Gwyneth Paltrow Expected to Testify in Ski Collision Trial

Gwyneth Paltrow enters the courtroom after a lunch break in her trial, Thursday, March 23, 2023, in Park City, Utah, where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs. (AP Photo/Jeff Swinger, Pool)
Gwyneth Paltrow enters the courtroom after a lunch break in her trial, Thursday, March 23, 2023, in Park City, Utah, where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs. (AP Photo/Jeff Swinger, Pool)
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Gwyneth Paltrow Expected to Testify in Ski Collision Trial

Gwyneth Paltrow enters the courtroom after a lunch break in her trial, Thursday, March 23, 2023, in Park City, Utah, where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs. (AP Photo/Jeff Swinger, Pool)
Gwyneth Paltrow enters the courtroom after a lunch break in her trial, Thursday, March 23, 2023, in Park City, Utah, where she is accused in a lawsuit of crashing into a skier during a 2016 family ski vacation, leaving him with brain damage and four broken ribs. (AP Photo/Jeff Swinger, Pool)

Gwyneth Paltrow and the man who broke four ribs after the two collided at a Utah ski resort seven years ago are both expected to testify on Friday in a trial over his claims that the movie star's recklessness caused his concussion and lasting physical injuries.

Paltrow and Terry Sanderson, the retired optometrist suing her, are expected to answer questions about the crash as their attorneys jostle to convince the 10-member jury who was responsible for the collision and who had the right of way as the skier farther downhill. Paltrow claims Sanderson was responsible for the crash, The Associated Press said.

In a trial that Judge Kent Holmberg and attorneys for both parties have agreed will last eight days, with each side getting four to call witnesses, Friday marks the final day that Sanderson's attorneys can compel Paltrow to testify. Next week, Paltrow's team is expected to call medical experts, ski instructors and her two children, Moses and Apple.

The trial thus far has shone a spotlight on Park City, Utah — the posh ski town known for rolling out a red carpet for celebrities each January for the Sundance Film Festival — and Deer Valley Resort, where Paltrow and Sanderson were skiing on a Friday in February seven years ago. The resort is among the most upscale in North America, known for sunny slopes, après-ski champagne yurts and high-amenity lodges.

The proceedings have delved deep into the 76-year-old Sanderson's medical history and personality quirks, with attorneys questioning whether his deteriorating health and estranged relationships stemmed from the collision or more innate phenomenon, like aging or anger problems.

The trial has touched on themes ranging from skier’s etiquette to the power — and burden — of celebrity. The amount of money at stake for both sides pales in comparison to the typical legal costs of a multiyear lawsuit, private security detail and expert witness-heavy trial.

Sanderson claims Paltrow recklessly crashed into him while the two were skiing on a beginner run at Deer Valley Resort, breaking his ribs and causing a concussion. He is seeking “more than $300,000.” Paltrow has countersued for $1 and attorney fees.

Lawyers for Paltrow, an actor-turned-lifestyle influencer, spent much of Thursday raising questions about Sanderson's mentions of her wealth and celebrity as well as his “obsession” with the lawsuit.

The first three days of the trial through Thursday featured testimony from medical experts, Sanderson's personal doctor, a ski companion and his daughter, who said she noticed post-concussion symptoms less than a year after the accident and realized something had gone terribly wrong.

Paltrow's attorneys have cast doubt on Sanderson's medical experts and asked about whether his prior remarks suggest the lawsuit could be an attempt to exploit her fame and celebrity. Her lawyers Thursday asked Sanderson's daughter whether her father thought it was “cool” to collide with a celebrity like Paltrow, the Oscar-winning star of “Shakespeare in Love” and founder-CEO of lifestyle brand, Goop.



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."