Review: John Wick Gets Even More Stylish in Fourth Episode

US actor Keanu Reeves arrives for the Los Angeles Premiere of "John Wick: Chapter 4" at the TCL Chinese Theatre in Hollywood, California, on March 20, 2023. (AFP)
US actor Keanu Reeves arrives for the Los Angeles Premiere of "John Wick: Chapter 4" at the TCL Chinese Theatre in Hollywood, California, on March 20, 2023. (AFP)
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Review: John Wick Gets Even More Stylish in Fourth Episode

US actor Keanu Reeves arrives for the Los Angeles Premiere of "John Wick: Chapter 4" at the TCL Chinese Theatre in Hollywood, California, on March 20, 2023. (AFP)
US actor Keanu Reeves arrives for the Los Angeles Premiere of "John Wick: Chapter 4" at the TCL Chinese Theatre in Hollywood, California, on March 20, 2023. (AFP)

A trip to Paris should be on everyone’s bucket list, even John Wick. The Eiffel Tower, the Arc de Triomphe, the Louvre — what better way to refresh your soul, even as you kick everyone else’s bucket?

The un-retired assassin does indeed dive into the City of Lights in the inventive and thrilling “John Wick: Chapter 4” a sequel which elevates and expands the franchise. The fourth installment is more stylish, more elegant and more bonkers — kind of like Paris itself.

When we last saw Wick, he was half dead in the gutter after being shot and tumbling several stories off the Hotel Continental in New York. He was on the blacklist with a $14 million price on his head. (Inflation has even hit this franchise: The bounty swells to $40 million by the end of part four.)

Wick, as always played with monosyllabic and brooding intensity by Keanu Reeves, leaves his customary trail of death, but there’s a shift here. So often the prey in the previous movies, Wick is on the offense in the fourth, taking his demands directly to The High Table, the group of shadowy crime lords that keep order.

This time, the Table’s sadistic frontman is a dandy called the Marquis, played with coiled menace by Bill Skarsgård, who spouts things like: “Second chances are the refuge of men who fail.” But he’s a secret coward, so feel free to boo loudly.

The nine-fingered Wick wants to end his nightmare, naturally, by killing everyone. His too-cool frenemy, Ian McShane’s Winston, challenges him to think differently: “Have you learned nothing?” he asks the man who, to be honest, he shot in the last movie. “You’ll run out of bullets before they run out of heads.”

Returning writer Shay Hatten, along with co-writer Michael Finch, have come up with a possible solution for Wick: Win an old-fashioned duel with the Marquis. Win and be free, lose and be buried.

Not so fast, of course. Along the way, Wick must somehow handle the blind martial arts master Caine, played by Donnie Yen, bringing humor and verve to a fighter who is tasked with either slaying his one-time friend or have his daughter killed.

There’s also Killa, a jumbo-sized card shark played by martial arts star Scott Adkins, and The Tracker, a very talented bounty hunter played by Shamier Anderson. Don’t forget a swarm of Paris-based amateur bounty-hunters and armored ninjas who seem as plentiful as the city’s baguettes.

All the touches you expect from a Wick flick are here — a cool dog, hand-to-hand combat amid glass display cases, candles and Christian iconography, galloping horses, the screech of metal swords and a new way to hurt someone, in this case, a single playing card. We visit Germany, Japan and end in France, even going to a disused subway platform.

Returning director Chad Stahelski loves combining neon with gloom and now has the budget to rent out space in the Louvre. Of the 14 action sequences — yes, 14 — a few are truly mind-blowing, like a fight in the middle of the traffic circle around the Arc de Triomphe and a drone capturing a complicated set piece in a building involving what is being called a dragon’s breath shotgun. Repeating that last bit: dragon’s breath shotgun.

If there was a bit of a slog through would-be assassins in “John Wick: Chapter 3 — Parabellum” — you know, shoot, stab, repeat — there is none here. One sequence on a set of outdoor stairs in Paris is almost riotously funny as knives and guns blast away, while the filmmakers add water and fire to a nightclub rave scene that puts clueless dancers next to axe-throwing murderers.

A shout-out to costume designer Paco Delgado, who has outfitted the baddie gunmen in light-colored three-piece suits and combat boots, and the executive baddies in fitted elegance with extravagant cravat-style ties. One of the film’s saddest parts is saying goodbye to Lance Reddick, who played Continental Hotel concierge Charon and died on the eve of the movie’s debut.

How does this all end? Actually, on something of a deflating note. Earlier in the film, Wick’s Japan-based friend Shimazu — played awesomely by Hiroyuki Sanada — had asked a question that eternally hangs over this franchise: “Have you given any thought to how this ends?”

This chapter ends in death, of course. But that’s also how it lives.



Netflix’s ‘Missing You’ Lands in Time for New Year Binge Watch

In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
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Netflix’s ‘Missing You’ Lands in Time for New Year Binge Watch

In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)
In this photo illustration a computer screen displays the Netflix logo on March 31, 2020 in Arlington, Virginia. (AFP)

It’s Netflix’s resolution every new year to give viewers a headscratcher in January.

Since 2020, the streamer has released a UK miniseries based on thriller book by Harlan Coben over the holidays. It seems to have paid off: “Fool Me Once,” starring Michelle Keegan, Adeel Akhtar and Joanna Lumley, launched this past January and became what Netflix says was one of their most watched shows of the year, amassing 108 million views.

2025’s seasonal suspense series is “Missing You,” based on Coben’s 2014 New York Times bestseller. It stars Rosalind Eleazar (“Slow Horses”) as Detective Inspector Kat Donovan, a police officer who specializes in finding missing people — apart from the fiance that vanished 11 years earlier.

“They know Jan. 1 is the sweet spot for them,” says actor Richard Armitage, who has appeared in each winter Coben adaptation, which relocates the stories from the books' America to the north of England. “People have ownership over the show now, so like, ‘I want my Harlan Coben show on New Year’s Day. Give me my Harlan Coben fix.’”

“It’s perfect timing for the release, to be honest,” says co-star Ashley Walters. “Most people are going to be hung over or, you know, just not have anything to do with the day.”

The show opens with the shock of Donovan's ex-fiance (Walters) popping up on a dating app, over a decade after she came home one day to find him gone.

“I’ve ghosted people before,” laughs Armitage. “Just people you don’t want to talk to anymore. Not digitally though.”

Another star, Jessica Plummer, isn’t a fan of those who disappear without saying goodbye, though.

“I’d just feel too guilty,” she admits, calling it “cowardly and lazy — sorry Richard!”

Eleazar promises twists and turns along the way, adding that the actors weren’t initially given the final two scripts and had to turn to the book to find out what happens.

Coben “really is a genius at taking you up the wrong track,” says Eleazar. “You’re so sure that this time you’ve got it right and it’s this person or this thing, but you are inevitably always wrong.”

“I would love to know, actually, how he starts a book, you know? Does it start with an idea or does he think of the most inconceivable idea and go, ‘That’s how it’s going to end’?” she adds.

Armitage agrees that “Missing You” does justice to the “hair-raising” shock ending of the book; “It’s like the rug is pulled away at the last minute.”

And while audiences at home can binge-watch the whole five-part series as 2025 is still finding its feet, the cast will be busy with a variety of pastimes.

Lenny Henry, who portrays Kat’s father, jokes that he usually wakes up to a new year surrounded by roast potatoes, while wearing pajamas.

Armitage likes to be outside and start fresh by skiing down a mountain, while Eleazar has plans to celebrate in style: She and a group of friends have a tradition where they rent a castle and dress up in themed costumes.

Past New Year's Eve parties have included donning 18th century garb in France and last year’s Versace-themed fete.

“I will be celebrating and really hoping that everyone loves this show on the 1st,” she says.