Gwyneth Paltrow’s Ski Collision Trial Continues with Defense

Gwyneth Paltrow listens in court during her trial, Tuesday, March 28, 2023, in Park City, Utah. (AP)
Gwyneth Paltrow listens in court during her trial, Tuesday, March 28, 2023, in Park City, Utah. (AP)
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Gwyneth Paltrow’s Ski Collision Trial Continues with Defense

Gwyneth Paltrow listens in court during her trial, Tuesday, March 28, 2023, in Park City, Utah. (AP)
Gwyneth Paltrow listens in court during her trial, Tuesday, March 28, 2023, in Park City, Utah. (AP)

Gwyneth Paltrow’s attorneys are expected to continue relying mostly on experts to mount their defense on Wednesday, the seventh day of the trial over her 2016 ski collision with a 76-year-old retired optometrist.

The judge presiding over the trial in Park City has made it clear that he wants Paltrow’s defense team to rest their case by Thursday afternoon — in order to give the jury enough time to deliberate and come to a consensus.

Terry Sanderson, the Utah man suing Paltrow, is asking for more than $300,000, saying that Paltrow’s recklessness on the slope caused the crash, leaving him with four broken ribs and years of post-concussion symptoms including confusion, memory loss and irritability. Paltrow has countersued for a symbolic $1 and attorney fees, alleging that Sanderson veered into her from behind.

In the second week of trial, it’s clear that both sides have spared little expense to ensure they have a roster of expert witnesses on call in case needed. Amid intense time constraints, multiple witnesses testified for longer than anticipated.

Paltrow’s attorneys have asked Judge Kent Holmberg repeatedly to clarify the timeline for the eight-day trial. They reversed plans to cross-examine Sanderson in order to keep time on the clock for the four expert witnesses they said they had put up in a nearby hotel on Tuesday.

Much like Sanderson’s attorneys, Paltrow’s legal team is attempting to cram into four days all testimony from family members, doctors and an accident reconstruction expert. They said on Tuesday that they planned to call four additional experts to testify, but left the door open to call to the stand Paltrow or Brad Falchuk, her television producer husband.

Holmberg gave Sanderson’s side the same amount of time to make its case.

Last week, Paltrow took the stand and insisted the ski collision wasn’t her fault. Her lead counsel Steve Owens said earlier in the week that he planned to call Paltrow’s teenage children — 16-year-old Moses and 18-year-old Apple — to the witness stand. But since Sanderson’s testimony extended into Monday, Paltrow’s legal team read depositions from her two teenage children for the record, instead of calling them to the stand to testify.

Over the last two days, Paltrow’s defense team has relied mainly on expert witnesses, yet read depositions from Paltrow’s children into the record on Tuesday. They’ve attempted to hold the jury’s attention by playing multiple high-resolution animations while their witnesses — including a collision expert, biomedical engineer, physician and ski instructor — have all testified.

The animations have not been included as trial evidence. Still, Sanderson’s attorneys have objected to their inclusion, arguing that Paltrow’s team is using the animations to mislead the jury.

Though the trial has titillated spectators worldwide who’ve consumed video clips circulated as memes on social media, it has tested the jury, whose eight members have gradually sunk deeper into their chairs through hours of expert-witness testimony.

After both sides give closing arguments on Thursday, the jury will likely make their decision later that day or on Friday.



Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
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Alfonso Cuarón, Cate Blanchett Bring Series ‘Disclaimer’ to Venice Film Festival 

Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)
Cast member Cate Blanchett poses on the red carpet during arrivals for the screening of the mini-series "Disclaimer", out of competition, at the 81st Venice Film Festival, in Venice, Italy August 29, 2024. (Reuters)

Alfonso Cuarón is the first to admit that he does not know how to make a television series. He might even be too old to learn how, he said.

The Oscar-winning filmmaker has technically now made a series, the seven-part AppleTV+ show “Disclaimer,” four episodes of which premiered Thursday at the Venice Film Festival. But he did it his way: Like a film.

Based on Renée Knight’s 2015 book of the same name, “Disclaimer” is a psychological thriller about a documentarian and journalist, Catherine Ravenscroft (Cate Blanchett), who discovers she’s a character in a novel that reveals her darkest secret.

Cuarón, Blanchett and Kevin Kline all made the journey to the Italian film festival to debut and speak about the show before it begins streaming on Oct. 11.

“I read the book and immediately in my mind I saw a film, but I didn’t know how to make that film,” Cuarón, the director of films including “Gravity” and “Roma,” said in a news conference Thursday. “It was way too long. I could not shape it as such.”

It was only later, he said, that he thought it might work in longer form, inspired by predecessors like Rainer Werner Fassbinder, David Lynch and Krzysztof Kieślowski.

“I was intrigued and that was the point of departure,” Cuarón said.

He started writing with one name in mind for Catherine: Blanchett, terrified that she might say no. Not only did she not say no, she also was the one who suggested Kline for a British character. Sacha Baron Cohen plays her husband in the show and Kodi Smit-McPhee plays her son.

All soon realized that approaching it as a film, and shooting it as a film, would take much longer than a normal series. He even enlisted two cinematographers, Emmanuel Lubezki and Bruno Delbonnel, to add a distinct visual language to the different perspectives in the story. All told, it took about a year.

“It was a really long process,” Cuarón said. “And I really feel for the actors because they were stuck with the characters for way too long.”

Blanchett laughed that they were “still recovering.”

The final three episodes will screen Friday at the festival. Though the festival is most known for its feature film premieres, it does play host to select series as well. This year those also include Joe Wright’s Mussolini biopic “M: Son of the Century,” Rodrigo Sorogoyen’s “The New Years” and Thomas Vinterberg’s “Families Like Ours.”