Penguin to Publish ‘Classic’ Roald Dahl Books after Backlash

A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)
A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)
TT
20

Penguin to Publish ‘Classic’ Roald Dahl Books after Backlash

A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)
A cake decorated in the style of the Roald Dahl children's book "Matilda" is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Reuters)

Publisher Penguin Random House announced Friday it will publish “classic” unexpurgated versions of Roald Dahl’s children’s novels after it received criticism for cuts and rewrites that were intended to make the books suitable for modern readers.

Along with the new editions, the company said 17 of Dahl’s books would be published in their original form later this year as “The Roald Dahl Classic Collection” so “readers will be free to choose which version of Dahl’s stories they prefer.”

The move comes after criticism of scores of changes made to “Charlie and the Chocolate Factory” and other much-loved classics for recent editions published under the company’s Puffin children’s label, in which passages relating to weight, mental health, gender and race were altered.

Augustus Gloop, Charlie’s gluttonous antagonist in “Charlie and the Chocolate Factory” — originally published in 1964 — became “enormous” rather than “enormously fat.” In “Witches,” an “old hag” became an “old crow,” and a supernatural female posing as an ordinary woman may be a “top scientist or running a business” instead of a “cashier in a supermarket or typing letters for a businessman.”

In “Fantastic Mr. Fox," the word “black” was removed from a description of the “murderous, brutal-looking” tractors.

The Roald Dahl Story Company, which controls the rights to the books, said it had worked with Puffin to review and revise the texts because it wanted to ensure that “Dahl’s wonderful stories and characters continue to be enjoyed by all children today.”

While tweaking old books for modern sensibilities is not a new phenomenon in publishing, the scale of the edits drew strong criticism from free-speech groups such as writers’ organization PEN America.

PEN America chief executive Suzanne Nossel wrote on Twitter: “I applaud Penguin for hearing out critics, taking the time to rethink this, and coming to the right place.”

Camilla, Britain's queen consort, appeared to offer her view at a literary reception on Thursday. She urged writers to “remain true to your calling, unimpeded by those who may wish to curb the freedom of your expression or impose limits on your imagination.”

Dahl’s books, with their mischievous children, strange beasts and often beastly adults, have sold more than 300 million copies and continue to be read by children around the world. Their multiple stage and screen adaptations include “Matilda the Musical” and two “Willy Wonka” films based on “Charlie and the Chocolate Factory,” with a third in the works.

But Dahl, who died in 1990, is also a controversial figure because of antisemitic comments made throughout his life. His family apologized in 2020.

In 2021, Dahl's estate sold the rights to the books to Netflix, which plans to produce a new generation of films based on the stories.

Francesca Dow, managing director of Penguin Random House Children’s, said the publisher had “listened to the debate over the past week which has reaffirmed the extraordinary power of Roald Dahl’s books and the very real questions around how stories from another era can be kept relevant for each new generation.”

“Roald Dahl’s fantastic books are often the first stories young children will read independently, and taking care for the imaginations and fast-developing minds of young readers is both a privilege and a responsibility," she said.

“We also recognize the importance of keeping Dahl’s classic texts in print,” Dow said. “By making both Puffin and Penguin versions available, we are offering readers the choice to decide how they experience Roald Dahl’s magical, marvelous stories.”



‘Anything Goes’: Yoshitomo Nara on His Creative Process as London Exhibition Opens

Japanese artist Yoshitomo Nara speaks during an interview at the largest European retrospective of his work at the Hayward Gallery in London, Britain, June 9, 2025. (Reuters)
Japanese artist Yoshitomo Nara speaks during an interview at the largest European retrospective of his work at the Hayward Gallery in London, Britain, June 9, 2025. (Reuters)
TT
20

‘Anything Goes’: Yoshitomo Nara on His Creative Process as London Exhibition Opens

Japanese artist Yoshitomo Nara speaks during an interview at the largest European retrospective of his work at the Hayward Gallery in London, Britain, June 9, 2025. (Reuters)
Japanese artist Yoshitomo Nara speaks during an interview at the largest European retrospective of his work at the Hayward Gallery in London, Britain, June 9, 2025. (Reuters)

Artworks by Yoshitomo Nara go on display in London this week in what organizers say is the largest European retrospective of the Japanese artist.

The show, running at the Hayward Gallery by the River Thames, features more than 150 works - drawings, paintings, sculptures, ceramics and installations - nodding to the longtime influences of Nara's works including music, nature, the importance of home and the peace movement.

"This is about 40 years' worth of my work," Nara told Reuters at a press preview on Monday.

"When I look at my work, I don't think what I'm trying to say has actually changed in that time. Whatever period I look at reflects a part of myself, which is why this exhibition is not done chronologically."

Nara, 65, is best known for his portraits of child-like characters with big gazing eyes.

"I think all the pictures I've created are like my reflections," he said when asked about them.

On display are plenty of those kinds of paintings and drawings as well as sculptures.

"Anything goes," says Nara, who was born in Aomori Prefecture in northern Japan and lived in Germany early in his career before moving back home, said of his creative process.

"I don't think about what I'm doing, but when I've done something good, I can feel the reason behind it almost like a kind of hindsight."

The show is an expanded version of a touring exhibition previously put on at the Guggenheim in Bilbao and Museum Frieder Burda in Baden-Baden.

"What’s quite interesting, I think, for audiences in London and in Europe overall (is)... we don't actually get to see Nara’s work in person that often," exhibition curator Yung Ma said.

"We’ve all seen his paintings and drawings on our devices...but I think all these kind of images, they don't do the works justice. So it's actually quite important to come and see because you can actually then understand (that)... he’s a really good painter...but you can actually really see the texture of the works and the colors and the layering of the paint."

The exhibition runs from June 10 to August 31.