Jodie Comer, Paul Mescal Take Acting Gold at Olivier Awards

Jodie Comer poses for photographers upon arrival at the Olivier Awards in London, Sunday, April 2, 2023. (AP)
Jodie Comer poses for photographers upon arrival at the Olivier Awards in London, Sunday, April 2, 2023. (AP)
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Jodie Comer, Paul Mescal Take Acting Gold at Olivier Awards

Jodie Comer poses for photographers upon arrival at the Olivier Awards in London, Sunday, April 2, 2023. (AP)
Jodie Comer poses for photographers upon arrival at the Olivier Awards in London, Sunday, April 2, 2023. (AP)

Screen stars Paul Mescal and Jodie Comer scored prizes at London’s Olivier Awards on Sunday for their first-ever West End stage roles, while a stage adaptation of Japanese animated classic “My Neighbor Totoro” won six trophies.

Irish actor Mescal – an Academy Award acting nominee this year for “Aftersun” – was named best actor in a play for his turn as the brutish Stanley Kowalski in “A Streetcar Named Desire” at the Almeida Theatre. Anjana Vasan won the best supporting actress award for playing Stella in Tennessee Williams’ scorching drama, which was named best revival.

Mescal, 27, said his rapid success “doesn’t feel real.”

“But it’s kind of happening at such a rate that there is no time to stop and think, ‘This is a phenomenal feeling,’” he said.

Liverpool-born Comer, 30, won the best actress in a play award for the one-person show “Prima Facie,” which she is taking to Broadway later this month. Suzie Miller’s drama about a lawyer dealing with the aftermath of a sexual assault was also named best new play.

Comer, who shot to fame as star of TV spy series “Killing Eve,” gave a shoutout “to any kids who haven’t been to drama school, who can’t afford to go to drama school, who has been rejected from drama school -- don’t let anyone tell you that it isn’t possible.”

“My Neighbor Totoro” was named best entertainment or comedy play at the Oliviers, the UK equivalent of Broadway’s Tony Awards. Phelim McDermott won best-director trophy for the Royal Shakespeare Company’s adaptation of Studio Ghibli’s magical coming-of-age film. It also took prizes for sound, lighting, costumes and sets.

“Standing at the Sky’s Edge,” an urban elegy set to the music of singer-songwriter Richard Hawley, was named best new musical, while an edgy, pared-down take on Rodgers and Hammerstein’s corn-fed classic “Oklahoma!” won the prize for best musical revival.

Arthur Darvill won the best-actor in a musical prize for playing Curly in “Oklahoma!” Katie Brayben was named best actress in a musical for playing televangelist Tammy Faye Bakker in the Almeida Theatre’s “Tammy Faye.”

Musical Supporting performance trophies went to Beverley Knight for hiphop suffragette story “Sylvia” and Zubin Varla for “Tammy Faye.” Will Keen was named best actor in a play for playing Vladimir Putin in “Patriots,” a play about the Russian leader’s relationship with oligarch Boris Berezovsky.

Keen called his character a “living, breathing, internationally recognized villain.”

Veteran actor Derek Jacobi received a lifetime achievement award to celebrate his six-decade career.

Hannah Waddingham – a West End musical star before she found TV fame as the owner of a struggling soccer team on “Ted Lasso” -- hosted the ceremony at London’s Royal Albert Hall, which included performances from musical nominees including “The Band’s Visit,” “Sylvia,” “Tammy Faye,” “Oklahoma!” and “Sister Act.”

The prizes were founded in 1976 and named for the late actor-director Laurence Olivier. Winners are chosen by voting groups of stage professionals and theatergoers.



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."