Saudi Media Forum Focuses on Keeping Pace with the Sector’s Transformations

The Saudi Media Forum kicked off on Monday in Riyadh, with the participation of local and international experts and stakeholders. (Photo: Bashir Saleh)
The Saudi Media Forum kicked off on Monday in Riyadh, with the participation of local and international experts and stakeholders. (Photo: Bashir Saleh)
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Saudi Media Forum Focuses on Keeping Pace with the Sector’s Transformations

The Saudi Media Forum kicked off on Monday in Riyadh, with the participation of local and international experts and stakeholders. (Photo: Bashir Saleh)
The Saudi Media Forum kicked off on Monday in Riyadh, with the participation of local and international experts and stakeholders. (Photo: Bashir Saleh)

Experts and participants in the Saudi Media Forum have emphasized the need to consciously keep pace with the transformations of the media environment.

They also identified means to develop media discourse and the performance of institutions and individuals working in the sector, to meet the expectations of the public, which they said was an influential and active element in the media industry.

Mohammed bin Fahd Al Harthi, CEO of the Saudi Radio and Television Corporation, stressed that progress was the inevitable language of our era. He noted that the essence of the Saudi Vision 2030 was human development, adding that the media was an integral part in this process.

The Saudi Media Forum kicked off on Monday in Riyadh, in the presence of local and international industry leaders, experts and analysts.

The two-day forum features more than 100 working papers and brainstorming sessions and workshops, with the participation of international experts to formulate recommendations on improving media content and suggesting solutions to challenges facing the sector.

Topics discussed at the event include, among other, “The New Media Generation and the Culture of Rapid Changes”, “Digital Influencers: Media or Advertising” and “Media... and the Ethical and Practical Implications of Using Artificial Intelligence”.

In his opening speech, Al Harthi said that the forum was being held at an important development stage for Saudi Arabia, stressing that media freedoms should not tolerate hate speech and insulting religions and religious symbols.

During the first day of the forum, participants reviewed the pillars of developing the media sector and keeping pace with the changes. Saudi officials underlined the need to promote a skillful and balanced media discourse that relies on facts and objectivity.

Saudi Minister of Energy Prince Abdulaziz bin Salman pointed to the importance of accepting criticism, different opinions, and the diverging viewpoints.

He noted that an official must be in a state of sustainable disclosure, to enhance the public opinion’s trust, while maintaining pragmatism and openness.

“Criticism is a process of evaluating an activity or an official. If criticism is taken with this positive view… public benefit will be achieved,” he told the attendees.

The Saudi media sector

For his part, Majid Al-Qasabi, the designated Saudi Minister of Information, said that the world has become inter-connected through instant communication, which has eliminated geographic barriers.

He added that the media sector in Saudi Arabia was promising and full of opportunities.

The sector’s integrated system, which consists of four entities, is working to achieve a quantum leap, keeping pace with the deep and wide transformations in Saudi Arabia, the minister remarked.

Al-Qasabi also stressed that the media sector in the Kingdom offered wide investment and development opportunities for creativity and content industry.

He said that work was underway to address the main obstacles facing the industry, by building the appropriate infrastructure, enacting the adequate regulations and laws, and developing training programs for emerging competencies, as well as supporting creativity and innovation capabilities.

Moreover, Al-Qasabi pointed to the importance of enabling the sectors that operate in the media and promoting qualitative investments in this field.

The Information minister unveiled the objectives set by the Saudi media bodies, which he said were focused on building leading media companies, developing distinguished local cadres, raising the quality of local content, and empowering entrepreneurs.

In addition, he highlighted the necessity to develop the soft media, which reaches the global public opinion without the need for translation, and to increase the level of the media mix that covers all audience interests, including areas that were not previously explored.

Saudi Arabia, the biggest untold story

Saudi Minister of Investment Khalid Al-Falih said that the Kingdom was “the biggest untold story.”

He explained that the country was an “undiscovered treasure” for the world’s public opinion, except for elite politicians and companies.

The media has a major role in unveiling the real story and showing the Kingdom for what it really is, Al-Falih told the forum.

As for the specialized economic media, the minister pointed to the need for a large number of cadres and specialists to publish accurate economic news and analyze information, in order to keep pace with the increasing volume of demand, opportunities and investments.

He added: “We also need channels and platforms to compete with international media institutions in the economic field, with all the influential analytical, scientific and media capabilities.”

Al-Falih stressed that the Kingdom sought to provide an integrated platform for multiple economic sectors, offering profitability, competitiveness and integration between all components of the Saudi, regional and international economy.

In this context, he stressed that the Saudi economy was linked to its regional and global environment, which should be reflected in the media performance.

Saudi Vision 2030 addresses the economic aspect with an international dimension, and supports leadership in technology, innovation and other sectors, the minister remarked.

He added that the Saudi strategy relied on attracting the decision-making centers of major regional companies, in order to exchange interest and achieve integration with the Kingdom’s market and investment opportunities.

Al-Falih noted that 44 global companies were moving their regional head offices to the capital, stressing the need for specialized and conscious media support that rises to the level of this challenge.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”