Jeff Probst a Constant for ‘Survivor’ as It Nears 44th Game

This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)
This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)
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Jeff Probst a Constant for ‘Survivor’ as It Nears 44th Game

This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)
This image released by CBS shows Jeff Probst in the premiere episode of the 44th season of the reality competition series "Survivor," airing March 1. (CBS via AP)

There was a time Jeff Probst could not imagine doing what he will on Wednesday, being on hand as host for the start of a 44th season of “Survivor.”

That’s not simply because of the transitory nature of television, where a 44th season of anything is a rarity, even a program that created a sensation when it first aired on CBS in the summer of 2000.

In those early days, there was a restlessness about Probst. He’d studied screenwriting, acted and wrote and directed a well-received indie film in 2001. He tried a short-lived talk show. He admits “I had a chip on my shoulder about being called a ‘host.’”

Yet as series creator Mark Burnett began stepping away, Probst added “producer” to his title and has since ascended to the level of “showrunner” — industry lingo that means he’s in charge of everything.

At age 61, he’s all in, an evangelist for “Survivor.”

“I have never been so excited to be part of the show,” he told The Associated Press in a recent interview. “I hope it’s apparent. I hope it’s clear that I’m really into ‘Survivor.’”

It remains a marvelously-designed game, one that tests survival skills in a forbidding — if lovely — environment along with the social and scheming skills to remain standing at the end to collect the $1 million prize. Even if one cast is a drag, “one of the show’s greatest strengths is that every season hits a reset button,” said Dalton Ross, executive editor at large at Entertainment Weekly and a veteran chronicler of the show.

So it can, um, survive a scandal like a player being kicked off in 2019 after being accused of inappropriately touching young women or tweaks that don’t work, like the “fire tokens” that were introduced and abandoned after one season.

Other new ideas, like a hidden immunity idol or the “David vs Goliath” season that Probst really loved, freshen the show as it adheres to a basic structure.

Producers were also ordered by CBS to increase diversity, which Probst said has added to the show’s richness. The 18 castaways for the new season include five Black contestants, three Latinos and an Asian American.

“People that don’t watch ‘Survivor,’ I think they may mistake it for some sort of survivalist’s show or they label it with this idea that it’s just a reality show,” Probst said. “When, really, ‘Survivor’ is one of the biggest adventures you can ever go on, either as a player or a viewer.”

As Probst became more involved in how the show was put together, there was a clear difference in how he did his job onscreen, Ross said.

“Jeff started to put more opinion and personality into his hosting,” he said. “Up to that point, it was more of a master of ceremonies role. You realized he could be the eyes and ears of the audience and can speak for the audience. It was one of the most important changes he made as a host. It made him an element in the game that the players had to contend with.”

“Survivor” has settled on Fiji as a permanent set after bouncing around for several years to different locations. The jungle is a character in itself. High-definition photography and drones makes things more visually appealing than ever, Ross said.

Probst demurs when asked his opinion of the best player ever, and admits some of the seasons start to run together. He’d lose a “Survivor” trivia contest, he said.

“I will see an early cut of an episode, and I can’t remember who was voted out, even though I was the one at Tribal Council who snuffed out their torch,” he said.

And, yes, he’s excited about the new season, calling it one of the most entertaining groups of players the show has put together in a while.

“It’s intoxicating,” he said. “I honestly believe one of the reasons we’re still on the air is that it’s compelling. If people watch the first episode of ‘Survivor’ 44,’ I don’t know how you’re not going to watch the second episode. You’re going to be hooked.”

Starting Wednesday, Probst will host a podcast with show producer Brittany Crapper and fan Jay Wolff that will air after the conclusion of each episode. “On Fire with Jeff Probst” will an insider’s look at how the show is put together, he said.

CBS doesn’t want to spoil the magic, but deepen the relationship with fans, he said.

With broadcast television struggling for viewers, “Survivor” is a dependable performer for CBS and is one of those rare family shows that people of all ages can enjoy. The show seems destined to be around for awhile and hard to imagine without the man who’s “not just the face of ‘Survivor’ but the pulse of ‘Survivor’ as well,” Ross said.

Asked if he would want to stay with the show as long as it’s on the air, Probst at first calls the question impossible.

Then he quickly answers.

“At this point, yes,” he said. “Really, yes. Because I’ve built my life around ‘Survivor’ and I’ve fashioned all of my creative ideas through ‘Survivor.’ Every single conversation, book I read, podcast I listen to, every single thing ... will get filtered through my ‘Survivor’ filter.”



Pulp Is Back for ‘More,’ Their First Album in 24 Years. Even the Britpop Band Is Surprised 

Jarvis Cocker of the band Pulp performs at the Hollywood Palladium in Los Angeles on Sept. 18, 2024, (AP) 
Jarvis Cocker of the band Pulp performs at the Hollywood Palladium in Los Angeles on Sept. 18, 2024, (AP) 
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Pulp Is Back for ‘More,’ Their First Album in 24 Years. Even the Britpop Band Is Surprised 

Jarvis Cocker of the band Pulp performs at the Hollywood Palladium in Los Angeles on Sept. 18, 2024, (AP) 
Jarvis Cocker of the band Pulp performs at the Hollywood Palladium in Los Angeles on Sept. 18, 2024, (AP) 

Pulp has returned with a new album, their first in 24 years. Who could’ve predicted that?

Not even the band, it turns out. “It took us by surprise as well,” dynamic frontman Jarvis Cocker told The Associated Press. “Why not?”

If there are casual Pulp fans, they don’t make themselves known. The ambitious Britpop-and-then-some band emerged in the late-'70s in Sheffield, England, artistic outsiders with a penchant for the glam, grim, and in the case of Cocker, the gawky. Fame alluded them until the mid-'90s, and then it rushed in with the trend of Cool Britannia.

Their songs varied wildly from their contemporaries, like the recently reunited Blur and soon-to-be back together Oasis. Instead, Pulp’s David Bowie-informed synth-pop arrived with humor, ambiguity and intellect — songs about class consciousness that manage to be groovy, glib, awkward and amorous all at once.

Then, and in the decades since, Pulp has inspired devotion from loyal fans across generations. They’ve charmed those lucky enough to catch band members in their heyday before a kind of careerism led to a hiatus in 2002 — and those who saw them for the first time during reunion tours in 2011 and 2022. With all that reputation on the line, it’s reassuring that the band has decided to give its audience “More,” their first new album in over two decades.

Give them ‘More’

There were a few catalysts for “More.” The first: “We could get along with each other still,” jokes drummer Nick Banks. “It wasn’t too painful.” The second: The band worked a new song into their recent reunion show run — “The Hymn of the North,” originally written for Simon Stephens’ 2019 play “Light Falls” — and people seemed to like it.

The third and most significant: The band’s bassist and core member Steve Mackey died in 2023.

“It made me realize that you don’t have endless amounts of time,” Cocker says. “You’ve still got an opportunity to create things, if you want to. Are you going to give it a go?”

And so, they did. Cocker assured his bandmates Banks, guitarist Mark Webber and keyboardist Candida Doyle that the recording process could be done quickly — in three weeks, lightspeed for a band that has infamously agonized over its latter records, like 1998’s “This Is Hardcore.”

Webber describes a “reticence to get involved in a yearslong process” that was alleviated when they started to work on new songs which came “quite easily.” That’s at least partially due to the fact that, for the first time in the history of the band, Cocker elected to “write the words in advance. ... It’s taken me until the age of 61 to realize it: If you write the words before you go into the studio, it makes it a much more pleasant experience.”

The 11 tracks that make up “More” are a combination of new and old songs written across Pulp’s career. The late Mackey has a writing credit on both the sultry, existential “Grown Ups” originally demoed around “This Is Hardcore,” and the edgy disco “Got to Have Love,” written around “the turn of the millennium,” as Cocker explains. “I did have words, but I found myself emotionally unable to sing them.”

“Without love you’re just making a fool of yourself,” he sings in the second verse. “I got nothing else to say about it.”

It makes sense, then, that the romantic song was held until “More,” when Cocker believed them — coincidentally, after he was married in June of last year.

A pop band reflects

Maturation — the literality of growing up on “Grown Ups” — is a prevalent theme on “More,” delivered with age-appropriate insight. “I was always told at school that I had an immature attitude. I just didn’t see any point in growing up, really. It seemed like all the fun was had by people when they were younger,” said Cocker.

“But, as I said on the back of the ‘This Is Hardcore’ album, it’s OK to grow up, as long as you don’t grow old. And I still agree with that, I think. Growing old is losing interest in the world and deciding that you’re not gonna change. You’ve done your bit and that’s it. That doesn’t interest me.”

“You have to retain an interest in the world and that keeps you alive,” he adds. “So, you grow up. And hopefully you live better, and you treat other people better. But you don’t grow old.”

In addition to “More,” 2025 marks the 30th anniversary of the song that defines their career, “Common People.”

“That one, we’ve never really fallen out of love with,” says Webber.

“Because of the way it affects people, really, you can’t fall out of love with it,” adds Cocker.

“More,” produced by James Ford (Arctic Monkeys, Fontaines D.C.), arrives Friday. The band will immediately embark on a UK and North American tour. Then, who knows? Is this the beginning of a new, active era for the band?

“The next one is going to be called ‘Even More,’” Cocker jokes. “Nah, I don’t know. The album wasn’t conceived of as a tombstone. ... The jury is out.”

“It wouldn’t be good for it to end up feeling like you’re stuck on a treadmill,” Banks adds. “And at the moment, it’s still pretty exciting.”