dress that she also wore to the 2019 BAFTAs.

Helen Mirren paid tribute to William’s grandmother, Queen Elizabeth II, who died in September. Mirren, who portrayed the late monarch onscreen in “The Queen” and onstage in “The Audience,” called Elizabeth “the nation’s leading lady.”

Britain’s film academy introduced changes to increase the awards’ diversity in 2020, when no women were nominated as best director for the seventh year running and all 20 nominees in the lead and supporting performer categories were white.

This year there were 11 female directors up for awards across all categories, including documentary and animated films. But just one of the main best-director nominees was female: Gina Prince-Bythewood for “The Woman King.”

BAFTA chair Krishnendu Majumdar said the academy’s soul-searching had been “a necessary and humbling process.” He said the “vital work of levelling the playing field” would continue.

“West Side Story” star Ariana DeBose opened the show by performing “Sisters are Doin’ it for Themselves,” with an added rap shoutout to some of the nominated women, including Blanchett, Michelle Yeoh and Viola Davis.

Blanchett said it had been “an extraordinary year for female performers. To be counted among them is really special.”

It was a strong year for Irish actors at the BAFTAs, with Deryl McCormack up for the BAFTA Rising Star award — though he lost out to Emma Mackey – and Condon, Keoghan, Farrell and Brendan Gleeson all getting acting nominations for “Banshees.”

McCormack hailed the event as “the Irish BAFTAs.”

“It is a small country, but to see the talent that comes out of it is quite amazing,” he said.

Writer-director Charlotte Wells won the prize for best British debut for the affecting father-daughter drama “Aftersun.” Three-time Oscar winner Sandy Powell became the first costume designer to be awarded the academy’s top honor, the BAFTA fellowship.



Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
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Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File

Singer Rod Stewart, who helped British rock conquer the world with a string of megahits, turns 80 on Friday -- with no plans to slow down.
Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s with hits like "Da Ya Think I'm Sexy?" and "Young Turks", notching up more than 250 million record sales worldwide.
He also made headlines for a prolific love life that included relationships with a string of models and actresses including Britt Ekland.
Despite his landmark birthday, Stewart says he has no plans to retire.
"I love what I do, and I do what I love. I'm fit, have a full head of hair and can run 100 meters (330 feet) in 18 seconds at the jolly old age of 79," he wrote last year.
The star will play the legends slot at the famed Glastonbury music festival this summer.
Although his forthcoming European and North American tour dates will be his last large-scale project, he has said he plans to concentrate on more intimate venues in the future.
He will headline a new residency in Las Vegas from March to June.
A tour is also slated for 2026 for Swing Fever, the album he released last year with pianist and ex-Squeeze band member Jools Holland.
As he has approached his ninth decade, Stewart has also made headlines for quirkier reasons such as his passion for model railways and his battle with potholes that have prevented him from driving his Ferrari near his home in eastern England.
The singer, who was knighted by Queen Elizabeth in 2016, has been married three times and has fathered eight children. His third wife is model and television personality Penny Lancaster.
From London to global star
Stewart's story began in north London on 10 January 1945, when Roderick Stewart was born into a middle-class family.
After a "fantastically happy childhood", he developed a love of music when his father bought him a guitar in 1959, and he formed a skiffle band with school friends a year later.
He joined the band Dimensions in 1963 as a harmonica player, exploring his love of folk, blues and soul music while learning from other artists such as Rolling Stones frontman Mick Jagger in London's blossoming rhythm and blues scene.
Stewart's career took off in 1967 when he joined the renowned guitarist Jeff Beck's eponymous new band, which also included future Rolling Stone Ronnie Wood, allowing him to develop his raw and soulful vocal style and stagecraft while exposing him to a US audience.
He and Wood took up the offer to join mod pioneers Small Faces following the departure of their singer Steve Marriott in 1969 -- the band soon changing its name to The Faces -- shortly before Stewart released his debut solo album.
It was his 1971 third solo release, "Every Picture Tells a Story", that confirmed him as one of the world's most successful artists, reaching number one in Britain, Australia and the United States, where it went platinum.
The album helped define Stewart's rock/folk sound, featuring heartfelt lyrics and heavy use of unusual instruments such as the mandolin, particularly prominent on the album's standout hit "Maggie May".
"I just love stories with a beginning, middle and end," he once said.
'I had the last laugh'
Focusing on his solo career after 1975, Stewart's "Da Ya Think I'm Sexy?" released in 1978 was not to everyone's taste.
"Once the most compassionate presence in music, he has become a bilious self-parody -– and sells more records than ever," Rolling Stone magazine said in 1980.
Never one to be cowed by the critics, Stewart defended this phase, telling an interviewer that audiences "absolutely love it, so I had the last laugh".
Richard Houghton, author of the book "Tell Everyone -- A People's History of the Faces" said that Stewart had "possibly the most distinctive voice in rock music".
The singer had successfully combined writing classic songs of his own such as "Maggie May" or "You Wear It Well" with taking other people's songs -- from Bob Dylan to Tom Waits -- and making them his own .
More recently, there had been four albums of the "classic songs of the 1930s from his Great American Songbook catalogue".
Houghton said audiences could expect to see plenty more of Stewart.
"He's like any entertainer. He loves the spotlight. He's not going to sit at home watching the television when somewhere around the world there's a crowd wanting to hear him sing 'Mandolin Wind' or 'First Cut Is The Deepest' one more time.
"Rod will keep singing until the day he drops," he added.