Who Did It? Question Lingers in Murder Drama ‘The Night of the 12th’

Director Dominik Moll reacts as he receives the Best Director Award for his film "La Nuit du 12" (The Night of the 12th) during the 48th Cesar Awards ceremony in Paris, France, February 24, 2023. (Reuters)
Director Dominik Moll reacts as he receives the Best Director Award for his film "La Nuit du 12" (The Night of the 12th) during the 48th Cesar Awards ceremony in Paris, France, February 24, 2023. (Reuters)
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Who Did It? Question Lingers in Murder Drama ‘The Night of the 12th’

Director Dominik Moll reacts as he receives the Best Director Award for his film "La Nuit du 12" (The Night of the 12th) during the 48th Cesar Awards ceremony in Paris, France, February 24, 2023. (Reuters)
Director Dominik Moll reacts as he receives the Best Director Award for his film "La Nuit du 12" (The Night of the 12th) during the 48th Cesar Awards ceremony in Paris, France, February 24, 2023. (Reuters)

Crime dramas usually end with the culprit being caught, but French film "La Nuit du 12" ("The Night of the 12th") looks instead at how an unsolved murder takes its toll on the police investigator trying to solve it.

Inspired by a real-life case described in Pauline Guéna's book "18.3 - une année à la PJ" ("18.3 - A Year With the Crime Squad"), the film begins with the brutal murder of young woman Clara. Police investigator Yohan Vivès takes on the case, and while he digs into her life and interrogates suspect after suspect, he gets no closer to finding Clara's killer.

"When you have a crime story, you have the crime and then ... the public wants the criminal at the end," director Dominik Moll told Reuters.

"The fact that it was unresolved, I felt that it allowed to ... put the focus on other things, be it on the police procedural work itself, or on the journey of the main investigator Yohan, and how he evolves and what that non-resolution does to him."

At the core of the movie, which last month won best film and best director for Moll at France's Cesar Awards, is the relationship between men and women.

"When we started to work on the screenplay ... we quickly felt that because it was a femicide and because it was the murder of a young woman that men's violence and the relationship of men and women would be a theme or a part of the film that we had to explore as well," he said.

"What we also wanted to question was the fact that the police are still ... mostly an all-male world and as the young policewoman says at the end (of the film), isn't it strange that almost all the violence is committed by men and then it's mostly men who investigate on it."

Set in the Alps, the film premiered at last year's Cannes Film Festival and has been praised by critics and audiences. "We also got feedback ... especially from women ... about how the film had given them strength and they thanked us, as guys tackling such a subject," Moll said.

"For me, that is more important than the Cesar Awards, but it doesn't mean that it's not nice (to have won awards)."

"The Night of the 12th" is released in UK cinemas on Friday.



In Show Stretched over 50 Years, Slovenian Director Shoots for Space

The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
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In Show Stretched over 50 Years, Slovenian Director Shoots for Space

The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP

In an innovative show directed by Slovenian artist and space enthusiast Dragan Zivadinov, a crew of actors is putting on the same play once a decade over 50 years.

And if they die before the half-century run of performances ends? They are replaced by satellite-like devices that the director says will eventually be launched into space.

"If you ask me who will be the audience of these emancipated, auto-poetic devices -- it will be the Sun!" Zivadinov, 65, told AFP after the latest staging in the remote Slovenian town of Vitanje last month.

The first performance in the series took place on April 20, 1995, in the capital Ljubljana; the second was in Star City, a town outside Moscow that has prepared generations of Soviet and Russian cosmonauts. And the last one will be in 2045.

This time, 12 actors, most of them in their sixties, took part, wearing futuristic monochrome coveralls and dancing along a spaceship-like cross-shaped stage made of monitors.

Two so-called "umbots" -- artistic satellite-like devices emitting sounds -- replaced actors who have died since 1995.

'Makes you think'

Hundreds turned up to watch the play, "Love and Sovereignty", a tragedy set in the early 17th century by Croatian playwright Vladimir Stojsavljevic. It deals with power and art and features English playwright William Shakespeare as a character.

"It is an interesting experience, makes you think," Eneja Stemberger, who studies acting in Ljubljana, told AFP after watching the packed show.

Tickets offered for free online quickly ran out, but the organizers allowed even those who came without tickets to watch the show, standing or sitting on the floor.

German art consultant Darius Bork told AFP that he had already seen the play 10 years ago, describing Zivadinov's work as "absolutely fantastic".

Zivadinov became internationally recognized in the 1980s as one of the founders of Slovenia's avant-garde movement Neue Slowenische Kunst (New Slovenian Art), which criticized totalitarian regimes in then-Communist Yugoslavia.

At the end of the century, Zivadinov turned to develop "post-gravity art".

He also helped set up a space research center in Vitanje, named after the early space travel theorist Herman Potocnik, who went by the pseudonym of Noordung and whose work inspired Stanley Kubrick's film "2001: A Space Odyssey".

The Center Noordung hosted this year's and the 2015 performance.

The "Noordung: 1995-2025-2045" project's final performance will feature only "umbots" and so be "liberated from human influence", Zivadinov said.

At the end of the project, the "umbots" -- containing digitalized information, including the actors' DNA -- will be propelled into space to "culturize" it, he added, without detailing how he would do that.

"They will all be launched simultaneously, each one into a different direction, deep into space," he said.