Jeff Probst a Constant for ‘Survivor’ as It Nears 44th Game

This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)
This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)
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Jeff Probst a Constant for ‘Survivor’ as It Nears 44th Game

This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)
This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)

There was a time Jeff Probst could not imagine doing what he will on Wednesday, being on hand as host for the start of a 44th season of “Survivor.”

That’s not simply because of the transitory nature of television, where a 44th season of anything is a rarity, even a program that created a sensation when it first aired on CBS in the summer of 2000.

In those early days, there was a restlessness about Probst. He’d studied screenwriting, acted and wrote and directed a well-received indie film in 2001. He tried a short-lived talk show. He admits “I had a chip on my shoulder about being called a ‘host.’”

Yet as series creator Mark Burnett began stepping away, Probst added “producer” to his title and has since ascended to the level of “showrunner” — industry lingo that means he’s in charge of everything.

At age 61, he’s all in, an evangelist for “Survivor.”

“I have never been so excited to be part of the show,” he told The Associated Press in a recent interview. “I hope it’s apparent. I hope it’s clear that I’m really into ‘Survivor.’”

It remains a marvelously-designed game, one that tests survival skills in a forbidding — if lovely — environment along with the social and scheming skills to remain standing at the end to collect the $1 million prize. Even if one cast is a drag, “one of the show’s greatest strengths is that every season hits a reset button,” said Dalton Ross, executive editor at large at Entertainment Weekly and a veteran chronicler of the show.

So it can, um, survive a scandal like a player being kicked off in 2019 after being accused of inappropriately touching young women or tweaks that don’t work, like the “fire tokens” that were introduced and abandoned after one season.

Other new ideas, like a hidden immunity idol or the “David vs Goliath” season that Probst really loved, freshen the show as it adheres to a basic structure.

Producers were also ordered by CBS to increase diversity, which Probst said has added to the show’s richness. The 18 castaways for the new season include five Black contestants, three Latinos and an Asian American.

“People that don’t watch ‘Survivor,’ I think they may mistake it for some sort of survivalist’s show or they label it with this idea that it’s just a reality show,” Probst said. “When, really, ‘Survivor’ is one of the biggest adventures you can ever go on, either as a player or a viewer.”

As Probst became more involved in how the show was put together, there was a clear difference in how he did his job onscreen, Ross said.

“Jeff started to put more opinion and personality into his hosting,” he said. “Up to that point, it was more of a master of ceremonies role. You realized he could be the eyes and ears of the audience and can speak for the audience. It was one of the most important changes he made as a host. It made him an element in the game that the players had to contend with.”

“Survivor” has settled on Fiji as a permanent set after bouncing around for several years to different locations. The jungle is a character in itself. High-definition photography and drones makes things more visually appealing than ever, Ross said.

Probst demurs when asked his opinion of the best player ever, and admits some of the seasons start to run together. He’d lose a “Survivor” trivia contest, he said.

“I will see an early cut of an episode, and I can’t remember who was voted out, even though I was the one at Tribal Council who snuffed out their torch,” he said.

And, yes, he’s excited about the new season, calling it one of the most entertaining groups of players the show has put together in a while.

“It’s intoxicating,” he said. “I honestly believe one of the reasons we’re still on the air is that it’s compelling. If people watch the first episode of ‘Survivor’ 44,’ I don’t know how you’re not going to watch the second episode. You’re going to be hooked.”

Starting Wednesday, Probst will host a podcast with show producer Brittany Crapper and fan Jay Wolff that will air after the conclusion of each episode. “On Fire with Jeff Probst” will an insider’s look at how the show is put together, he said.

CBS doesn’t want to spoil the magic, but deepen the relationship with fans, he said.

With broadcast television struggling for viewers, “Survivor” is a dependable performer for CBS and is one of those rare family shows that people of all ages can enjoy. The show seems destined to be around for awhile and hard to imagine without the man who’s “not just the face of ‘Survivor’ but the pulse of ‘Survivor’ as well,” Ross said.

Asked if he would want to stay with the show as long as it’s on the air, Probst at first calls the question impossible.

Then he quickly answers.

“At this point, yes,” he said. “Really, yes. Because I’ve built my life around ‘Survivor’ and I’ve fashioned all of my creative ideas through ‘Survivor.’ Every single conversation, book I read, podcast I listen to, every single thing ... will get filtered through my ‘Survivor’ filter.”



Riley Keough Felt a Duty to Finish Lisa Marie Presley’s Book on Elvis, Grief, Addiction and Love

Riley Keough, left, and her mother Lisa Marie Presley arrive at the 24th annual ELLE Women in Hollywood Awards on Oct. 16, 2017, in Los Angeles. (Photo by Jordan Strauss/Invision/AP, File)
Riley Keough, left, and her mother Lisa Marie Presley arrive at the 24th annual ELLE Women in Hollywood Awards on Oct. 16, 2017, in Los Angeles. (Photo by Jordan Strauss/Invision/AP, File)
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Riley Keough Felt a Duty to Finish Lisa Marie Presley’s Book on Elvis, Grief, Addiction and Love

Riley Keough, left, and her mother Lisa Marie Presley arrive at the 24th annual ELLE Women in Hollywood Awards on Oct. 16, 2017, in Los Angeles. (Photo by Jordan Strauss/Invision/AP, File)
Riley Keough, left, and her mother Lisa Marie Presley arrive at the 24th annual ELLE Women in Hollywood Awards on Oct. 16, 2017, in Los Angeles. (Photo by Jordan Strauss/Invision/AP, File)

Riley Keough was quick to agree to help complete her mother’s memoir. She thought they’d write it together, reflecting on her extraordinary upbringing and life, but it became a much greater responsibility after Lisa Marie Presley's sudden death in 2023.

Finishing the task her mother — the only child of Elvis and Priscilla Presley and a recording artist in her own right — had started years earlier elicited "all kinds of emotions," Keough said in an interview with The Associated Press ahead of the book’s release Tuesday.

"It just felt like a kind of a duty that I had to complete for her," Keough said. "I’m just happy that it’s done and that it’ll be in the world and there for people to read."

"From Here to the Great Unknown" is named in a nod to the moving lyrics of Presley’s "Where No One Stands Alone," a song Lisa Marie recorded as a duet with her father over 50 years after he first released it and over 40 years after his death.

The book touches on themes of "love and loss and grief and mothers and daughters and addiction," Keough said, adding it was conceived as a way for Lisa Marie to tell her story in her own words and connect with others.

Much of the book is indeed in Lisa Marie’s words, as Keough faithfully listened to recordings of her mother recounting memories and experiences both big and small. Lisa Marie wrote openly about the day her father died, her relationship with her mother, her marriage to Michael Jackson, her struggles with addiction and her son Benjamin’s death in 2020, among many other parts of her life.

Although Lisa Marie's life had been tabloid fodder since days after her birth, her memoir details intimate moments at Graceland, including how she feared for Presley's health as a young girl. In the chapter titled "He's Gone," she wrote that as a child, she often worried about her father dying and even wrote a poem with the line "I hope my daddy doesn't die."

She also wrote that Graceland became a "free-for-all" the day of Presley's death in 1977, with those at the house taking jewelry and personal items "before he was even pronounced dead."

Lisa Marie's frank writing extends into the section focused on her headline-making marriage to Jackson from 1994 to 1996. She wrote that Jackson confessed his love for her while she was still married to Keough, and that him wanting to have children with her, along with his increasing reliance on prescription medications, is what fractured their relationship.

Keough said hearing her mother’s voice in the recordings was at times "heartbreaking," but she enjoyed listening to happy memories, like how her parents met and fell in love. Keough is one of two children Lisa Marie had with her first husband, musician Danny Keough, along with their late son Benjamin.

"It makes me want to tell everyone to talk to their parents and record them telling all the stories about how they met and all these things because it’s just very cool to have," she said.

Keough’s role was to fill in parts of Lisa Marie’s story that she hadn’t gotten to before her death in January 2023 from a small bowel obstruction caused by bariatric surgery she had years prior. Some of those gaps included lighter moments and happy memories from her mother’s adult life.

"Until my mom’s addiction, really, which was when I was 25, I think we would all say that we had a really beautiful and exceptionally lucky and wonderful life," Keough said. "I wouldn’t define our lives, collectively, as a tragedy. I think that there is so much more."

And while those funnier, lighthearted moments, like Lisa Marie zipping through Graceland on her golf cart and Keough playing hooky from school to hang out with her mother, are detailed throughout the book, Keough said Lisa Marie wanted to write about grief and about the loss of her son.

Writing about her experience grieving her brother and detailing his death by suicide "wasn’t something that came super naturally" to Keough, but she said she knew her mother wouldn’t have shied away from it. Lisa Marie wrote that she wanted to honor her son by sparking frank conversations about suicide, addiction and mental health.

"How do I heal?" Lisa Marie writes in the book. "By helping people."

For Keough, much of her life now has revolved around learning to live with grief and cope with the monumental losses she’s faced.

"My last four years have just been grief, like so much grief. But it’s just something that I walk around with. You just have a broken heart, and that’s just the way it is, and you just learn to live with these holes and the sadness and the pain and the love and the yearning and the missing and the confusion and all of it," Keough said. "It’s very complicated. I think that you just have to try and allow it to be there."

While being the daughter of the King of Rock & Roll and much of Lisa Marie's life consisted of singular experiences, but Keough said all her mother wanted through her memoir to "connect with people on a human level.

"Her goal was to tell her story so that people could relate and feel less alone in the world, which is why I think we tell stories," Keough said. "So, that’s my goal."