Review: John Wick Gets Even More Stylish in Fourth Episode

US actor Keanu Reeves arrives for the Los Angeles Premiere of "John Wick: Chapter 4" at the TCL Chinese Theatre in Hollywood, California, on March 20, 2023. (AFP)
US actor Keanu Reeves arrives for the Los Angeles Premiere of "John Wick: Chapter 4" at the TCL Chinese Theatre in Hollywood, California, on March 20, 2023. (AFP)
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Review: John Wick Gets Even More Stylish in Fourth Episode

US actor Keanu Reeves arrives for the Los Angeles Premiere of "John Wick: Chapter 4" at the TCL Chinese Theatre in Hollywood, California, on March 20, 2023. (AFP)
US actor Keanu Reeves arrives for the Los Angeles Premiere of "John Wick: Chapter 4" at the TCL Chinese Theatre in Hollywood, California, on March 20, 2023. (AFP)

A trip to Paris should be on everyone’s bucket list, even John Wick. The Eiffel Tower, the Arc de Triomphe, the Louvre — what better way to refresh your soul, even as you kick everyone else’s bucket?

The un-retired assassin does indeed dive into the City of Lights in the inventive and thrilling “John Wick: Chapter 4” a sequel which elevates and expands the franchise. The fourth installment is more stylish, more elegant and more bonkers — kind of like Paris itself.

When we last saw Wick, he was half dead in the gutter after being shot and tumbling several stories off the Hotel Continental in New York. He was on the blacklist with a $14 million price on his head. (Inflation has even hit this franchise: The bounty swells to $40 million by the end of part four.)

Wick, as always played with monosyllabic and brooding intensity by Keanu Reeves, leaves his customary trail of death, but there’s a shift here. So often the prey in the previous movies, Wick is on the offense in the fourth, taking his demands directly to The High Table, the group of shadowy crime lords that keep order.

This time, the Table’s sadistic frontman is a dandy called the Marquis, played with coiled menace by Bill Skarsgård, who spouts things like: “Second chances are the refuge of men who fail.” But he’s a secret coward, so feel free to boo loudly.

The nine-fingered Wick wants to end his nightmare, naturally, by killing everyone. His too-cool frenemy, Ian McShane’s Winston, challenges him to think differently: “Have you learned nothing?” he asks the man who, to be honest, he shot in the last movie. “You’ll run out of bullets before they run out of heads.”

Returning writer Shay Hatten, along with co-writer Michael Finch, have come up with a possible solution for Wick: Win an old-fashioned duel with the Marquis. Win and be free, lose and be buried.

Not so fast, of course. Along the way, Wick must somehow handle the blind martial arts master Caine, played by Donnie Yen, bringing humor and verve to a fighter who is tasked with either slaying his one-time friend or have his daughter killed.

There’s also Killa, a jumbo-sized card shark played by martial arts star Scott Adkins, and The Tracker, a very talented bounty hunter played by Shamier Anderson. Don’t forget a swarm of Paris-based amateur bounty-hunters and armored ninjas who seem as plentiful as the city’s baguettes.

All the touches you expect from a Wick flick are here — a cool dog, hand-to-hand combat amid glass display cases, candles and Christian iconography, galloping horses, the screech of metal swords and a new way to hurt someone, in this case, a single playing card. We visit Germany, Japan and end in France, even going to a disused subway platform.

Returning director Chad Stahelski loves combining neon with gloom and now has the budget to rent out space in the Louvre. Of the 14 action sequences — yes, 14 — a few are truly mind-blowing, like a fight in the middle of the traffic circle around the Arc de Triomphe and a drone capturing a complicated set piece in a building involving what is being called a dragon’s breath shotgun. Repeating that last bit: dragon’s breath shotgun.

If there was a bit of a slog through would-be assassins in “John Wick: Chapter 3 — Parabellum” — you know, shoot, stab, repeat — there is none here. One sequence on a set of outdoor stairs in Paris is almost riotously funny as knives and guns blast away, while the filmmakers add water and fire to a nightclub rave scene that puts clueless dancers next to axe-throwing murderers.

A shout-out to costume designer Paco Delgado, who has outfitted the baddie gunmen in light-colored three-piece suits and combat boots, and the executive baddies in fitted elegance with extravagant cravat-style ties. One of the film’s saddest parts is saying goodbye to Lance Reddick, who played Continental Hotel concierge Charon and died on the eve of the movie’s debut.

How does this all end? Actually, on something of a deflating note. Earlier in the film, Wick’s Japan-based friend Shimazu — played awesomely by Hiroyuki Sanada — had asked a question that eternally hangs over this franchise: “Have you given any thought to how this ends?”

This chapter ends in death, of course. But that’s also how it lives.



Venice Film Festival Prepares to Greet Angelina Jolie and 'Maria,' Her Film About Famed Opera Singer

FILE - Angelina Jolie appears at the 77th Tony Awards in New York on June 16, 2024. Jolie brings opera singer Maria Callas to life in “Maria.” (Photo by Evan Agostini/Invision/AP, File)
FILE - Angelina Jolie appears at the 77th Tony Awards in New York on June 16, 2024. Jolie brings opera singer Maria Callas to life in “Maria.” (Photo by Evan Agostini/Invision/AP, File)
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Venice Film Festival Prepares to Greet Angelina Jolie and 'Maria,' Her Film About Famed Opera Singer

FILE - Angelina Jolie appears at the 77th Tony Awards in New York on June 16, 2024. Jolie brings opera singer Maria Callas to life in “Maria.” (Photo by Evan Agostini/Invision/AP, File)
FILE - Angelina Jolie appears at the 77th Tony Awards in New York on June 16, 2024. Jolie brings opera singer Maria Callas to life in “Maria.” (Photo by Evan Agostini/Invision/AP, File)

Angelina Jolie has played an evil queen, a war correspondent, a hacker, an international spy and a sociopath and is now adding opera singer to her resume.
It’s not just any opera singer either: Jolie stars as the legendary soprano Maria Callas in a new film from Chilean filmmaker Pablo Larraín. “Maria” will have its world premiere in competition at the Venice Film Festival Thursday night, The Associated Press said.
Larraín, a Venice regular, continues his to explore the lives of very famous women with tragic narratives attached to them. In 2016, he came to the festival with his Jackie Kennedy portrait, “Jackie,” starring Natalie Portman as the first lady in the aftermath of her husband’s assassination. In 2021, he returned with Kristen Stewart playing Princess Diana as she considered divorce over the Christmas holiday in “Spencer.” Both films earned their leads best actress Oscar nominations.
“Maria” is the so-called conclusion to this trilogy of historical women, though Callas may be a bit less known to younger generations who weren’t around for the headlines and scandals. Born Maria Kalogeropoulos, to Greek parents in New York and made her professional debut in Athens as a 17-year-old.
During her brief life she became one of the greatest opera singers of all time with her unparalleled voice and stage presence; but the accolades also came with the intense scrutiny of her life in the public eye, whether it was her exacting demands and “diva” behavior, her weight or her romantic life. Callas famously had a relationship with shipping magnate Aristotle Onassis who left her for Jackie Kennedy.
She died in Paris at age 53 after a heart attack.
Larraín told Vanity Fair that Jolie trained for six months to prepare for the role. The singing in the film, which reportedly focuses on the final week of her life in 1977, is a blend of actor and the real thing.
Jolie has twice been nominated for acting Oscars. She won for her supporting role in “Girl, Interrupted," and was last nominated for her leading role in Clint Eastwood's “Changeling."
“Maria” was recently acquired by Netflix for distribution.
Jolie is expected to depart Venice before her ex-husband Brad Pitt arrives for the premiere of his film “Wolfs” on Sunday. Though legally single since 2019, they are still fighting over issues like custody, finances and a winery in France.
“Maria” is among the 21 features competing for the festival’s awards which will be announced on Sept. 7.